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African American Cultural Theory and Heritage Ser.: The Black Horn : The Story of Classical French Hornist Robert Lee Watt by Robert Lee Watt (2016, Trade Paperback)

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Title: The Black Horn: The Story of Classical French Hornist Robert Lee Watt (African Item Condition: New. Will be clean, not soiled or stained. Books will be free of page markings. ).

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Today, the number of African Americans who hold chairs in major American symphony orchestras are few and far between, and Watt is the first in many years to write about this uniquely exhilarating--and at times painful--experience.

Product Identifiers

Publisher
Rowman & Littlefield Publishers, Incorporated
ISBN-10
1442268719
ISBN-13
9781442268715
eBay Product ID (ePID)
219495188

Product Key Features

Author
Robert Lee Watt
Publication Name
Black Horn : the Story of Classical French Hornist Robert Lee Watt
Format
Trade Paperback
Language
English
Subject
Genres & Styles / Classical, Composers & Musicians, Entertainment & Performing Arts, Individual Composer & Musician, Ethnic
Publication Year
2016
Series
African American Cultural Theory and Heritage Ser.
Type
Textbook
Subject Area
Biography & Autobiography, Music
Number of Pages
300 Pages

Dimensions

Item Length
9 in
Item Height
0.8 in
Item Width
6 in
Item Weight
16 Oz

Additional Product Features

Intended Audience
Scholarly & Professional
Lc Classification Number
Ml419.W38a3 2016
Reviews
Robert Lee Watt didn't allow racial stereotypes and the low expectations of others to hold him back. From the beginning, the classical musician used that negativity as his fuel to excel... The Black Horn is candid and often humorous. Watt's stories of transcending racial and class discrimination are especially edifying., Certainly there is wisdom to be imparted by a musician of Watt's experience. One has to admire his perseverance and tenacity in remaining with what was obviously a contentious section for so many years., Black Horn takes on the life of Watt with raw honesty, humor, and diversity. Watt describes every situation with precise detail. Nothing is left to the imagination. Through intimate encounters, the feeling of being disrespected by peers, and a lack of support throughout his early years as a musician, Watt evokes the emotions behind what it's like for him to be a successful African-American classical musician., Black Horn takes on the life of Watt with raw honesty, humor, and diversity. Watt describes every situation with precise detail. Nothing is left to the imagination. Through intimate encounters, the feeling of being disrespected by peers, and a lack of support throughout his early years as a musician, Watt evokes the emotions behind what it's like for him to be a successful African-American classical musician., Robert Lee Watt didn't allow racial stereotypes and the low expectations of others to hold him back. From the beginning, the classical musician used that negativity as his fuel to excel... The Black Horn is candid and often humorous. Watt's stories of transcending racial and class discrimination are especially edifying.
Table of Content
Chapter 1: Prelude Chapter 2: Early Memories Chapter 3: Back to Asbury Park Chapter 4: Left Back Chapter 5: First Love Chapter 6: Music Chose Me Chapter 7: Adolescent Secrets Chapter 8: A Random Blessing Chapter 9: First Date Chapter 10: Pleasure and Pain Chapter 11: Lessons in Life Chapter 12: My Great Escape Chapter 13: First Sweet Victory Chapter 14: Tension Chapter 15: Welcome to the World Chapter 16: Music Camp/Boston Pops Chapter 17: Best Summer Chapter 18: Turning Pro Chapter 19: Loving a Colored Girl Chapter 20: Greeting Manhood Chapter 21: In Love / Tanglewood Chapter 22: The Musical Mountain Chapter 23: First Audition Chapter 24: Madness! Chapter 25: The Los Angeles Philharmonic Chapter 26: The Dream Chapter 27: Black Los Angeles Chapter 28: Deeper Into the Dream Chapter 29: Emotions Miscellaneous Chapter 30: To Viet Nam? Chapter 31: On with Life Chapter 32: Fear of Flying Chapter 33: Japan Chapter 34: The New Black Player / The Ark Chapter 35: Leave the LA Philharmonic? Chapter 36: What we fear the most Chapter 37: Conversations with Jerome Ashby Chapter 38: Challenged by a Peer Chapter 39: Give it up Chapter 40: My Sandbox Buddy Chapter 41: Where had he been all my life? Chapter 42: Who was he really? Chapter 43: Tales from the Symphony Chapter 44: Final Revelations Chapter 45: The New Brass Ensemble / Madame Chapter 46: More European Adventures Chapter 47: A Black Brass Quintet in Finland ? Chapter 48: Enchanting Encounters Chapter 49: What I live for Chapter 50: "It's Good to be Negro!" Chapter 51: Missing Miles Chapter 52: Salzburg Festival Chapter 53: Finale Appendix: List of Negro Musicians at the New York Philharmonic, April 1969
Copyright Date
2016
Dewey Decimal
788.9/4092 B
Dewey Edition
23
Illustrated
Yes

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