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Emociones en la literatura artúrica medieval: cuerpo, mente, voz de Carolyne Larring-

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Características del artículo

Estado: Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...

ISBN-13: 9781843845003

Book Title: Emotions in Medieval Arthurian Literature

ISBN: 9781843845003

Subject Area: Literary Criticism

Publication Name: Emotions in Medieval Arthurian Literature : Body, Mind, Voice

Publisher: Boydell & Brewer, The Limited

Item Length: 9.2 in

Subject: Medieval, General

Publication Year: 2018

Series: Arthurian Studies

Type: Textbook

Format: Trade Paperback

Language: English

Item Height: 0.5 in

Author: Corinne Saunders

Item Width: 6.1 in

Number of Pages: 221 Pages

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Product Identifiers

Publisher

Boydell & Brewer, The Limited

ISBN-10

1843845008

ISBN-13

9781843845003

eBay Product ID (ePID)

239909837

Product Key Features

Number of Pages

221 Pages

Language

English

Publication Name

Emotions in Medieval Arthurian Literature : Body, Mind, Voice

Publication Year

2018

Subject

Medieval, General

Type

Textbook

Subject Area

Literary Criticism

Author

Corinne Saunders

Series

Arthurian Studies

Format

Trade Paperback

Dimensions

Item Height

0.5 in

Item Length

9.2 in

Item Width

6.1 in

Additional Product Features

Intended Audience

Scholarly & Professional

Dewey Edition

Reviews

[Works] admirably to replace reflexive responses to romance literature and the culture that produced it with informed understanding, illuminating both the past and the present. JOURNAL OF ENGLISH AND GERMANIC PHILOLOGY The essays . . . offer groundbreaking interpretations of medieval representations of emotion. BRITISH JOURNAL FOR THE HISTORY OF SCIENCE [T]his collection serves as a perfect springboard for more research on emotion in Arthurian literature, medieval and especially post-medieval. Highly recommended. CHOICE, [Works] admirably to replace reflexive responses to romance literature and the culture that produced it with informed understanding, illuminating both the past and the present., [T]his collection serves as a perfect springboard for more research on emotion in Arthurian literature, medieval and especially post-medieval. Highly recommended.

Series Volume Number

CLASSIFICATION_METADATA

{"IsNonfiction":["No"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Trade Paperback"],"IsChildren":["No"],"Genre":["LITERARY CRITICISM"],"Topic":["Medieval","General"],"IsTextBook":["Yes"],"IsFiction":["Yes"]}

Volume Number

Vol. 83

Dewey Decimal

810/820

Table Of Content

Introduction - Frank Brandsma and Carolyne LarringtonBeing-in-the-Arthurian-World: Emotion, Affect and Magic in the Prose Lancelot, Sartre and Jay - Jane GilbertMind, Body and Affect in Medieval English Arthurian Romance - Corinne Saunders'What cheer?' Emotion and Action in the Arthurian World - Andrew LynchIre, Peor and their Somatic Correlates in Chrétien's Chevalier de la Charrette - Anatole Pierre FuksasKingship and the Intimacy of Grief in the Alliterative Morte Arthure - Anne Baden-DaintreeTears and Lies: Emotions and the Ideals of Malory's Arthurian World - Raluca RadulescuMourning Gawein: Cognition and Affect in Diu Crône and some French Gauvain-Texts - Carolyne LarringtonEmotion and Voice: 'Ay' in Middle Dutch Arthurian Romances - Frank BrandsmaTranslating Emotion: Vocalisation and Embodiment in Yvain and Ívens saga - Sif RikhardsdottirAfterword: Malory's Enigmatic Smiles - Helen Cooper

Synopsis

Analysis of how emotion is pictured in Arthurian legend.Literary texts complicate our understanding of medieval emotions; they not only represent characters experiencing emotion and reaction emotionally to the behaviour of others within the text, but also evoke and play upon emotion inthe audiences which heard these texts performed or read. The presentation and depiction of emotion in the single most prominent and influential story matter of the Middle Ages, the Arthurian legend, is the subject of this volume.Covering texts written in English, French, Dutch, German, Latin and Norwegian, the essays presented here explore notions of embodiment, the affective quality of the construction of mind, and the intermediary role of the voice asboth an embodied and consciously articulating emotion. FRANK BRANDSMA teaches Comparative Literature (Middle Ages) at Utrecht University; CAROLYNE LARRINGTON is Professor of Medieval European Literature at the University of Oxford and Official Fellow in Medieval English Literature at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders.e at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders.e at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders.e at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders., Analysis of how emotion is pictured in Arthurian legend. Literary texts complicate our understanding of medieval emotions; they not only represent characters experiencing emotion and reaction emotionally to the behaviour of others within the text, but also evoke and play upon emotion inthe audiences which heard these texts performed or read. The presentation and depiction of emotion in the single most prominent and influential story matter of the Middle Ages, the Arthurian legend, is the subject of this volume.Covering texts written in English, French, Dutch, German, Latin and Norwegian, the essays presented here explore notions of embodiment, the affective quality of the construction of mind, and the intermediary role of the voice asboth an embodied and consciously articulating emotion. FRANK BRANDSMA teaches Comparative Literature (Middle Ages) at Utrecht University; CAROLYNE LARRINGTON is Professor of Medieval European Literature at the University of Oxford and Official Fellow in Medieval English Literature at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders., Literary texts complicate our understanding of medieval emotions; they not only represent characters experiencing emotion and reaction emotionally to the behaviour of others within the text, but also evoke and play upon emotion in the audiences which heard these texts performed or read. The presentation and depiction of emotion in the single most prominent and influential story matter of the Middle Ages, the Arthurian legend, is the subject of this volume. Covering texts written in English, French, Dutch, German, Latin and Norwegian, the essays presented here explore notions of embodiment, the affective quality of the construction of mind, and the intermediary role of the voice as both an embodied and consciously articulating emotion.FRANK BRANDSMA teaches Comparative Literature (Middle Ages) at Utrecht University; CAROLYNE LARRINGTON is Professor of Medieval European Literature at the University of Oxford and Official Fellow in Medieval English Literature at St John's College, Oxford; CORINNE SAUNDERS is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham.Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders.

LC Classification Number

PN685

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2018

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