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Una temporada de ópera: de Orfeo a Ariadna por Lee, M. Owen-
by Lee, M. Owen | PB | Good
USD5,95
Aproximadamente5,34 EUR
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En buen estado
Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Aurora, Illinois, Estados Unidos
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Entrega prevista entre el vie. 27 sep. y el lun. 30 sep. a 43230
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N.º de artículo de eBay:144949155507
Última actualización el 20 sep 2024 03:06:36 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En buen estado
- Notas del vendedor
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780802083876
- Book Title
- Season of Opera : from Orpheus to Ariadne
- Publisher
- University of Toronto Press
- Item Length
- 8.7 in
- Publication Year
- 2000
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Genre
- Music
- Topic
- History & Criticism, Genres & Styles / Opera
- Item Weight
- 23.5 Oz
- Item Width
- 5.6 in
- Number of Pages
- 254 Pages
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Product Identifiers
Publisher
University of Toronto Press
ISBN-10
0802083870
ISBN-13
9780802083876
eBay Product ID (ePID)
1785579
Product Key Features
Book Title
Season of Opera : from Orpheus to Ariadne
Number of Pages
254 Pages
Language
English
Publication Year
2000
Topic
History & Criticism, Genres & Styles / Opera
Genre
Music
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
23.5 Oz
Item Length
8.7 in
Item Width
5.6 in
Additional Product Features
Intended Audience
Trade
Reviews
'[Lee's] passion for opera and his sensitivity to what the works say about the human spirit make his essays a great pleasure to read.' --Publishers Weekly '[Lee] describes the music so vividly that you want to rush right over and hear it... The best thing about this book is that it does what all good books about music should do - send the reader back to the music with fresh ears and an open mind.' --The Globe and Mail 'The breadth and depth of [Lee's] scholarship preclude [the chapters'] being an easy or quick read. They are, however, uniformly entertaining and deeply rewarding.' --Wayne Gooding, Opera Canada, '[Lee's passion for opera and his sensitivity to what the works say about the human spirit make his essays a great pleasure to read.', '[Lee describes the music so vividly that you want to rush right over and hear it ... The best thing about this book is that it does what all good books about music should do - send the reader back to the music with fresh ears and an open mind.', 'The breadth and depth of [Lee's scholarship preclude [the chapters' being an easy or quick read. They are, however, uniformly entertaining and deeply rewarding.'
TitleLeading
A
Dewey Edition
21
Dewey Decimal
782.1/015
Synopsis
Father Owen Lee is internationally known for his intermission commentaries featured during the Saturday afternoon broadcasts from the Metropolitan Opera House in New York. A Season of Opera: From Orpheus to Ariadne gathers together for the first time Father Lee's best broadcast and cassette commentaries, public lectures, and articles on twenty-three works for the musical stage. The essays range from the pioneering Orpheus of Monteverdi to the forward-looking Ariadne of Richard Strauss. Included are Father Lee's famous discussions of Mozart's Magic Flute and Beethoven's Fidelio , Verdi's La Traviata and Falstaff , Wagner's Tristan und Isolde , and Poulenc's Dialogues of the Carmelites . The concluding chapter, originally published as the lead article in The Opera Quarterly 's special issue on the end of the twentieth century, is a thought-provoking forecast of opera's future. Recommendations for further reading, CD recordings, and videos are also included. Opera Canada has applauded Father Lee's 'extraordinary ability to engage, challenge, and enlighten a vast and diverse audience' and called his learning-worn-lightly commentaries 'a unique mix of spiritual empathy, classical scholarship, and psychological insight.' Opera lovers, or anyone interested in psychology and mythology, humanities and comparative literature, or the art of the essay will welcome this book., Father Lee is internationally known for his commentaries on opera. This book gathers his best commentaries and articles on 23 works for the musical stage, from the pioneering Orpheus of Monteverdi to the forward-looking Ariadne of Richard Strauss.
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