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Dioses y guitarras: Buscando lo sagrado en la música popular posterior a la década de 1960, libro de bolsillo...-

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Gods and Guitars : Seeking the Sacred in Post-1960s Popular Music, Paperback ...
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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
Book Title
Gods and Guitars : Seeking the Sacred in Post-1960s Popular Music
ISBN
9781602581395
Subject Area
Music, Religion
Publication Name
Gods and Guitars : Seeking the Sacred in Post-1960s Popular Music
Publisher
Baylor University Press
Item Length
9 in
Subject
General, Genres & Styles / Rock, Genres & Styles / Pop Vocal
Publication Year
2009
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.5 in
Author
Michael J. Gilmour
Item Weight
11.5 Oz
Item Width
6 in
Number of Pages
216 Pages

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Product Identifiers

Publisher
Baylor University Press
ISBN-10
1602581398
ISBN-13
9781602581395
eBay Product ID (ePID)
73070165

Product Key Features

Number of Pages
216 Pages
Publication Name
Gods and Guitars : Seeking the Sacred in Post-1960s Popular Music
Language
English
Subject
General, Genres & Styles / Rock, Genres & Styles / Pop Vocal
Publication Year
2009
Type
Textbook
Author
Michael J. Gilmour
Subject Area
Music, Religion
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
11.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2009-020945
Reviews
With analysis that throbs with rhythm and passion, Gilmour demonstrates why rock ‘n’ roll is the sacred text of postmodern spirituality.” --Stephen H. Webb, Professor of Religion and Philosophy, Wabash College, "A fascinating caress and collision of rock music and Scriptures that displays a huge library of theological and art wisdom." --Steve Stockman, author of ,i>Walk On: The Spiritual Journey Of U2and The Rock Cries Out: Discovering Eternal Truth in Unlikely Music, A fascinating caress and collision of rock music and Scriptures that displays a huge library of theological and art wisdom.” --Steve Stockman, author of ,i>Walk On: The Spiritual Journey Of U2andThe Rock Cries Out: Discovering Eternal Truth in Unlikely Music, What do Salman Rushdie and literary criticism have to do with rock music? For Gilmour (Call Me the Seeker: Listening to Religion in Popular Music), these things are very much related. The author believes that song lyrics can sometimes stand on their own apart from music, and moreover, they can reveal something about an artist's religious and spiritual views. This may not appear at first to be an enlightened perspective, but the author's artful use of Rushdie's fiction clearly shows how it is possible. The usual suspects in the religion and rock conversation (U2, Springsteen) are not as prominent, leaving room for more obscure but equally vital musicians like Daniel Lanois and Burton Cummings. Especially constructive is the chapter "Outrageous Religion," about the influence of sexuality and the occult on some styles of rock music, such as heavy metal. The author also ventures into Hindu and Muslim influences on rock music, a foray that few scholars have attempted. His treatment enriches the dialogue between religion and rock well beyond the usual Judeo-Christian interpretations. Tune in, read on and enjoy., "A fascinating caress and collision of rock music and Scriptures that displays a huge library of theological and art wisdom." --Steve Stockman, author of ,i>Walk On: The Spiritual Journey Of U2 and The Rock Cries Out: Discovering Eternal Truth in Unlikely Music, "With analysis that throbs with rhythm and passion, Gilmour demonstrates why rock 'n' roll is the sacred text of postmodern spirituality." --Stephen H. Webb, Professor of Religion and Philosophy, Wabash College, "A fascinating caress and collision of rock music and Scriptures that displays a huge library of theological and art wisdom." --Steve Stockman, author of, Walk On: The Spiritual Journey Of U2 and The Rock Cries Out: Discovering Eternal Truth in Unlikely Music
Dewey Edition
22
Grade From
College Graduate Student
CLASSIFICATION_METADATA
{"IsNonfiction":["Yes"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Trade Paperback"],"IsChildren":["No"],"Genre":["MUSIC","RELIGION"],"Topic":["Genres & Styles / Rock","Genres & Styles / Pop Vocal","General"],"IsTextBook":["Yes"],"IsFiction":["No"]}
Illustrated
Yes
Dewey Decimal
781.64/112
Table Of Content
Introduction: Spirituality in Post-1960s Lyrics Track 1: Religion on Record: Popular Music's Anxiety of Influence Track 2: Church in a Guitar Case: Comfort and Compassion in Popular Music Track 3: Outrageous Religion: Sex, Defiance, and Obsession with the Sacred Track 4: Looking Beyond the Steeple and Menorah Track 5: Fade Out: Stealing from the Sacred and Rewriting Religion
Synopsis
Though American attitudes toward religion changed dramatically during the 1960s, interest in spirituality itself never diminished. If we listen closely, Michael Gilmour contends, we can hear an extensive religious vocabulary in the popular music of the decades that followed--articulating each generation's spiritual quest, a yearning for social justice, and the emotional highs of love and sex. Probing the lyrical canons of seminal artists including Cat Stevens, the Rolling Stones, Bob Dylan, Eric Clapton, Joni Mitchell, Neil Young, U2, Ozzy Osbourne, Pearl Jam, Madonna, and Kanye West, Gilmour considers the ways--and reasons why--pop music's secular poets and prophets adopted religious phrases, motifs, and sacred texts., Probing the lyrical canons of seminal artists including Cat Stevens, the Rolling Stones, Bob Dylan, Eric Clapton, Joni Mitchell, Neil Young, U2, Ozzy Osbourne, Pearl Jam, Madonna, and Kanye West, Gilmour considers the ways?and reasons why?pop music's secular poets and prophets adopted religious phrases, motifs, and sacred texts.
LC Classification Number
ML3921.8.P67G45 2009
ebay_catalog_id
4
Copyright Date
2009

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