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Galatea y Midas (libro de bolsillo o libro suave)-

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Galatea and Midas (Paperback or Softback)
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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
EAN
9780719078279
ISBN
071907827X
Binding
TP
Book Title
Galatea and Midas : John Lyly
Book Series
The Revels Plays Ser.
Publisher
Manchester University Press
Item Length
9.4 in
Publication Year
2007
Format
Trade Paperback
Language
English
Item Height
0.7 in
Author
Stephen Bevington
Genre
Literary Criticism, Drama
Topic
Renaissance, Modern / 16th Century, European / General
Item Weight
13.6 Oz
Item Width
5.4 in
Number of Pages
304 Pages

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Product Identifiers

Publisher
Manchester University Press
ISBN-10
071907827X
ISBN-13
9780719078279
eBay Product ID (ePID)
19038669307

Product Key Features

Book Title
Galatea and Midas : John Lyly
Number of Pages
304 Pages
Language
English
Topic
Renaissance, Modern / 16th Century, European / General
Publication Year
2007
Genre
Literary Criticism, Drama
Author
Stephen Bevington
Book Series
The Revels Plays Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
13.6 Oz
Item Length
9.4 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
822.3
Synopsis
Galatea and Midas are two of John Lyly's most engaging plays. Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year 'the fairest and chastest virgin in all the country' be sacrificed to a sea-monster. Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. Galatea has become the subject of considerable feminist critical study in recent years. Midas (1590) uses mythology in quite a different way, dramatising two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court. -- ., Galatea and Midas are two of John Lyly's most engaging plays. Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year 'the fairest and chastest virgin in all the country' be sacrificed to a sea-monster. Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. Galatea has become the subject of considerable feminist critical study in recent years. Midas (1590) uses mythology in quite a different way, dramatising two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court., Galatea and Midas are two of John Lyly's most engaging plays. Shortly after his early success with Capaspe and Sappho and Phao in 1583-84, he took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year 'the fairest and chastest virgin in all the country' be sacrificed to a sea-monster. Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. This leads to delightful complications that remind us of the mix-ups in Shakespeare's romantic comedies. Galatea has become the subject of considerable feminist critical study in recent years. Midas (1590) uses mythology in quite a different way, dramatising two stories about King Midas (the golden touch and the ass's ears) in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court. The plays are newly presented here by the scholars who have recently edited Campaspe, Sappho and Phao, and Endmion for the Revels series.
Copyright Date
2000
ebay_catalog_id
4

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