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Movimientos criminales: modos de movilidad en ficción criminal por Jesper Gulddal: nuevo-

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Características del artículo

Estado: Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...

Book Title: Criminal Moves: Modes of Mobility in Crime Fiction

Publication Date: 2019-11-26

ISBN: 9781789620580

Subject Area: Literary Criticism, History

Publication Name: Criminal Moves : Modes of Mobility in Crime Fiction

Publisher: Liverpool University Press

Item Length: 6.4 in

Subject: Mystery & Detective, Modern / 20th Century, Modern / 19th Century

Publication Year: 2020

Series: Liverpool English Texts and Studies Lup Ser.

Type: Textbook

Format: Hardcover

Language: English

Item Height: 0.7 in

Author: Alistair Rolls

Item Weight: 12.3 Oz

Item Width: 9.3 in

Number of Pages: 224 Pages

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Product Identifiers

Publisher

Liverpool University Press

ISBN-10

1789620589

ISBN-13

9781789620580

eBay Product ID (ePID)

22038405241

Product Key Features

Number of Pages

224 Pages

Publication Name

Criminal Moves : Modes of Mobility in Crime Fiction

Language

English

Subject

Mystery & Detective, Modern / 20th Century, Modern / 19th Century

Publication Year

2020

Type

Textbook

Subject Area

Literary Criticism, History

Author

Alistair Rolls

Series

Liverpool English Texts and Studies Lup Ser.

Format

Hardcover

Dimensions

Item Height

0.7 in

Item Weight

12.3 Oz

Item Length

6.4 in

Item Width

9.3 in

Additional Product Features

Intended Audience

Scholarly & Professional

LCCN

2020-288640

Dewey Edition

Reviews

Reviews 'The three editors of this rich collective volume are driven by the ambitious desire to radically revise crime fiction studies, sweeping away existing prejudices and providing a new conceptual framework to the study of the genre... in a few years, this work will be acknowledged as a turning point in the history of crime scholarship.' Stefano Serafini, Linguæ &, "Criminal Moves is an excellent resource for scholars who are reconsidering how they research and teach foundational texts in the crime fiction genre. It can also help readers identify ways to analyse and appreciate transnational works outside of the traditional British-American canon without confining them to a fixed taxonomy." Jennifer Schnabel, Crime Fiction Studies "The three editors of this rich collective volume are driven by the ambitious desire to radically revise crime fiction studies, sweeping away existing prejudices and providing a new conceptual framework to the study of the genre... in a few years, this work will be acknowledged as a turning point in the history of crime scholarship." Stefano Serafini, Lingu&, ' Criminal Moves is an exciting venture. [...] It asks provocative questions about the transparency of narrative. [...] It is the reader, as consumer and companion of the detective and author, who is at the core of the experience. Also, the issue of the reader's gaze and attention are important considerations.' Fred Isaac, Clues, "Criminal Moves is an excellent resource for scholars who are reconsidering how they research and teach foundational texts in the crime fiction genre. It can also help readers identify ways to analyse and appreciate transnational works outside of the traditional British-American canon without confining them to a fixed taxonomy." Jennifer Schnabel, Crime Fiction Studies "The three editors of this rich collective volume are driven by the ambitious desire to radically revise crime fiction studies, sweeping away existing prejudices and providing a new conceptual framework to the study of the genre... in a few years, this work will be acknowledged as a turning point in the history of crime scholarship." Stefano Serafini, Linguæ &, "Criminal Moves is an excellent resource for scholars who are reconsidering how they research and teach foundational texts in the crime fiction genre. It can also help readers identify ways to analyse and appreciate transnational works outside of the traditional British-American canon without confining them to a fixed taxonomy." Jennifer Schnabel, Crime Fiction Studies"The three editors of this rich collective volume are driven by the ambitious desire to radically revise crime fiction studies, sweeping away existing prejudices and providing a new conceptual framework to the study of the genre... in a few years, this work will be acknowledged as a turning point in the history of crime scholarship." Stefano Serafini, Linguæ &"Criminal Moves is an exciting venture. [...] It asks provocative questions about the transparency of narrative. [...] It is the reader, as consumer and companion of the detective and author, who is at the core of the experience. Also, the issue of the reader's gaze and attention are important considerations." Fred Isaac, Clues, "Criminal Moves is an excellent resource for scholars who are reconsidering how they research and teach foundational texts in the crime fiction genre. It can also help readers identify ways to analyse and appreciate transnational works outside of the traditional British-American canon without confining them to a fixed taxonomy." Jennifer Schnabel, Crime Fiction Studies "The three editors of this rich collective volume are driven by the ambitious desire to radically revise crime fiction studies, sweeping away existing prejudices and providing a new conceptual framework to the study of the genre... in a few years, this work will be acknowledged as a turning point in the history of crime scholarship." Stefano Serafini, Linguæ & "Criminal Moves is an exciting venture. [...] It asks provocative questions about the transparency of narrative. [...] It is the reader, as consumer and companion of the detective and author, who is at the core of the experience. Also, the issue of the reader's gaze and attention are important considerations." Fred Isaac, Clues

