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Good Taste, Bad Taste, and Christian Taste: Aesthetics in Religious Life: Used
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Características del artículo
- Estado
- Book Title
- Good Taste, Bad Taste, and Christian Taste: Aesthetics in Religio
- Publication Date
- 2000-09-28
- Pages
- 336
- ISBN
- 9780195136111
- Subject Area
- Art, Religion, Philosophy
- Publication Name
- Good Taste, Bad Taste, and Christian Taste : Aesthetics in Religious Life
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6 in
- Subject
- Christian Theology / General, Aesthetics, Subjects & Themes / Religious, Christianity / Literature & the Arts
- Publication Year
- 2000
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.1 in
- Item Weight
- 15.4 Oz
- Item Width
- 9 in
- Number of Pages
- 336 Pages
Acerca de este producto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
019513611X
ISBN-13
9780195136111
eBay Product ID (ePID)
17038255894
Product Key Features
Number of Pages
336 Pages
Publication Name
Good Taste, Bad Taste, and Christian Taste : Aesthetics in Religious Life
Language
English
Subject
Christian Theology / General, Aesthetics, Subjects & Themes / Religious, Christianity / Literature & the Arts
Publication Year
2000
Type
Textbook
Subject Area
Art, Religion, Philosophy
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
15.4 Oz
Item Length
6 in
Item Width
9 in
Additional Product Features
Intended Audience
College Audience
LCCN
99-086563
Dewey Edition
21
Reviews
"Brown enfolds, true to the times and the academic spirit, a host ofreligious traditions and denomenations, seating them as equals at a roundtable....[he] stops short of any final moral judgment, for he is too much thescholar and too little the preacher to do so."--American Organist, "Some philosophers have dealt seriously with the difficult problem of taste. If there is another treatment as extensive as this one, I am not aware of it...As an intelligent and learned guide for those dealing with the use of art and music in the church, this book is, as far as I know,incomparable."--Theology Today, "A provocative analysis, sure to open new lines of dialogue between artists and believers."--Booklist, "Seldom are complexity and clarity, knowledge and commitment, religiousgenerosity and concreteness, faith and pluralism so evident as in thisvolume."--ARTS, This is a fascinating study: a book which gives the reader much to consider. Despite its teasing title, it is a serious examination of a serious subject, "Burch Brown has opened a way for a Christian theology to rejoin theongoing task of culture critique, setting forth a broad agenda for Christianaesthetics."--Anglican Theological Review, "Frank Burch Brown, F.D. Kerschner Professor of Religion and the Arts andChristian Theological Seminary, has written a book that is important forchurches seeking to understand themselves better and to more faithfully expresstheir common loyalty to Jesus Christ. Not only does it help in understanding thediversity of taste and contribute to an informed reflection on likes anddislikes in grassroots religious communities, but it also is a serioustheological consideration of aesthetics for criticism and dialogue in theso-called secular world."--Mid-Stream, "Brown enfolds, true to the times and the academic spirit, a host of religious traditions and denomenations, seating them as equals at a round table....[he] stops short of any final moral judgment, for he is too much the scholar and too little the preacher to do so."--American Organist, "A provocative analysis, sure to open new lines of dialogue betweenartists and believers."--Booklist, The author is not only an erudite and distinguished scholar but a fair-minded man who does full justice to the opinions of those whose positions in theology and aesthetics are different from his own, "Burch Brown has opened a way for a Christian theology to rejoin the ongoing task of culture critique, setting forth a broad agenda for Christian aesthetics."-- Anglican Theological Review, "Burch Brown has opened a way for a Christian theology to rejoin the ongoing task of culture critique, setting forth a broad agenda for Christian aesthetics."--Anglican Theological Review, "Seldom are complexity and clarity, knowledge and commitment, religious generosity and concreteness, faith and pluralism so evident as in this volume."--ARTS, "Frank Burch Brown, F.D. Kerschner Professor of Religion and the Arts and Christian Theological Seminary, has written a book that is important for churches seeking to understand themselves better and to more faithfully express their common loyalty to Jesus Christ. Not only does it help inunderstanding the diversity of taste and contribute to an informed reflection on likes and dislikes in grassroots religious communities, but it also is a serious theological consideration of aesthetics for criticism and dialogue in the so-called secular world."--Mid-Stream, "Burch Brown has opened a way for a Christian theology to rejoin the ongoing task of culture critique, setting forth a broad agenda for Christian aesthetics."--Anglican Theological Review"Burch Brown has opened a way for a Christian theology to rejoin the ongoing task of culture critique, setting forth a broad agenda for Christian aesthetics."--Anglican Theological Review"A provocative analysis, sure to open new lines of dialogue between artists and believers."--Booklist"Some philosophers have dealt seriously with the difficult problem of taste. If there is another treatment as extensive as this one, I am not aware of it...As an intelligent and learned guide for those dealing with the use of art and music in the church, this book is, as far as I know, incomparable."--Theology Today"Frank Burch Brown, F.D. Kerschner Professor of Religion and the Arts and Christian Theological Seminary, has written a book that is important for churches seeking to understand themselves better and to more faithfully express their common loyalty to Jesus Christ. Not only does it help in understanding the diversity of taste and contribute to an informed reflection on likes and dislikes in grassroots religious communities, but it also is a serious theologicalconsideration of aesthetics for criticism and dialogue in the so-called secular world."--Mid-Stream"Seldom are complexity and clarity, knowledge and commitment, religious generosity and concreteness, faith and pluralism so evident as in this volume."--ARTS"Brown enfolds, true to the times and the academic spirit, a host of religious traditions and denomenations, seating them as equals at a round table....[he] stops short of any final moral judgment, for he is too much the scholar and too little the preacher to do so."--American Organist
Illustrated
Yes
Dewey Decimal
246
Synopsis
Christians frequently come into conflict with themselves and others over such matters as music, popular culture, and worship style. Yet they usually lack any theology of art or taste adequate to deal with aesthetic disputes. In this provocative book, Frank Burch Brown offers a constructive, "ecumenical" approach to artistic taste and aesthetic judgment--a non-elitist but discriminating theological aesthetics that has "teeth but no fangs." While grounded in history and theory, this book takes up such practical questions as: How can one religious community accommodate a variety of artistic tastes? What good or harm can be done by importing music that is worldly in origin into a house of worship? How can the exercise of taste in the making of art be a viable (and sometimes advanced) spiritual discipline? In exploring the complex relation between taste, religious imagination, and faith, Brown offers a new perspective on what it means to be spiritual, religious, and indeed Christian., Christians frequently come into conflict with themselves and others over such matters as music, popular culture, and worship style. Yet they usually lack any theology of art or taste adequate to deal with aesthetic disputes. In this provocative book, Frank Burch Brown offers a constructive, 'ecumenical' approach to artistic taste and aesthetic judgment--a non-elitist but discriminating theological aesthetics that has 'teeth but no fangs'.While grounded in history and theory, this book takes up such practical questions as: How can one religious community accommodate a variety of artistic tastes? What good or harm can be done by importing music that is worldly in origin into a house of worship? How can the exercise of taste in the making of art be a viable (and sometimes advanced) spiritual discipline? In exploring the complex relation between taste, religious imagination, and faith, Brown offers a new perspective on what it means to be spiritual, religious, and indeed Christian.
LC Classification Number
BR115.A8B785 2000
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