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Esferas separadas no más: convergencia de género en la literatura estadounidense, 1830-1930-
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Muncy, Pennsylvania, Estados Unidos
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Entrega prevista entre el mié. 25 sep. y el sáb. 28 sep. a 43230
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N.º de artículo de eBay:404302492411
Última actualización el 02 sep 2023 18:26:36 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Personalized
- No
- Subject
- American / General
- ISBN
- 9780817310363
- Subject Area
- Literary Criticism
- Publication Name
- Separate Spheres No more : Gender Convergence in American Literature, 1830-1930
- Publisher
- University of Alabama Press
- Item Length
- 9.2 in
- Publication Year
- 2000
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.3 in
- Item Weight
- 0 Oz
- Item Width
- 6.1 in
- Number of Pages
- 320 Pages
Acerca de este producto
Product Identifiers
Publisher
University of Alabama Press
ISBN-10
0817310363
ISBN-13
9780817310363
eBay Product ID (ePID)
1658658
Product Key Features
Number of Pages
320 Pages
Language
English
Publication Name
Separate Spheres No more : Gender Convergence in American Literature, 1830-1930
Publication Year
2000
Subject
American / General
Type
Textbook
Subject Area
Literary Criticism
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
0 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Edition Number
3
Intended Audience
Scholarly & Professional
LCCN
00-008068
Reviews
"Monika Elbert's essay collection offers a powerful contribution to the ongoing reexamination of separate spheres in nineteenth- and earlytwentieth century American and in American literary criticism." - South Atlantic Review, " Separate Spheres No More makes a significant contribution to recent revisionist work by feminist scholars who are questioning the idea of 'separate spheres' and 'the cult of true womanhood.' Like earlier feminist literary criticism, this collection represents a logical outgrowth of new cultural-historical scholarship, as it reveals 19th- and early 20th-century women exercising public power and effecting social change."--Leland S Person, The University of Alabama at Birmingham, "This collection enters vigorously into ongoing conversations about the shape and future of the American literary canon. Offering a compelling view of many neglected writers and new ways to read familiar ones, the collection will appeal to a wide readership. Innovative and interesting." --Karen L. Kilcup, University of North Carolina-Greensboro, "Monika Elbert's essay collection offers a powerful contribution to the ongoing reexamination of separate spheres in nineteenth- and earlytwentieth century American and in American literary criticism." -- South Atlantic Review, "This collection enters vigorously into ongoing conversations about the shape and future of the American literary canon. Offering a compelling view of many neglected writers and new ways to read familiar ones, the collection will appeal to a wide readership. Innovative and interesting." -Karen L. Kilcup, University of North Carolina-Greensboro, " Separate Spheres No More makes a significant contribution to recent revisionist work by feminist scholars who are questioning the idea of 'separate spheres' and 'the cult of true womanhood.' Like earlier feminist literary criticism, this collection represents a logical outgrowth of new cultural-historical scholarship, as it reveals 19th- and early 20th-century women exercising public power and effecting social change."-Leland S Person, The University of Alabama at Birmingham
Dewey Edition
21
Dewey Decimal
810.9/353
Synopsis
This collection examines the intersection of male and female spheres in American literature, arguing that more common ground exists than critics have previously recognized., Although they wrote in the same historical milieu as their male counterparts, women writers of the 19th- and early 20th-centuries have generally been "ghettoized" by critics into a separate canonical sphere. These original essays argue in favor of reconciling male and female writers, both historically and in the context of classroom teaching. While some of the essays pair up female and male authors who write in a similar style or with similar concerns, others address social issues shared by both men and women, including class tensions, economic problems, and the Civil War experience. Rather than privileging particular genres or certain well-known writers, the contributors examine writings ranging from novels and poetry to autobiography, utopian fiction, and essays. And they consider familiar figures like Harriet Beecher Stowe, Emily Dickinson, and Ralph Waldo Emerson alongside such lesser-known writers as Melusina Fay Peirce, Susie King Taylor, and Mary Gove Nichols. Each essay revises the binary notions that have been ascribed to males and females, such as public and private, rational and intuitive, political and domestic, violent and passive. Although they do not deny the existence of separate spheres, the contributors show the boundary between them to be much more blurred than has been assumed until now.
LC Classification Number
PS169.G45S47 2000
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