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The Post-Soul Cinema of Kasi Lemmons de Dianah Wynter: Usado-
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N.º de artículo de eBay:285608142447
Última actualización el 14 may 2024 16:49:00 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Publication Date
- 2023-02-10
- ISBN
- 9783031128691
- Book Title
- Post-Soul Cinema of Kasi Lemmons
- Publisher
- Springer International Publishing A&G
- Item Length
- 8.3 in
- Publication Year
- 2023
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Genre
- Performing Arts, Social Science
- Topic
- Television / Direction & Production, Sociology / General, Film / Direction & Production
- Item Weight
- 11.5 Oz
- Item Width
- 5.8 in
- Number of Pages
- Xii, 129 Pages
Acerca de este producto
Product Identifiers
Publisher
Springer International Publishing A&G
ISBN-10
3031128699
ISBN-13
9783031128691
eBay Product ID (ePID)
27057279933
Product Key Features
Book Title
Post-Soul Cinema of Kasi Lemmons
Number of Pages
Xii, 129 Pages
Language
English
Topic
Television / Direction & Production, Sociology / General, Film / Direction & Production
Publication Year
2023
Illustrator
Yes
Genre
Performing Arts, Social Science
Format
Hardcover
Dimensions
Item Weight
11.5 Oz
Item Length
8.3 in
Item Width
5.8 in
Additional Product Features
Dewey Edition
23
TitleLeading
The
Number of Volumes
1 vol.
Dewey Decimal
791.430233092
Table Of Content
Chapter 1. Introduction by D. E. Wynter, California State University Northridge.- Chapter 2. Some Illnesses are Hard to Put a Finger on: Race, Memory and Revision in Eve's Bayou Chinaza Okoli .- Chapter 3. The Caveman's Valentine : Fight the Towers that Be D. E. Wynter.- Chapter 4. Talk to Me : A Post-Soul Allegory Jonathan Tazewell.- Chapter 5. Black Nativities: Transgressing Tradition Monique Taylor.- Chapter 6. Framing the Feminine: Constructing Black Female Subjectivity in Harriet Joi Carr .- Chapter 7. Conclusion: Lemmons and the Art of Post-Soul Resistance.
Synopsis
In this edited volume, Kasi Lemmons, the first African-American woman auteur to solidly and steadily produce a full body of work in cinema-an oeuvre of quality, of note, of international recognition-will get the full film-studies treatment. This collection offers the first scholarly examination of Lemmons' films through various frameworks of film theory, illuminating her highly personal, unique, and rare vision. In Lemmons' worldview, the spiritual and the supernatural manifest in the natural, corporeal world. She subtly infuses her work with such images and narratives, owning her formalism, her modernist aesthetic, her cinematic preoccupations and her ontological leanings on race. Lemmons holds the varied experiences of African-American life before her lens-the ambitious bourgeoise, the spiritually lost, the ill and discarded, and the historically erased-and commits to capturing the nuances and differentiations, rather than perpetuating essentialized portrayals. This collection delves into Lemmons' iconoclastic drive and post-soul aesthetic as emanations of her attitudes toward personal agency, social agency, and social justice., In this edited volume, Kasi Lemmons, the first African-American woman auteur to solidly and steadily produce a full body of work in cinema--an oeuvre of quality, of note, of international recognition--will get the full film-studies treatment. This collection offers the first scholarly examination of Lemmons' films through various frameworks of film theory, illuminating her highly personal, unique, and rare vision. In Lemmons' worldview, the spiritual and the supernatural manifest in the natural, corporeal world. She subtly infuses her work with such images and narratives, owning her formalism, her modernist aesthetic, her cinematic preoccupations and her ontological leanings on race. Lemmons holds the varied experiences of African-American life before her lens--the ambitious bourgeoise, the spiritually lost, the ill and discarded, and the historically erased--and commits to capturing the nuances and differentiations, rather than perpetuating essentialized portrayals. This collection delves into Lemmons' iconoclastic drive and post-soul aesthetic as emanations of her attitudes toward personal agency, social agency, and social justice.
LC Classification Number
PN1995.9.P7
Descripción del artículo del vendedor
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