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The Edinburgh Companion to Ezra Pound and the Arts por Roxana Preda (inglés) Har-

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Estado: Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...

ISBN-13: 9781474429177

Book Title: The Edinburgh Companion to Ezra Pound and the Arts

ISBN: 9781474429177

Subject Area: Literary Criticism, Art

Publication Name: Edinburgh Companion to Ezra Pound and the Arts

Publisher: Edinburgh Tea & Coffee Company University Press

Item Length: 6.7 in

Subject: Référence, Modern / 20th Century, American / General, Poetry, History / General

Publication Year: 2019

Series: Edinburgh Companions to Literature and the Humanities Ser.

Type: Textbook

Format: Hardcover

Language: English

Item Height: 1.5 in

Author: Roxana Preda

Item Weight: 39.9 Oz

Item Width: 9.7 in

Number of Pages: 560 Pages

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Product Identifiers

Publisher

Edinburgh Tea & Coffee Company University Press

ISBN-10

1474429173

ISBN-13

9781474429177

eBay Product ID (ePID)

27038377394

Product Key Features

Number of Pages

560 Pages

Publication Name

Edinburgh Companion to Ezra Pound and the Arts

Language

English

Publication Year

2019

Subject

Référence, Modern / 20th Century, American / General, Poetry, History / General

Type

Textbook

Author

Roxana Preda

Subject Area

Literary Criticism, Art

Series

Edinburgh Companions to Literature and the Humanities Ser.

Format

Hardcover

Dimensions

Item Height

1.5 in

Item Weight

39.9 Oz

Item Length

6.7 in

Item Width

9.7 in

Additional Product Features

Intended Audience

Scholarly & Professional

Reviews

This encyclopedic Companion is an eloquent testament to the astonishing range of Pound's life-long reception of the arts from Quattrocento sculpture to individual artists like Whistler and Kandinsky, to avant-garde cinema, ballet, and chamber music. Both archival and analytical, the Companion provides us with a new understanding of Pound's very particular aesthetic in its specific cultural contexts.

Dewey Edition

CLASSIFICATION_METADATA

{"IsNonfiction":["No"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Hardcover"],"IsChildren":["No"],"Genre":["ART","LITERARY CRITICISM"],"Topic":["American / General","Poetry","History / General","Modern / 20th Century","Reference"],"IsTextBook":["Yes"],"IsFiction":["Yes"]}

Illustrated

Yes

Dewey Decimal

709.2

Table Of Content

Acknowledgments and creditsPrefaceList of Abbreviations I. FOUNDATIONS 1. 'Mermaids, that carving': Pound and Italian Art - Giuliana Ferreccio2. 'Templum Aedificavit': Pound and Architecture - Stephen Romer3. Ezra Pound and East Asian Art - Mark Byron4. Ezra Pound and Old Music - Charles Timbrell5. Ezra Pound: Premier Danseur by Proxy - Evelyn Haller6. Time, Speed, Precision, and the Poetry of the Everyday; or, Ezra Pound's Cinema Aesthetic - Bruce Elder II. THE LONDON PERIOD 1908-1920 7. Ezra Pound and 19th Century Aestheticism: Sharing 'Breath for Beauty and the Arts' with Rossetti and Pater - Sara Dunton and Demetres Tryphonopoulos8. Ezra Pound and James McNeill Whistler: Modernism and Conceptual Art - Jo Brantley Berryman9. Pound and Walter Rummel - Charles Timbrell10. 'Museum Pieces': Laurence Binyon, Ezra Pound, and the Visual Arts - Justin Kishbaugh11. Into the Vortex: Ezra Pound, Anarchism and the Ideological Project of Art Criticism - Mark Antliff 12. 'Intelligence ... shut in by the entrenched forces of stupidity': Pound and Wyndham Lewis - Paul Edwards13. Vorticist Photography or The Three Angles of Pound and Coburn - Ira Nadel 14. 'Creation and Action': Ezra Pound and Italian Futurism - Sean Mark15. Pound and Kandinsky: The Inner Necessity of a Terrestrial Paradise - Jack Baker 16. Agnes Bedford: An Invisible Helpmate - Stephen Adams III. PARIS 1921-1924 17. Constantin Br'ncusi Vorticist: Sculpture, Art Criticism, Poetry - Roxana Preda18. Percussive Music for a Triangle . Ezra Pound's Relationship with George Antheil and Olga Rudge - Mauro Piccinini 19. 'Like coins out of circulation': Reframing Ezra Pound's Le Testament - Scott Klein20. Pound as Music Theorist: Antheil and the Treatise on Harmony - Gemma Moss 21. The Expansion of a Theory: Great Bass and Ballet mécanique - Margaret Fisher 22. Renaissance Man's Performance Practice: Ezra Pound's Search for a Contemporary Colour Palette Through His Solo Violin Works - Leslee Smucker IV. THE ITALIAN YEARS 1925-1939 23. Pound's Artistic Thinking and Relations in Italy, 1925-1945 - Massimo Bacigalupo24. Music Recollected: Ezra Pound's Cavalcanti - Charles Mundye25. Vida Sin Fin : Ezra Pound and Gerhart Münch - Roxana Preda and Heriberto Cruz Cornejo V. WASHINGTON: MENTORING THE YOUNG IN THE 1950s 26. Sheri Martinelli: The White Goddess - Alec Marsh27. 'Art in the Solid': Ezra Pound and Michael Lekakis - Galateia Demetriou 28. A 'Transference of Power': Ezra Pound and the Cinema of Hollis Frampton - Daniel Hackbarth Notes on contributorsBibliographyIndex

