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Impresiones de Sudáfrica, 1965 hasta ahora: impresiones del Museo de Arte Moderno-

Texto original
Impressions from South Africa, 1965 to Now: Prints from The Museum of Modern Art
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En buen estado
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Ubicado en: Sparks, Nevada, Estados Unidos
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N.º de artículo de eBay:285034011854
Última actualización el 27 mar 2024 11:55:30 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
Publication Date
2011-03-14
ISBN
9780870707568
Book Title
Impressions from South Africa, 1965 to Now : Prints from the Museum of Modern Art
Publisher
Museum of Modern Art
Item Length
10 in
Publication Year
2011
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.4 in
Author
Judith B. Hecker
Genre
Art
Topic
Techniques / Printmaking, African
Item Weight
14.7 Oz
Item Width
8.1 in
Number of Pages
96 Pages

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Product Identifiers

Publisher
Museum of Modern Art
ISBN-10
0870707566
ISBN-13
9780870707568
eBay Product ID (ePID)
99542832

Product Key Features

Book Title
Impressions from South Africa, 1965 to Now : Prints from the Museum of Modern Art
Number of Pages
96 Pages
Language
English
Publication Year
2011
Topic
Techniques / Printmaking, African
Illustrator
Yes
Genre
Art
Author
Judith B. Hecker
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
14.7 Oz
Item Length
10 in
Item Width
8.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2010-942270
Reviews
Concisely and lucidly organized... in summarizing sources that may not be readily available to a Western audience, provides as solid an introduction to South African printmaking as one could hope for.... The end matter of the catalogue for Impressions from South Africa: 1965 to Now contains an invaluable compendium of information that will provide a major resource for scholars in the future. Included in these "yellow pages" are an extensive chronology (1948 to the present), artist biographies, notes on artists and political organizations, notes on publishers and printers (printmaking studios), and a selected bibliography., Imagine a collection of work both cheeky and charming, comical and terrifying, political and lyrical at the same time - a slap in the face to those in authority and a kick in the gut of viewers, yet a visual delight as well. That aptly describes 'Impressions from South Africa, 1965 to Now', an exhibition of nearly 80 prints, posters, books, postcards, stenciled wall installations and other material by 29 artists and collectives.
Dewey Edition
22
CLASSIFICATION_METADATA
{"IsNonfiction":["Yes"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Trade Paperback"],"IsChildren":["No"],"Genre":["ART"],"Topic":["Techniques / Printmaking","African"],"IsTextBook":["No"],"IsFiction":["No"]}
Dewey Decimal
709.6809045
Synopsis
Encompassing black-and-white linoleum cuts made at community art centers in the 1960s and 1970s, resistance posters and other political art of the 1980s and the wide variety of subjects and techniques explored by artists in printshops over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression. Impressions from South Africa, 1965 to Now , published to accompany an exhibition at The Museum of Modern Art, introduces the vital role of printmaking through works by more than 20 artists in the Museum's collection. The volume features prints by John Muafangejo and Dan Rakgoathe, whose vigorous, metaphoric linoleum cuts conveying social messages were cultivated at Rorke's Drift Art and Craft Centre in the 1960s and 1970s, posters produced for anti-apartheid coalitions in the 1980s, and political work by Sue Williamson, Norman Catherine and William Kentridge, representing periods of apartheid resistance. More recent projects, including traditional etchings by Diane Victor, comic books by Bitterkomix, lithographs by Joachim Sch nfeldt and Claudette Schreuders and digital prints by Cameron Platter, address ongoing social issues and explore new subjects. New linoleum cut projects by a younger generation of artists--Paul Edmunds, Senzeni Marasela and Vuyile Voyiya--demonstrate the relevance of the medium in South Africa today. Judith B. Hesker, Assistant Curator of Prints and Illustrated Books at MoMA, contributes an introduction, biographies of the artists, publishers and printers, and a timeline of relevant events in South Africa., Encompassing black-and-white linoleum cuts made at community art centres in the 1960s and 1970s, resistance posters and other political art of the 1980s, and the wide variety of subjects and techniques explored by artists in printships over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression. Impressions from South Africa: 1965 to Now, published to accompany an exhibition at The Museum of Modern Art, introduces the vital role of printmaking through works by more than twenty artists in the Museum's collection. The volume features prints by John Muafangejo and Dan Rakgoathe, a selection of posters produced for anti-apartheid coalitions in the 1980s, and nuanced political work by SueWilliamson, Norman Catherine andWilliam Kentridge. The book features many more recent projects, demonstrating the contemporary relevance of the medium in South Africa today. The work, presented in a generous plate section, is contextualized in an introduction by Judith B. Hecker, and accompanied by brief biographies of the artists, a timeline of relevant events in South African history, and a selected bibliography., A survey of both political and non-political prints by some 30 South African artists from the 1960s to the present, encompassing etchings, comic books, lithographs, digital prints and linocuts Encompassing black-and-white linoleum cuts made at community art centers in the 1960s and 1970s, resistance posters and other political art of the 1980s and the wide variety of subjects and techniques explored by artists in printshops over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression. Impressions from South Africa, 1965 to Now , published to accompany an exhibition at The Museum of Modern Art, introduces the vital role of printmaking through works by more than 20 artists in the Museum's collection. The volume features prints by John Muafangejo and Dan Rakgoathe, whose vigorous, metaphoric linoleum cuts conveying social messages were cultivated at Rorke's Drift Art and Craft Centre in the 1960s and 1970s, posters produced for anti-apartheid coalitions in the 1980s, and political work by Sue Williamson, Norman Catherine and William Kentridge, representing periods of apartheid resistance. More recent projects, including traditional etchings by Diane Victor, comic books by Bitterkomix, lithographs by Joachim Schönfeldt and Claudette Schreuders and digital prints by Cameron Platter, address ongoing social issues and explore new subjects. New linoleum cut projects by a younger generation of artists--Paul Edmunds, Senzeni Marasela and Vuyile Voyiya--demonstrate the relevance of the medium in South Africa today. Judith B. Hesker, Assistant Curator of Prints and Illustrated Books at MoMA, contributes an introduction, biographies of the artists, publishers and printers, and a timeline of relevant events in South Africa.
LC Classification Number
N7392.2
Copyright Date
2011
ebay_catalog_id
4

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