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El musical de Disney en el escenario y la pantalla: enfoques críticos de 'Blancanieves' a-

Texto original
The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to
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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN-13
9781474234160
Book Title
The Disney Musical on Stage and Screen
ISBN
9781474234160
Subject Area
Literary Criticism, Performing Arts
Publication Name
Disney Musical on Stage and Screen : Critical Approaches from 'snow White' to 'frozen'
Item Length
8.5 in
Publisher
Bloomsbury Publishing
Subject
Theater / Broadway & Musicals, Film / Genres / Animated, Film / General, Drama, Film / Genres / General, Film / History & Criticism
Publication Year
2017
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
George Rodosthenous
Item Width
5.5 in
Item Weight
11.1 Oz
Number of Pages
272 Pages

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Product Information

The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance. The volume is divided into three sections to provide a contextual analysis of Disney's most famous musicals: · DISNEY MUSICALS: ON FILM · DISNEY ADAPTATIONS: ON STAGE AND BEYOND · DISNEY MUSICALS: GENDER AND RACE The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies , Frozen , High School Musical , Aladdin and The Jungle Book . The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television in the early 1990s and 2000s. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact.

Product Identifiers

Publisher
Bloomsbury Publishing
ISBN-10
147423416x
ISBN-13
9781474234160
eBay Product ID (ePID)
14038371039

Product Key Features

Author
George Rodosthenous
Publication Name
Disney Musical on Stage and Screen : Critical Approaches from 'snow White' to 'frozen'
Format
Trade Paperback
Language
English
Subject
Theater / Broadway & Musicals, Film / Genres / Animated, Film / General, Drama, Film / Genres / General, Film / History & Criticism
Publication Year
2017
Type
Textbook
Subject Area
Literary Criticism, Performing Arts
Number of Pages
272 Pages

Dimensions

Item Length
8.5 in
Item Height
0.6 in
Item Width
5.5 in
Item Weight
11.1 Oz

Additional Product Features

LCCN
2016-045323
Lc Classification Number
Pn1995.9.M86
Reviews
As a contribution to the field, the book provides many interesting insights and departure points for further discussion ... it is gratifying to see Disney musicals attract such scholarly attention.
Table of Content
Introduction: George Rodosthenous (Leeds) PART A DISNEY MUSICALS: ON FILM 1. Music and the Aura of Reality in Walt Disney's Snow White and the Seven Dwarfs - Elizabeth Randell Upton, (University of California, Los Angeles) 2. Medieval "Beauty" and Romantic "Song" in Animated Technirama: Pageantry, Tableau, and Action in Disney's Sleeping Beauty - Raymond Knapp (University of California, Los Angeles) 3. Mary Poppins : A Precursor of the Matriarchal Musical - Tim Stephenson (University of Leeds) 4. Musicals in the Mirror: Enchanted , Self-Reflexivity, and Disney's Sudden Boldness - Paul Laird (University of Kansas) PART B DISNEY ADAPTATIONS: ON STAGE AND BEYOND 5. Disney as Broadway Auteur: The Disney Versions of Broadway Musicals for Television in the Late 1990s and Early 2000s - Geoffrey Block (University of Puget Sound) 6. The Hunchback of Notre Dame (1996): Too far "Out There"? Olaf Jubin - (Regent's University London) 7. The Lion King : A Blockbuster Feline on Broadway and Beyond - Barbara Wallace Grossman (Tufts University) 8. Not Only on Broadway: Disney Junior Across the United States - Stacy E. Wolf (Princeton Atelier, Princeton University)? PART C DISNEY MUSICALS: GENDER AND RACE 9. Dancing toward Masculinity: Newsies and Homosocial Choreography - Aaron C. Thomas (Dartmouth College) 10. 'We're All in This Together:' Being Girls and Boys in High School Musical (2006) - Dominic Symonds (University of Lincoln) 11. 'I wanna be like you': Negotiating race, racism and Orientalism in The Jungle Book on stage - Stefanie Jones, Donatella Galella, Catherine Young, and Emily Clark (City University of New York) 12. Ashman's Aladdin Archive: Queer Orientalism in the Disney Renaissance - Sam Baltimore (Twoson University) 13. "For the first time in forever": locating Frozen as a feminist Disney musical - Sarah Whitfield (University of Wolverhampton) Bibliography Index
Copyright Date
2017
Target Audience
College Audience
Dewey Decimal
791.436578
Dewey Edition
23
Illustrated
Yes

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All the basic Bhutanese dishes are presented, But I have been there 8 time and cooked with families, so I am used to the heat! No discussion of chilies versus Ema is presented. Also the selection of cheeses is not really discussed. I don't think Bhutanese in the US use Gouda as a substitute!

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