Synopsis

The present volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture. Divided into 5 historically and thematically arranged sections, the 28 chapters foreground the shifting significance of art forms throughout Pound's life which he spent in London, Paris, Rapallo and Washington. The Companion maps Pound's practices of engagement with the arts, deepening areas of study that have recently emerged, such as his musical compositions. At the same time, it opens up new fields, particularly Pound's interaction with the performing arts: opera, dance, and cinema. The volume demonstrates overall that Ezra Pound was no mere spectator of the modernist revolution in the arts; rather he was an agent of change, a doer and promoter who also had a deep emotional response to the arts., Showcases Ezra Pound's close involvement with the arts throughout his career The present volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture. Divided into 5 historically and thematically arranged sections, the 28 chapters foreground the shifting significance of art forms throughout Pound's life which he spent in London, Paris, Rapallo and Washington. The Companion maps Pound's practices of engagement with the arts, deepening areas of study that have recently emerged, such as his musical compositions. At the same time, it opens up new fields, particularly Pound's interaction with the performing arts: opera, dance, and cinema. The volume demonstrates overall that Ezra Pound was no mere spectator of the modernist revolution in the arts; rather he was an agent of change, a doer and promoter who also had a deep emotional response to the arts. Key Features: The first book to gather together all the different aspects of the subject of Pound and the artsChapters are devoted to topics never covered before: (cinema; political anarchism; early music; Agnes Bedford; the artists Munch, Lekakis, Martinelli, Frampton) Presents the ways Pound's interests and activities in the arts change over time in a continuous story, from his beginnings to his old ageIncludes portraits of friendships and short biographies of artists connected to Pound, showing his personal impact in the arts world, The present volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture., Showcases Ezra Pound's close involvement with the arts throughout his career The present volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture. Divided into 5 historically and thematically arranged sections, the 28 chapters foreground the shifting significance of art forms throughout Pound's life which he spent in London, Paris, Rapallo and Washington. The Companion maps Pound's practices of engagement with the arts, deepening areas of study that have recently emerged, such as his musical compositions. At the same time, it opens up new fields, particularly Pound's interaction with the performing arts: opera, dance, and cinema. The volume demonstrates overall that Ezra Pound was no mere spectator of the modernist revolution in the arts; rather he was an agent of change, a doer and promoter who also had a deep emotional response to the arts. Key Features: The first book to gather together all the different aspects of the subject of Pound and the arts Chapters are devoted to topics never covered before: (cinema; political anarchism; early music; Agnes Bedford; the artists Munch, Lekakis, Martinelli, Frampton) Presents the ways Pound's interests and activities in the arts change over time in a continuous story, from his beginnings to his old age Includes portraits of friendships and short biographies of artists connected to Pound, showing his personal impact in the arts world

LC Classification Number

ML410.P7875

2019

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