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Thomas Jupiter Harris: Spinning dark intriga at Covent Garden theeatre, 17671820-

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Thomas Jupiter Harris: Spinning dark intrigue at Covent Garden theatre, 17671820
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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN
9781526129123
Book Title
Thomas 'jupiter' Harris : Spinning Dark Intrigue at Covent Garden Theatre, 1767-1820
Item Length
9.2 in
Publisher
Manchester University Press
Publication Year
2018
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
0.6 in
Author
Warren Oakley
Genre
Biography & Autobiography, Literary Criticism, Social Science
Topic
Modern / 18th Century, Cultural Heritage, Royalty, Drama, Customs & Traditions, European / English, Irish, Scottish, Welsh
Item Width
6.1 in
Item Weight
18.8 Oz
Number of Pages
248 Pages

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Product Information

This is the first biography of Thomas Harris: confidant of George III, 'spin doctor', philanthropist, sexual suspect, brothel owner, and the man who controlled Covent Garden theatre for nearly five decades. -- .

Product Identifiers

Publisher
Manchester University Press
ISBN-10
1526129124
ISBN-13
9781526129123
eBay Product ID (ePID)
7038410818

Product Key Features

Book Title
Thomas 'jupiter' Harris : Spinning Dark Intrigue at Covent Garden Theatre, 1767-1820
Author
Warren Oakley
Format
Hardcover
Language
English
Topic
Modern / 18th Century, Cultural Heritage, Royalty, Drama, Customs & Traditions, European / English, Irish, Scottish, Welsh
Publication Year
2018
Illustrator
Yes
Genre
Biography & Autobiography, Literary Criticism, Social Science
Number of Pages
248 Pages