Series Volume Number

CLASSIFICATION_METADATA

{"IsNonfiction":["No"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Hardcover"],"IsChildren":["No"],"Genre":["LITERARY CRITICISM","HISTORY"],"Topic":["Modern / 20th Century","Modern / 19th Century","Mystery & Detective"],"IsTextBook":["Yes"],"IsFiction":["No"]}

Dewey Decimal

809.3872

Table Of Content

Introduction: Criminal Moves: Towards a Theory of Crime Fiction Mobility Jesper Gulddal, Stewart King and Alistair Rolls Mobility of Meaning 1. Behind the Locked Door: Leblanc, Leroux and the Anxieties of the Belle Époque Jean Fornasiero and John West-Sooby 2. Moving Fergus Hume?s The Mystery of a Hansom Cab and Breaking the Frame of Poe?s 'The Murders in the Rue Morgue? Alistair Rolls 3. Reading Affects in Raymond Chandler?s The Big Sleep Heta Pyrhönen 4. Contradicting the Golden Age: Reading Agatha Christie in the Twenty-First Century Merja Makinen Mobility of Genre 5. Criminal Minds: Reassessing the Origins of the Psycho-Thriller Maurizio Ascari 6. Foggy Muddle: Narrative, Contingency and Genre Mobility in Dashiell Hammett?s The Dain Curse Jesper Gulddal 7. Burma?s Bagnoles: Urban Modernity and the Automotive Saccadism of Léo Malet?s Nouveaux mystères de Paris (1954-1959) Andrea Goulet 8. Secrecy and Transparency in Hideo Yokoyama?s Six Four Andrew Pepper Transnational Mobility 9. The Reader and World Crime Fiction: The (Private) Eye of the Beholder Stewart King 10. From Vidocq to the Locked Room: International Connections in Nineteenth-Century Crime Fiction Stephen Knight 11. Brain Attics and Mind Weapons: Investigative Spaces, Mobility and Transcultural Adaptations of Detective Fiction Michael B. Harris-Peyton

Synopsis

Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than textual individuality, and that comparative perspectives are secondary to the study of the British-American canon. Criminal Moves challenges the distinction between literary and popular fiction and proposes that crime fiction be seen as constantly violating its own boundaries. Centred on three axes of mobility, the essays ask how can we imagine a mobile reading practice that realizes the genre?s full textual complexity, without being limited by the authoritative self-interpretations provided by crime narratives; how we can overcome restrictive notions of ?genre?, ?formula? or ?popular?; and how we can establish transnational perspectives that challenge the centrality of the British-American tradition and recognize that the global history of crime fiction is characterized, not by the existence of parallel national traditions, but rather by processes of appropriation and transculturation. Criminal Moves presents a comprehensive reinterpretation of the history of the genre that also has profound ramifications for how we read individual crime fiction texts., Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than textual individuality, and that comparative perspectives are secondary to the study of the British-American canon. Criminal Moves challenges the distinction between literary and popular fiction and proposes that crime fiction be seen as constantly violating its own boundaries. Centred on three axes of mobility, the essays ask how can we imagine a mobile reading practice that realizes the genre's full textual complexity, without being limited by the authoritative self-interpretations provided by crime narratives; how we can overcome restrictive notions of 'genre', 'formula' or 'popular'; and how we can establish transnational perspectives that challenge the centrality of the British-American tradition and recognize that the global history of crime fiction is characterized, not by the existence of parallel national traditions, but rather by processes of appropriation and transculturation. Criminal Moves presents a comprehensive reinterpretation of the history of the genre that also has profound ramifications for how we read individual crime fiction texts., Criminal Moves is a ground-breaking collection of essays that challenges the distinction between literary and popular fiction and proposes that crime fiction is a genre that constantly violates its own boundaries. Reorienting crime fiction studies towards the mobility of the genre, it has profound ramifications for how we read individual crime stories., Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than textual individuality, and that comparative perspectives are secondary to the study of the British-American canon. Criminal Moves challenges the distinction between literary and popular fiction and proposes that crime fiction be seen as constantly violating its own boundaries. Centred on three axes of mobility, the essays ask how can we imagine a mobile reading practice that realizes the genre's full textual complexity, without being limited by the authoritative self-interpretations provided by crime narratives; how we can overcome restrictive notions of "genre", "formula" or "popular"; and how we can establish transnational perspectives that challenge the centrality of the British-American tradition and recognize that the global history of crime fiction is characterized, not by the existence of parallel national traditions, but rather by processes of appropriation and transculturation. Criminal Moves presents a comprehensive reinterpretation of the history of the genre that also has profound ramifications for how we read individual crime fiction texts.

LC Classification Number

PN3448.D4C746 2019

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