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NUEVO CD CIRUELA-

Texto original
PLUM NEW CD
Estado:
Nuevo
3 disponibles
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Ubicado en: North Carolina, Estados Unidos
Entrega:
Entrega prevista entre el mar. 21 may. y el sáb. 25 may. a 43230
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N.º de artículo de eBay:383730317085
Última actualización el 11 may 2024 05:57:51 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Artículo que nunca se ha abierto y conserva el embalaje original del fabricante. Consulta el ...
UPC
0817949020569
Artist
Widowspeak
Format
CD
Release Year
2020
Record Label
Captured the t.racks Rec., Ctrc
Release Title
Plum
Genre
Rock

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Product Identifiers

Record Label
Captured the t.racks Rec., Ctrc
UPC
0817949020569
eBay Product ID (ePID)
9046039831

Product Key Features

Release Year
2020
Format
CD
Genre
Rock
Artist
Widowspeak
Release Title
Plum

Dimensions

Item Height
0.39 in
Item Weight
0.19 lb
Item Length
5.76 in
Item Width
5.51 in

Additional Product Features

Number of Discs
1
Number of Tracks
9
Country/Region of Manufacture
United States
Tracks
1.1 Plum 1.2 The Good Ones 1.3 Money 1.4 Breadwinner 1.5 Even True Love 1.6 Amy 1.7 Sure Thing 1.8 Jeanie 1.9 Y2K
Notes
With Plum, the songwriting partnership rooted in the creative rapport between bandleader Molly Hamilton and guitarist Robert Earl Thom- as continues to expand on shared visions, delving deeper into what was always there: dusty guitars, ear-worm melodies, warm expansive arrangements. Each entry to their catalog has marked a subtle reim- agining of Widowspeak's sound, though perennial points of reference remain the same: 90's dream pop, 60's psych rock, a certain unshake- able Pacific-Northwestness. Speaking to the timeless feeling of each, the albums continue to be discovered well beyond their respective PR cycles, made beloved by new listeners through word of mouth. The band's fifth album feels comfortable and lived-in: humble in struc- ture, heavy on mood. Perhaps that came taking time off from the tour- ing grind, instead working full-time jobs and settling into the rhythm of daily life in a small upstate New York town. Plum was recorded over a handful of weekends last winter by Sam Evian (Cass McCombs, Kazu Makino, Hannah Cohen) at his Flying Cloud studio in the Catskills, and was mixed by Ali Chant (PJ Harvey, Aldous Harding, Perfume Ge- nius). In addition to Hamilton (vocals, guitar) and Thomas (guitars, bass, synth), it features instrumental contributions by Andy Weaver (drums), Michael Hess (piano), and Sam himself (bass, synth). Plum nestles into the band's canon like it was always there, but with new textures coming to the fore, like the polyrhythmic pulse of "Amy" and "The Good Ones", or the watery, Terry Riley-influenced track "Jeanie." Plum navigates the spaces between the lesser emotions of modern life. Hamilton's lyrics speak to the unique turmoil of anyone who creates as their work, who must somehow survive off such "fruits of their labor." Yet, Widowspeak have always made a bitter pill much easier to swal- low. The majestic "Breadwinner", the luminous "Even True Love" - these songs here were made to be listened to, enjoyed. "Money" is particu- larly hypnotic, built around a repeating, cyclical motif that serves as both skeleton and body. "Will you get back what you put in?" Hamilton asks over an insistent guitar riff. The line is delivered with a knowing- ness that transcends it's surface critiques of late-stage capitalism, ask- ing both herself and the listener whether this is, in fact, the world we want to live in. Through Plum, Widowspeak have brought something into the world that seems to know it's own worth, even as it wonders aloud about what is to come. What value and meaning do we assign ourselves, our time, and how do we spend it?

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