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Conversaciones con Edna O'Brien de Alice Hughes Kersnowski: Nuevo-
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Características del artículo
- Estado
- Book Title
- Conversations with Edna O'brien
- Publication Date
- 2018-12-01
- Pages
- 128
- ISBN
- 9781496820150
- Book Series
- Literary Conversations Ser.
- Publisher
- University Press of Mississippi
- Item Length
- 9 in
- Publication Year
- 2018
- Format
- Trade Paperback
- Language
- English
- Genre
- Literary Criticism, Biography & Autobiography
- Topic
- Literary, European / English, Irish, Scottish, Welsh
- Item Weight
- 12.3 Oz
- Item Width
- 6 in
- Number of Pages
- 128 Pages
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Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1496820150
ISBN-13
9781496820150
eBay Product ID (ePID)
26038615046
Product Key Features
Book Title
Conversations with Edna O'brien
Number of Pages
128 Pages
Language
English
Publication Year
2018
Topic
Literary, European / English, Irish, Scottish, Welsh
Genre
Literary Criticism, Biography & Autobiography
Book Series
Literary Conversations Ser.
Format
Trade Paperback
Dimensions
Item Weight
12.3 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2013-018593
Dewey Edition
23
Dewey Decimal
823.914
Synopsis
Collected interviews covering over fifty years of this acclaimed and controversial Irish author's career, ?Who?s afraid of Edna O?Brien?? asks an early interviewer in Conversations with Edna O?Brien . With over fifty years of published novels, biographies, plays, telecasts, short stories, and more, it is hard not to be intimidated by her. An acclaimed and controversial Irish writer, O?Brien (b. 1930) saw her early works, starting in 1960 with The Country Girls , banned and burned in Ireland, but often read in secret. Her contemporary work continues to spark debates on the rigors and challenges of Catholic conservatism and the struggle for women to make a place for themselves in the world without anxiety and guilt. The raw nerve of emotion at the heart of her lyrical prose provokes readers, challenges politicians, and proves difficult for critics to place her. In these interviews, O?Brien finds her own critical voice and moves interviewers away from a focus on her life as the ?once infamous Edna? toward a focus on her works. Parallels between Edna O?Brien and her literary muse and mentor, James Joyce, are often cited in interviews such as Philip Roth?s description of The Country Girls as a ?rural Dubliners .? While Joyce is the centerpiece of O?Brien?s literary pantheon, allusions to writers such as Shakespeare, Chekhov, Beckett, and Woolf become a medium for her critical voice. Conversations with contemporary writers Philip Roth and Glenn Patterson reveal Edna O?Brien?s sense of herself as a contemporary writer. The final interview included here, with BBC personality William Crawley at Queen?s University Belfast, is a synthesis of her acceptance and fame as an Irish writer and an Irish woman and an affirmation of her literary authority., "Who's afraid of Edna O'Brien?" asks an early interviewer in Conversations with Edna O'Brien . With over fifty years of published novels, biographies, plays, telecasts, short stories, and more, it is hard not to be intimidated by her. An acclaimed and controversial Irish writer, O'Brien (b. 1930) saw her early works, starting in 1960 with The Country Girls , banned and burned in Ireland, but often read in secret. Her contemporary work continues to spark debates on the rigors and challenges of Catholic conservatism and the struggle for women to make a place for themselves in the world without anxiety and guilt. The raw nerve of emotion at the heart of her lyrical prose provokes readers, challenges politicians, and proves difficult for critics to place her. In these interviews, O'Brien finds her own critical voice and moves interviewers away from a focus on her life as the "once infamous Edna" toward a focus on her works. Parallels between Edna O'Brien and her literary muse and mentor, James Joyce, are often cited in interviews such as Philip Roth's description of The Country Girls as a "rural Dubliners ." While Joyce is the centerpiece of O'Brien's literary pantheon, allusions to writers such as Shakespeare, Chekhov, Beckett, and Woolf become a medium for her critical voice. Conversations with contemporary writers Philip Roth and Glenn Patterson reveal Edna O'Brien's sense of herself as a contemporary writer. The final interview included here, with BBC personality William Crawley at Queen's University Belfast, is a synthesis of her acceptance and fame as an Irish writer and an Irish woman and an affirmation of her literary authority., "Who's afraid of Edna O'Brien?" asks an early interviewer in Conversations with Edna O'Brien. With over fifty years of published novels, biographies, plays, telecasts, short stories, and more, it is hard not to be intimidated by her. An acclaimed and controversial Irish writer, O'Brien (b. 1930) saw her early works, starting in 1960 with The Country Girls, banned and burned in Ireland, but often read in secret. Her contemporary work continues to spark debates on the rigors and challenges of Catholic conservatism and the struggle for women to make a place for themselves in the world without anxiety and guilt. The raw nerve of emotion at the heart of her lyrical prose provokes readers, challenges politicians, and proves difficult for critics to place her. In these interviews, O'Brien finds her own critical voice and moves interviewers away from a focus on her life as the "once infamous Edna" toward a focus on her works. Parallels between Edna O'Brien and her literary muse and mentor, James Joyce, are often cited in interviews such as Philip Roth's description of The Country Girls as a "rural Dubliners." While Joyce is the centerpiece of O'Brien's literary pantheon, allusions to writers such as Shakespeare, Chekhov, Beckett, and Woolf become a medium for her critical voice. Conversations with contemporary writers Philip Roth and Glenn Patterson reveal Edna O'Brien's sense of herself as a contemporary writer. The final interview included here, with BBC personality William Crawley at Queen's University Belfast, is a synthesis of her acceptance and fame as an Irish writer and an Irish woman and an affirmation of her literary authority., Who's afraid of Edna O'Brien? asks an early interviewer in Conversations with Edna O'Brien . With over fifty years of published novels, biographies, plays, telecasts, short stories, and more, it is hard not to be intimidated by her. An acclaimed and controversial Irish writer, O'Brien (b. 1930) saw her early works, starting in 1960 with The Country Girls , banned and burned in Ireland, but often read in secret. Her contemporary work continues to spark debates on the rigors and challenges of Catholic conservatism and the struggle for women to make a place for themselves in the world without anxiety and guilt. The raw nerve of emotion at the heart of her lyrical prose provokes readers, challenges politicians, and proves difficult for critics to place her. In these interviews, O'Brien finds her own critical voice and moves interviewers away from a focus on her life as the ""once infamous Edna"" toward a focus on her works. Parallels between Edna O'Brien and her literary muse and mentor, James Joyce, are often cited in interviews such as Philip Roth's description of The Country Girls as a ""rural Dubliners ."" While Joyce is the centerpiece of O'Brien's literary pantheon, allusions to writers such as Shakespeare, Chekhov, Beckett, and Woolf become a medium for her critical voice. Conversations with contemporary writers Philip Roth and Glenn Patterson reveal Edna O'Brien's sense of herself as a contemporary writer. The final interview included here, with BBC personality William Crawley at Queen's University Belfast is a synthesis of her acceptance and fame as an Irish writer and an Irish woman and an affirmation of her literary authority.
LC Classification Number
PR6065.B7Z66 2014
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