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Nuevos discos y LP de Gary Clark Jr. Blak and Blu (2 LP)-

Texto original
Gary Clark Jr. Blak and Blu (2 Lp's) Records & LPs New
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Nuevo
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Ubicado en: Charleston, South Carolina, Estados Unidos
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N.º de artículo de eBay:176329435007
Última actualización el 17 may 2024 22:30:24 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Artículo que nunca se ha abierto y conserva el embalaje original del fabricante. Consulta el ...
Style
LP
Country/Region of Manufacture
US
Material
Vinyl
Record Grading
Mint (M)
Type
Vinyl
Sleeve Grading
Mint (M)
Inlay Condition
Mint (M)
Language
English
Catalog Number
9362494851
Case Type
Cardboard Sleeve
UPC
0093624948513
Artist
Clark Jr, Gary
Format
Record
Release Year
2012
Record Label
Warner Records, Wb
Release Title
Blak and Blu
Genre
Blues

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Product Identifiers

Record Label
Warner Records, Wb
UPC
0093624948513
eBay Product ID (ePID)
24046065672

Product Key Features

Format
Record
Release Year
2012
Genre
Blues
Artist
Clark Jr, Gary
Release Title
Blak and Blu

Dimensions

Item Height
0.18 in
Item Weight
0.90 lb
Item Length
12.37 in
Item Width
11.89 in

Additional Product Features

Number of Tracks
13
Tracks
1.1 Ain't Messin 'Round 1.2 When My Train Pulls in 1.3 Blak and Blu 1.4 Bright Lights 1.5 Travis County 1.6 The Life 1.7 Glitter Ain't Gold (Jumpin' for Nothin') 2.1 Numb 2.2 Please Come Home 2.3 Things Are Changin' 2.4 Third Stone from the Sun/If You Love Me Like You Say 2.5 You Saved Me 2.6 Next Door Neighbor Blues
Number of Discs
2
Notes
Gary Clark, Jr. has been hailed by a number of critics as "the New Hendrix," which seems to be the fate of any guitarist who combines blues and rock styles at a considerable volume (particularly if they cover "Third Stone from the Sun"). While that's a blurb that may look good in Clark's press kit, it rather misses the point; Clark isn't a visionary, game-changing artist like Hendrix, but instead he's a canny singer, songwriter, and instrumentalist who has learned from the past and present, fusing them into a style that's distinctive and exciting if not necessarily revolutionary. Warner Bros. Is also pitching Blak and Blu as Clark's "groundbreaking debut album," when in fact it's just his major-label debut, with four indie releases preceding it, making the confidence and ambition of this set a bit less remarkable. But if Gary Clark, Jr. isn't likely to change the way we look at rock & roll or rewrite the aesthetic of the electric guitar, he is one of the most interesting talents to come out of the contemporary blues scene in quite some time. On Blak and Blu, most of Clark's tunes are solidly rooted in the blues, but he's also folded in hearty servings of hard rock, funk, retro-soul, and even a dash of hip-hop, and the way he let's the flavors mix is a big part of what makes this album work so well. There's an undertow of Northern Soul on the dance-friendly opener "Ain't Messin' Round," "Travis County" is a no-frills rocker that recalls the Stones in fifth gear, "The Life" finds Clark moving back and forth between singing and rapping in a streetwise tale of drug addiction, "Numb" recalls the punk blues attack of the Black Keys and the White Stripes in it's fuzzed-out blast, and the title cut samples both Gil Scott-Heron and Albert King as Clark melds conscious themes with blues backdrops. While the typical modern-day guitar hero goes out of his way to throw his dexterity in your face at every turn, here Clark shows off a tougher and more primal style, and though his chops are certainly good, he keep his solos concise and his attack muscular throughout.

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