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Homero, Eakins y Anshutz: La búsqueda de la identidad estadounidense en la Edad Dorada-

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“Unmarked. 192p. 8 color/6 black and white illustrations. Bibliography. Index. Argues that ”... Más informaciónacerca del estado

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Ubicado en: Berkeley, California, Estados Unidos

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diatropebooks (1986)
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N.º de artículo de eBay:404617020862

Características del artículo

Estado: En muy buen estado

Notas del vendedor: “Unmarked. 192p. 8 color/6 black and white illustrations. Bibliography. Index. Argues that ... “Unmarked. 192p. 8 color/6 black and white illustrations. Bibliography. Index. Argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. Winner of the 2005 Vasari Award presented by the Dallas Museum of Art for the finest art history book authored by a scholar in Texas. Examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders”

Subject: Individual Artists / General, Criticism & Theory, American / General, History / General

Features: Illustrated

Topic: Art History & Criticism

Country/Region of Manufacture: United States

ISBN: 9780271023298

Subject Area: Art

Publication Name: Homer, Eakins, and Anshutz : the Search for American Identity in the Gilded Age

Item Length: 9.4 in

Publisher: Pennsylvania STATE University Press

Publication Year: 2004

Type: Textbook

Format: Hardcover

Language: English

Item Height: 0.9 in

Author: Randall C. Griffin

Item Width: 7.3 in

Item Weight: 32.1 Oz

Number of Pages: 192 Pages

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Product Information

Randall Griffin's book examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders' taste for opulence. Artists such as Winslow Homer, Thomas Eakins, and Thomas Anshutz explored alternative "American" themes and styles, but widespread belief in the superiority of European art led them and their audiences to look to the Old World for legitimacy. This rich, never-resolved contradiction between the native and autonomous, on the one hand, and, on the other, the European and borrowed serves as the armature of Griffin's innovative look at how and why the world of art became a key site in the American struggle for identity. Not only does Griffin trace the interplay of issues of nationalism, class, and gender in American culture, but he also offers insightful readings of key paintings by Eakins and other canonical artists. Further, Griffin shows that by 1900 the nationalist project in art and criticism had helped open the way for the formulation of American modernism. Homer, Eakins, and Anshutz will be of importance to all those interested in American culture as well as to specialists in art history and art criticism.

Product Identifiers

Publisher

Pennsylvania STATE University Press

ISBN-10

0271023295

ISBN-13

9780271023298

eBay Product ID (ePID)

6016306

Product Key Features

Author

Randall C. Griffin

Publication Name

Homer, Eakins, and Anshutz : the Search for American Identity in the Gilded Age

Format

Hardcover

Language

English

Subject

Individual Artists / General, Criticism & Theory, American / General, History / General

Publication Year

2004

Type

Textbook

Subject Area

Art

Number of Pages

192 Pages

Dimensions

Item Length

9.4 in

Item Height

0.9 in

Item Width

7.3 in

Item Weight

32.1 Oz

Additional Product Features

LCCN

2003-022848

Intended Audience

Scholarly & Professional

Lc Classification Number

Nd210.G75 2004

Reviews

"Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins's Swimming Hole and Winslow Homer's beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness' can be construed in relation to the enormous weight of European influence and artistic traditions." -Anthony Lee, Mount Holyoke College, "Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins's Swimming Hole and Winslow Homer's beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness' can be construed in relation to the enormous weight of European influence and artistic traditions." --Anthony Lee, Mount Holyoke College, &"Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins&'s Swimming Hole and Winslow Homer&'s beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness&' can be construed in relation to the enormous weight of European influence and artistic traditions.&" &-Anthony Lee, Mount Holyoke College, "Griffin has prepared a rare gem. He combines insightful expert opinion with enough general information so that his book will interest the non-specialist." --P.J. Trimpe Choice, " Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins's Swimming Hole and Winslow Homer's beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness' can be construed in relation to the enormous weight of European influence and artistic traditions." --Anthony Lee, Mount Holyoke College, "Griffin has prepared a rare gem. He combines insightful expert opinion with enough general information so that his book will interest the non-specialist." -P.J. Trimpe, Choice, " Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well." -Martin A. Berger, CAA Reviews, " Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well." --Martin A. Berger, CAA Reviews, "Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well." -Martin A. Berger, CAA Reviews, &"Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well.&" &-Martin A. Berger, CAA Reviews, "Griffin has prepared a rare gem. He combines insightful expert opinion with enough general information so that his book will interest the non-specialist." --P.J. Trimpe, Choice, &"Griffin has prepared a rare gem. He combines insightful expert opinion with enough general information so that his book will interest the non-specialist.&" &-P.J. Trimpe, Choice, " Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins's Swimming Hole and Winslow Homer's beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness' can be construed in relation to the enormous weight of European influence and artistic traditions." -Anthony Lee, Mount Holyoke College, " Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins's Swimming Hole and Winslow Homer's beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness' can be construed in relation to the enormous weight of European influence and artistic traditions." --Anthony Lee,Mount Holyoke College, " Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well." --Martin A. Berger CAA Reviews, "Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well." --Martin A. Berger, CAA Reviews

Table of Content

Contents List of Illustrations Acknowledgments Introduction 1. Refashioning "America" in Art 2. Negotiating Identity After the Civil War in the Paintings of Winslow Homer 3. A Burst of Unsettling Imagery 4. Finding the Old World at Home 5. Winslow Homer, Avatar of Americanness 6. When America Became Other in the Adirondack Scenes of Winslow Homer 7. Postscript: A Return to American Themes Bibliography Index

2004

Dewey Decimal

759.13

Dewey Edition

Illustrated

Yes

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N.º de artículo de eBay:404617020862

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