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Daniel Johnston: Un retrato del artista como alfarero en Carolina del Norte: nuevo-

Texto original
Daniel Johnston: A Portrait of the Artist as a Potter in North Carolina: New
Estado:
Nuevo
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Ubicado en: Sparks, Nevada, Estados Unidos
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Entrega prevista entre el lun. 24 jun. y el vie. 28 jun. a 43230
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N.º de artículo de eBay:285232994588
Última actualización el 03 may 2024 14:58:26 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
Publication Date
2020-03-03
ISBN
9780253048431
Book Title
Daniel Johnston : a Portrait of the Artist As a Potter in North Carolina
Publisher
Indiana University Press
Item Length
9.4 in
Publication Year
2020
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.9 in
Author
Henry Glassie
Genre
Art, Antiques & Collectibles
Topic
Ceramics, Pottery & Ceramics
Item Weight
25.6 Oz
Item Width
7.1 in
Number of Pages
272 Pages

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Product Identifiers

Publisher
Indiana University Press
ISBN-10
0253048435
ISBN-13
9780253048431
eBay Product ID (ePID)
28038276245

Product Key Features

Book Title
Daniel Johnston : a Portrait of the Artist As a Potter in North Carolina
Number of Pages
272 Pages
Language
English
Topic
Ceramics, Pottery & Ceramics
Publication Year
2020
Illustrator
Yes
Genre
Art, Antiques & Collectibles
Author
Henry Glassie
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
25.6 Oz
Item Length
9.4 in
Item Width
7.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2019-036666
Reviews
Throughout this book, Glassie provides a vivid, on-the-ground sense of Johnston's evolving work, from journeyman pottery to installation art. His close observations, high-quality photographs, and liberal quotations from interviews offer a rich document of the potter's aesthetic and technical decisions in the context of the Seagrove vernacular tradition and other artistic realms. Glassie concludes his study with further reflections on friendship, fieldwork, and artistic biography. This excellent book will appeal to a range of scholars and general readers with an interest in folklore, material culture, art history, and the American South., "Throughout this book, Glassie provides a vivid, on-the-ground sense of Johnston's evolving work, from journeyman pottery to installation art. His close observations, high-quality photographs, and liberal quotations from interviews offer a rich document of the potter's aesthetic and technical decisions in the context of the Seagrove vernacular tradition and other artistic realms. Glassie concludes his study with further reflections on friendship, fieldwork, and artistic biography. This excellent book will appeal to a range of scholars and general readers with an interest in folklore, material culture, art history, and the American South."-- Journal of Folklore Research
Grade From
College Graduate Student
CLASSIFICATION_METADATA
{"IsNonfiction":["Yes"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Trade Paperback"],"IsChildren":["No"],"Genre":["ART","ANTIQUES & COLLECTIBLES"],"Topic":["Ceramics","Pottery & Ceramics"],"IsTextBook":["No"],"IsFiction":["No"]}
Table Of Content
1. Beginnings 2. Apprenticeship 3. East and West 4. Building a Shop and Making a Pot 5. Firing 6. Selling 7. New Directions Afterword Notes Oral Sources Bibliography Index
Synopsis
DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations. First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon. In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina., Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina.
LC Classification Number
NK4210.J594G59 2019
ebay_catalog_id
4
Copyright Date
2020

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