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Roy Lichtenstein: Encuentros con indios americanos, Stavitsky, Gail, muy buen libro-

Texto original
Roy Lichtenstein: American Indian Encounters, Stavitsky, Gail, Very Good Book
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En muy buen estado
“light shelfwear, NICE! Oversized.”
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Ubicado en: Harrisburg, Pennsylvania, Estados Unidos
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N.º de artículo de eBay:363219438127
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Características del artículo

Estado
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“light shelfwear, NICE! Oversized.”
ISBN
9780813537382
Subject Area
Art
Publication Name
Roy Lichtenstein : American Indian Encounters
Publisher
Rutgers University Press
Item Length
11 in
Subject
Individual Artists / General, General
Publication Year
2005
Type
Textbook
Format
Perfect
Language
English
Item Height
0.4 in
Author
Gail Stavitsky
Item Weight
18 Oz
Item Width
8.5 in
Number of Pages
80 Pages

Acerca de este producto

Product Identifiers

Publisher
Rutgers University Press
ISBN-10
081353738X
ISBN-13
9780813537382
eBay Product ID (ePID)
15038794732

Product Key Features

Number of Pages
80 Pages
Publication Name
Roy Lichtenstein : American Indian Encounters
Language
English
Subject
Individual Artists / General, General
Publication Year
2005
Type
Textbook
Subject Area
Art
Author
Gail Stavitsky
Format
Perfect

Dimensions

Item Height
0.4 in
Item Weight
18 Oz
Item Length
11 in
Item Width
8.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
CLASSIFICATION_METADATA
{"IsNonfiction":["Yes"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Perfect"],"IsChildren":["No"],"Genre":["ART"],"Topic":["Individual Artists / General","General"],"IsTextBook":["Yes"],"IsFiction":["No"]}
Illustrated
Yes
Dewey Decimal
B
Table Of Content
Foreword and Acknowledgments Preface Roy Lichtenstein: American Indian Encounters Exhibition Checklist Plates Appendix Books on American Indian Art and Surrealism in the Library of Roy Lichtenstein
Synopsis
One of America's leading Pop artists, Roy Lichtenstein was a master of stereotype. Bringing sophisticated analyses to visual conventions, he had a distinct flair for using irony to exploit past and existing styles. Today, his name is typically associated with whimsical renderings of comic strips and advertisements--paintings marked by their bold colors, prominent black outlines, and patterns of Ben Day dots. Beyond his fascination for icons of popular culture, however, Lichtenstein had a little-known, but deep appreciation for the objects and images of American Indian culture. This book explores in detail and fully illustrates a virtually unknown collection of his paintings and works on paper that were influenced by his encounters with Native American subjects., One of America's leading Pop artists, Roy Lichtenstein was a master of stereotype. Bringing sophisticated analyses to visual conventions, he had a distinct flair for using irony to exploit past and existing styles. Today, his name is typically associated with whimsical renderings of comic strips and advertisements--paintings marked by their bold colors, prominent black outlines, and patterns of Ben Day dots. Beyond his fascination for icons of popular culture, however, Lichtenstein had a little-known, but deep appreciation for the objects and images of American Indian culture. This book explores in detail and fully illustrates a virtually unknown collection of his paintings and works on paper that were influenced by his encounters with Native American subjects. Lichtenstein's cubist abstractions from the early 1950s reflect his interest in European modernism, specifically the work of artists such as Pablo Picasso, Joan Miró, and Paul Klee. The Native American subjects of these works also suggest the artist's interest in nineteenth-century sources such as George Catlin, the Swiss painter Karl Bodmer, the German artist Charles Wimar, and the American artist John Vanderlyn. Lichtenstein himself characterized the paintings from this period as "reinterpretations of those artists concerned with the opening of the west . . . with the subject matter of cowboys, Indians, treaty signings--a sort of Western official art in a style broadly influenced by modern European painting." The themes and compositions of these often-ignored early works are revisited in Lichtenstein's 1979 "Amerindian" paintings and related drawings and prints. His paintings from this period were primarily inspired by his extensive collection of catalogues of Native American design motifs. Lichtenstein also attended powwows at the nearby Shinnecock Indian reservation in Southhampton, Long Island. For Lichtenstein, Native American art provided a historical base for American art, reminiscent of African art's relationship to early European modernism. This catalogue, including forty color illustrations, is the first to examine the compelling details of this foundation., One of America's leading Pop artists, Roy Lichtenstein was a master of stereotype. Bringing sophisticated analyses to visual conventions, he had a distinct flair for using irony to exploit past and existing styles. Today, his name is typically associated with whimsical renderings of comic strips and advertisements--paintings marked by their bold colors, prominent black outlines, and patterns of Ben Day dots. Beyond his fascination for icons of popular culture, however, Lichtenstein had a little-known, but deep appreciation for the objects and images of American Indian culture. This book explores in detail and fully illustrates a virtually unknown collection of his paintings and works on paper that were influenced by his encounters with Native American subjects. Lichtenstein's cubist abstractions from the early 1950s reflect his interest in European modernism, specifically the work of artists such as Pablo Picasso, Joan Mir , and Paul Klee. The Native American subjects of these works also suggest the artist's interest in nineteenth-century sources such as George Catlin, the Swiss painter Karl Bodmer, the German artist Charles Wimar, and the American artist John Vanderlyn. Lichtenstein himself characterized the paintings from this period as "reinterpretations of those artists concerned with the opening of the west . . . with the subject matter of cowboys, Indians, treaty signings--a sort of Western official art in a style broadly influenced by modern European painting." The themes and compositions of these often-ignored early works are revisited in Lichtenstein's 1979 "Amerindian" paintings and related drawings and prints. His paintings from this period were primarily inspired by his extensive collection of catalogues of Native American design motifs. Lichtenstein also attended powwows at the nearby Shinnecock Indian reservation in Southhampton, Long Island. For Lichtenstein, Native American art provided a historical base for American art, reminiscent of African art's relationship to early European modernism. This catalogue, including forty color illustrations, is the first to examine the compelling details of this foundation.
Copyright Date
2005
ebay_catalog_id
4

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