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Barrie - Barbara (Azul) [Nuevo Casete] Casete Explícito, Azul, Color-

Texto original
Barrie - Barbara (Blue) [New Cassette] Explicit, Blue, Colored Cassette
Estado:
Nuevo
8 disponibles
Precio:
USD15,93
Aproximadamente14,67 EUR
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Ubicado en: Shepherdsville, Kentucky, Estados Unidos
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N.º de artículo de eBay:364152770711
Última actualización el 24 may 2024 17:40:46 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Artículo que nunca se ha abierto y conserva el embalaje original del fabricante. Consulta el ...
Cassette Condition
Mint(M)
Inlay Condition
Mint(M)
Case Condition
Mint(M)
Custom Bundle
No
Edition
Release
Modified Item
No
Features
Explicit, Blue, Colored Cassette
Album Name
Barbara (Blue)
Type
see description
UPC
0606638761704
Artist
Barrie
Format
Cassette
Release Year
2022
Record Label
Wnsp, Winspear
Release Title
Barbara (Blue)
Genre
Rock

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Product Identifiers

Record Label
Wnsp, Winspear
UPC
0606638761704
eBay Product ID (ePID)
3053077325

Product Key Features

Release Year
2022
Format
Cassette
Genre
Rock
Artist
Barrie
Release Title
Barbara (Blue)

Dimensions

Item Height
0.66 in
Item Weight
0.11 lb
Item Length
4.32 in
Item Width
3.39 in

Additional Product Features

Number of Tracks
11
Country/Region of Manufacture
United States
Tracks
1.1 Jersey 1.2 Frankie 1.3 Jenny 1.4 Concrete 1.5 Dig 1.6 Bully 1.7 Harp 2 Interlude 1.8 Harp 2 1.9 Quarry 1.10 Basketball 1.11 Bloodline
Number of Discs
1
Notes
Barrie Lindsay is the type of artist who is driven by precise visions of how music should sound. However, the 32-year old, soft-spoken, obsessive producer can be cerebral to a fault, prone to intellectualizing her emotions and self-consciously camouflaging herself in her songs. On Barbara, Lindsay's first ever self-produced album, and second under the moniker Barrie, she battled these self-censoring, self-protective instincts. The result is a beautifully peculiar and quietly ambitious collection of synth-pop, art-pop, indie rock and folk songs that reflect a new willingness to let listeners into her world. Lindsay grew up tinkering with instruments in her bedroom in Ipswich, Massachusetts. "I've always craved big, layered sounds, " Lindsay says. After graduating from Wesleyan in 2012 with a degree in music, she formed her first band with her brother Jack Lindsay, a 5-piece group called Grammar. She spent her 20's quietly making music and working at a sculpture studio in Massachusetts until she was discovered on Soundcloud by a manager. He encouraged her to move to Brooklyn and introduced her to other musicians, with whom she formed a band. The first iteration of Barrie was a 5-piece group who released their debut album Happy To Be Here in 2019, earning buzzy press, TV syncs and new fans around the globe. A month after Happy to Be Here's release, the band announced they'd parted ways and Lindsay reintroduced Barrie as a solo project. This decision coincided with two events that redefined Lindsay's life and shaped Barbara. In the summer of 2019, she met her now- wife, the musician Gabby Smith of Gabby's World, while they were on tour. Simultaneously, Lindsay's father learned that his lung cancer had worsened. In January of 2020, she moved home to Ipswich to spend time with family and began working on her album. Three months became nine, thanks to the pandemic. Lindsay wrote Barbara while quarantining with Smith in Maine, while her father was dying and while she was falling in love. "Barbara isn't an album specifically about grief or love. It's just an album where I let myself actually feel my emotions, " Lindsay says. "That was something I'd never done before in music."Lindsay didn't listen to much music during the writing and recording of Barbara. And her genre-agnostic production makes classification difficult. She collected nearly a dozen instruments, including dulcimer, mandolin, clarinet, flute, cello, trumpet and her late grandmother's harp to create the varied soundscapes on Barbara. She delights in manipulating their sounds beyond recognition, stretching them into vast, textured canvases.Lindsay welcomes old listeners into her new world with "Jersey". From there, she asks for listeners' attention with, "Frankie, ' a consideration of capitalism among skittering arpeggios. Political pop can be awkward, but Lindsay's is subtle and poignant, reflecting on Glen Campbell's classic "Wichita Lineman, " and Americans' attitudes towards labor. There's an insupressable gentleness to everything Lindsay creates. She attributes this quality to a sound sensitivity that she inherited from her father. "Even when I think that I'm doing something really crazy or really harsh, " she says. "I play it for someone and they're like 'Oh, so mellow.'" But Lindsay agitates the melodic loveliness of her songs, with erratic production, contrasting warm and cold timbres, cheerful and grim moods. She distills anxiety on the fever dream of "Basketball, " whispering into smoggy synths, pins-and-needles guitars, and a frenetic drum machine. Similarly, her fantasy of a romantic but bloodied afternoon, "Quarry, " sounds eerie and aqueous, before erupting into a euphoric geyser of synth and drums. Lindsay wrote, recorded, engineered and produced Barbara back to front herself, aside from drums on a few songs from her brother and musician Ben Lumsdaine, and additional backup vocals from Smith. Initially, she was determined to create the album 100% s

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300 Omicron Ct
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United States
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