Dimensions

Item Length
9.2 in
Item Height
0.6 in
Item Width
6.1 in
Item Weight
18.8 Oz

Additional Product Features

Intended Audience
Trade
Lc Classification Number
Da506
Reviews
"Unlike Garrick, Harris has remained largely in the shadows - seemingly by choice. Warren Oakley drags him out into the light in his notable biography [...] Yet, "Jupiter" Harris was perhaps more than just a theatre manager: Oakley has taken considerable pains to unearth the details of his deep involvement, while running Covent Garden with considerable success, in the British Secret Service [...] Oakley convincingly shows up a deficiency in the conventional eighteenth-century theatre narrative: the overlooked Harris, when mentioned at all, has usually been cast as a bit part or the villain of the piece." - Times Literary Supplement, January 2019, 'Unlike Garrick, Harris has remained largely in the shadows - seemingly by choice. Warren Oakley drags him out into the light in his notable biography [...] Yet, "Jupiter" Harris was perhaps more than just a theatre manager: Oakley has taken considerable pains to unearth the details of his deep involvement, while running Covent Garden with considerable success, in the British Secret Service [.] Oakley convincingly shows up a deficiency in the conventional eighteenth-century theatre narrative: the overlooked Harris, when mentioned at all, has usually been cast as a bit part or the villain of the piece.' Times Literary Supplement, January 2019, "Unlike Garrick, Harris has remained largely in the shadows - seemingly by choice. Warren Oakley drags him out into the light in his notable biography [...] Yet, "Jupiter" Harris was perhaps more than just a theatre manager: Oakley has taken considerable pains to unearth the details of his deep involvement, while running Covent Garden with considerable success, in the British Secret Service [EL] Oakley convincingly shows up a deficiency in the conventional eighteenth-century theatre narrative: the overlooked Harris, when mentioned at all, has usually been cast as a bit part or the villain of the piece." - Times Literary Supplement, January 2019, 'Unlike Garrick, Harris has remained largely in the shadows - seemingly by choice. Warren Oakley drags him out into the light in his notable biography [...] Yet, "Jupiter" Harris was perhaps more than just a theatre manager: Oakley has taken considerable pains to unearth the details of his deep involvement, while running Covent Garden with considerable success, in the British Secret Service [.] Oakley convincingly shows up a deficiency in the conventional eighteenth-century theatre narrative: the overlooked Harris, when mentioned at all, has usually been cast as a bit part or the villain of the piece.' Times Literary Supplement, January 2019'Oakley's study is based on extraordinarily dedicated research [.] Throughout, Oakley's detailed work produces valuable insights into the complex operation that Harris struggled and ultimately failed to keep afloat. The analysis of the incomplete financial records by which we see Harris's juggling of countless debts and liabilities - and his willingness to commit fraud - is particularly impressive [.] the underlying research is exceptional, and overall this study offers an intriguing depiction of one of the more obscure yet most powerful figures within the eighteenth-century theatre business.'Journal for Eighteenth-Century Studies'Thomas "Jupiter" Harris provides a meticulous investigation of Thomas Harris and everyone involved in the life of Covent Garden in the late eighteenth and early nineteenth centuries. The carefully researched theatre history reads like a novel abounding in political intrigue, social unrest, violence, and crime, but it also documents the life of a manager whose passion was his theatre. It is not only a book for eighteenth- and nineteenth-century theatre scholars, it is also a captivating book for British history enthusiasts.'Restoration and Eighteenth-Century Theatre Research, 'Unlike Garrick, Harris has remained largely in the shadows -- seemingly by choice. Warren Oakley drags him out into the light in his notable biography [...] Yet, "Jupiter" Harris was perhaps more than just a theatre manager: Oakley has taken considerable pains to unearth the details of his deep involvement, while running Covent Garden with considerable success, in the British Secret Service [...] Oakley convincingly shows up a deficiency in the conventional eighteenth-century theatre narrative: the overlooked Harris, when mentioned at all, has usually been cast as a bit part or the villain of the piece.' Times Literary Supplement, January 2019 'Oakley's study is based on extraordinarily dedicated research [...] Throughout, Oakley's detailed work produces valuable insights into the complex operation that Harris struggled and ultimately failed to keep afloat. The analysis of the incomplete financial records by which we see Harris's juggling of countless debts and liabilities - and his willingness to commit fraud - is particularly impressive [...] the underlying research is exceptional, and overall this study offers an intriguing depiction of one of the more obscure yet most powerful figures within the eighteenth-century theatre business.' Journal for Eighteenth-Century Studies 'Thomas "Jupiter" Harris provides a meticulous investigation of Thomas Harris and everyone involved in the life of Covent Garden in the late eighteenth and early nineteenth centuries. The carefully researched theatre history reads like a novel abounding in political intrigue, social unrest, violence, and crime, but it also documents the life of a manager whose passion was his theatre. It is not only a book for eighteenth- and nineteenth-century theatre scholars, it is also a captivating book for British history enthusiasts.' Restoration and Eighteenth-Century Theatre Research, "Unlike Garrick, Harris has remained largely in the shadows - seemingly by choice. Warren Oakley drags him out into the light in his notable biography [...] Yet, "Jupiter" Harris was perhaps more than just a theatre manager: Oakley has taken considerable pains to unearth the details of his deep involvement, while running Covent Garden with considerable success, in the British Secret Service ['e¦] Oakley convincingly shows up a deficiency in the conventional eighteenth-century theatre narrative: the overlooked Harris, when mentioned at all, has usually been cast as a bit part or the villain of the piece." - Times Literary Supplement, January 2019, 'Unlike Garrick, Harris has remained largely in the shadows - seemingly by choice. Warren Oakley drags him out into the light in his notable biography [...] Yet, "Jupiter" Harris was perhaps more than just a theatre manager: Oakley has taken considerable pains to unearth the details of his deep involvement, while running Covent Garden with considerable success, in the British Secret Service [.] Oakley convincingly shows up a deficiency in the conventional eighteenth-century theatre narrative: the overlooked Harris, when mentioned at all, has usually been cast as a bit part or the villain of the piece.' Times Literary Supplement, January 2019'Thomas "Jupiter" Harris provides a meticulous investigation of Thomas Harris and everyone involved in the life of Covent Garden in the late eighteenth and early nineteenth centuries. The carefully researched theatre history reads like a novel abounding in political intrigue, social unrest, violence, and crime, but it also documents the life of a manager whose passion was his theatre. It is not only a book for eighteenth- and nineteenth-century theatre scholars, it is also a captivating book for British history enthusiasts.'Restoration and Eighteenth-Century Theatre Research
Table of Content
1. Introducing Thomas Harris 2. The king of clubs 3. 'Plausible' Jack and the Royalty adventurers 4. When sorrows come, they come not single spies 5. Selling a life Index
Copyright Date
2018
Lccn
2018-404033

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