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Estética cosmológica a través de lo sublime kantiano y dionisíaco nietzscheano-
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N.º de artículo de eBay:195686123824
Última actualización el 14 sep 2024 14:57:24 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9780761861560
- Subject Area
- Philosophy
- Publication Name
- Cosmological Aesthetics Through the Kantian Sublime and Nietzschean Dionysian
- Publisher
- University Press of America, Incorporated
- Item Length
- 9.2 in
- Subject
- Individual Philosophers, History & Surveys / Ancient & Classical, Aesthetics, Metaphysics
- Publication Year
- 2013
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.8 in
- Item Weight
- 16 Oz
- Item Width
- 6.3 in
- Number of Pages
- 222 Pages
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Product Identifiers
Publisher
University Press of America, Incorporated
ISBN-10
0761861564
ISBN-13
9780761861560
eBay Product ID (ePID)
174840580
Product Key Features
Number of Pages
222 Pages
Language
English
Publication Name
Cosmological Aesthetics Through the Kantian Sublime and Nietzschean Dionysian
Publication Year
2013
Subject
Individual Philosophers, History & Surveys / Ancient & Classical, Aesthetics, Metaphysics
Type
Textbook
Subject Area
Philosophy
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
16 Oz
Item Length
9.2 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2013-951413
Reviews
This is a deeply impressive book. Well-researched and argued, it proposes nothing less than a principle of motion/transition that operates prior to the object/subjecte"or phenomena/noumenae"split. . . . There are many highly original parts. . . . For myself, however, the excursus is the most exciting and compelling part of this work. I am very taken with the image of the spiral, and, indeed, with the reading of Van Goghe(tm)s Starry Night. . . . Indeed, there are parts here that are beautifully written, poetic, and grand., This is a deeply impressive book. Well-researched and argued, it proposes nothing less than a principle of motion/transition that operates prior to the object/subject--or phenomena/noumena--split. . . . There are many highly original parts. . . . For myself, however, the excursus is the most exciting and compelling part of this work. I am very taken with the image of the spiral, and, indeed, with the reading of Van Gogh's Starry Night. . . . Indeed, there are parts here that are beautifully written, poetic, and grand.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
111/.85
Table Of Content
Acknowledgments Introduction Chapter One: On "Transition" as one of the Founding Principles of Cosmological Aesthetics and its Applications in the Kantian Sublime and Nietzschean Dionysian Prelude: The Heraclitean Logos and the Principle of Transition On the Principle of Transition as the Foundation of Cosmological Aesthetics with Reference to Opus Postumum On the Human Faculty of Sense-Intuition (Anschauung) through which the Transition Takes Place On the Power of Judgment as the Faculty that Regulates and Determines the Transition The Principle of Transition and Cosmological Transcendentalism The Kantian Sublime as a Theory of Cosmological Aesthetics Representing the Transition The Nietzschean Dionysian as a Theory of Cosmological Aesthetics Representing the Transition On the Principle of Transition as Genius in Kantian and Nietzschean Aesthetics Conclusion Chapter Two: On "Motion" as one of the Founding Principles of Cosmological Aesthetics with Regards to the Heraclitean, Kantian and Nietzschean Cosmology Prelude: Heraclitean Phusis as the Principle of Motion Kant's Principle of Motion and Metaphysics of Nature Nietzsche's Principle of Motion and the Dionysian as a Cosmological Principle Conclusion Excursus: A Cosmological-Aesthetic Analysis Of Van Gogh's Starry Night Conclusion Bibliography Index
Synopsis
Erman Kaplama explores the principle of transition (Übergang) from metaphysics to physics developed by Kant in his unfinished magnum opus, Opus Postumum. Drawing on the Heraclitean logos and Kant's notions of sense-intuition (Anschauung) and reflective judgment, Kaplama interprets transition as an aesthetic principle. He revises the idea of nature (phusis) as the principle of motion referring to Heraclitus' cosmology as well as Heidegger's and Nietzsche's lectures on the pre-Socratics. Kaplama compares the Kantian sublime and Nietzschean Dionysian as aesthetic theories representing the transition from the sensible to supersensible and as cosmological theories that consider human nature (ethos) as an extension of nature. In light of such Nietzschean notions as the eternal recurrence and will to power, the Dionysian is shown to trigger the transition by which nature and art are redefined. Finally, Cosmological Aesthetics employs the principles of transition and motion to analyze Van Gogh's Starry Night in an excursus., Erman Kaplama explores the principle of transition ( bergang) from metaphysics to physics developed by Kant in his unfinished magnum opus, Opus Postumum. Drawing on the Heraclitean logos and Kant's notions of sense-intuition (Anschauung) and reflective judgment, Kaplama interprets transition as an aesthetic principle. He revises the idea of nature (phusis) as the principle of motion referring to Heraclitus' cosmology as well as Heidegger's and Nietzsche's lectures on the pre-Socratics. Kaplama compares the Kantian sublime and Nietzschean Dionysian as aesthetic theories representing the transition from the sensible to supersensible and as cosmological theories that consider human nature (ethos) as an extension of nature. In light of such Nietzschean notions as the eternal recurrence and will to power, the Dionysian is shown to trigger the transition by which nature and art are redefined. Finally, Cosmological Aesthetics employs the principles of transition and motion to analyze Van Gogh's Starry Night in an excursus., Comparing the Kantian sublime and Nietzschean Dionysian, Erman Kaplama introduces two new principles to philosophy of art: transition and motion. Drawing on the Heraclitean logos and phusis, he explores the notion of transition (Übergang) in Kant's Opus Postumum and revises the idea of nature as the principle of motion (phusis).
LC Classification Number
BH39
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