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Buen libro de Zeroville, Erickson, Steve-

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Zeroville, Erickson, Steve, Good Book
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Ubicado en: Tucson, Arizona, Estados Unidos
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Estado
En buen estado
Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“.”
ISBN
9781933372396
EAN
9781933372396
Book Title
Zeroville
Publisher
Europa Editions, Incorporated
Item Length
8.3 in
Publication Year
2007
Format
Trade Paperback
Language
English
Item Height
1 in
Author
Steve Erickson, Steve Erickson Jr.
Genre
Fiction
Topic
Psychological, Literary, Media Tie-In
Item Weight
15.2 Oz
Item Width
5.3 in
Number of Pages
352 Pages

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Product Identifiers

Publisher
Europa Editions, Incorporated
ISBN-10
1933372397
ISBN-13
9781933372396
eBay Product ID (ePID)
60315453

Product Key Features

Book Title
Zeroville
Number of Pages
352 Pages
Language
English
Topic
Psychological, Literary, Media Tie-In
Publication Year
2007
Genre
Fiction
Author
Steve Erickson, Steve Erickson Jr.
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
15.2 Oz
Item Length
8.3 in
Item Width
5.3 in

Additional Product Features

Intended Audience
Trade
Reviews
Praise for Zeroville "It's simply impossible to explain the intent and the direction of this funny, disturbing, daring and demanding novel--Erickson's best. The set pieces in Zeroville are particularly breathtaking." -- The New York Times "At root Zeroville is a novel about the nitty-gritty mysteries of the artistic process and about the evolutions of an enthusiast into an artist." -- Los Angeles Times Book Review "Over his entire career Erickson has challenged readers with a fiercely intelligent and surprisingly sensual brans of American surrealism." --Washington Post "Since his first novel and now with Zeroville , his eighth--and best--novel, Erickson has been a singular voice in American fiction, for my money our most imaginative native novelists." --The Nation "As unique and vital and pure a voice as American fiction has produced." --Jonathan Lethem, author of The Fortress of Solitude "Steve Erickson has that rare and luminous gift for reporting back from the nocturnal side of reality." --Thomas Pynchon, author of Bleeding Edge, Praise for Zeroville "It's simply impossible to explain the intent and the direction of this funny, disturbing, daring and demanding novel--Erickson's best. The set pieces in Zeroville  are particularly breathtaking." -- The New York Times  "At root Zeroville is a novel about the nitty-gritty mysteries of the artistic process and about the evolutions of an enthusiast into an artist." -- Los Angeles Times Book Review   "Over his entire career Erickson has challenged readers with a fiercely intelligent and surprisingly sensual brans of American surrealism." --Washington Post "Since his first novel and now with Zeroville , his eighth--and best--novel, Erickson has been a singular voice in American fiction, for my money our most imaginative native novelists." --The Nation "As unique and vital and pure a voice as American fiction has produced." --Jonathan Lethem, author of The Fortress of Solitude "Steve Erickson has that rare and luminous gift for reporting back from the nocturnal side of reality." --Thomas Pynchon, author of Bleeding Edge , Praise for Zeroville "It's simply impossible to explain the intent and the direction of this funny, disturbing, daring and demanding novel--Erickson's best. The set pieces in Zeroville  are particularly breathtaking." -- The New York Times  "At root Zeroville is a novel about the nitty-gritty mysteries of the artistic process and about the evolutions of an enthusiast into an artist." -- Los Angeles Times Book Review   "Over his entire career Erickson has challenged readers with a fiercely intelligent and surprisingly sensual brans of American surrealism." --Washington Post "Since his first novel and now with Zeroville , his eighth--and best--novel, Erickson has been a singular voice in American fiction, for my money our most imaginative native novelists." --The Nation "Steve Erickson has that rare and luminous gift for reporting back from the nocturnal side of reality." --Thomas Pynchon, author of Bleeding Edge 
Grade From
Twelfth Grade
Synopsis
A Los Angeles Times , Washington Post , and Newsweek Best Book of the Year It is an August afternoon in 1969. A hippie family led by Charles Manson commits five savage murders in the canyons above L.A. The same day, a young, ex-communicated theology student walks Hollywood Boulevard, having just arrived in town with the images of Elizabeth Taylor and Montgomery Clift tattooed on his shaved head. At once childlike and violent, Vikar is not a cineaste but cineautistic, sleeping in the Roosevelt Hotel where he is haunted by the ghost of D. W. Griffith. He has stepped into the vortex of a culture in upheaval: drugs that frighten him, a sexuality that consumes him, a music he doesn't understand. He's come to Hollywood to pursue his obsession with film, only to find a Hollywood that's as indifferent to film as it is to Vikar. While the movies have appeared in a number of Steve Erickson's novels, from Days Between Stations to The Sea Came in at Midnight , they dominate Zeroville with the force of revelation. Over the decade of the seventies and into the eighties, as the old studios crumble before the onslaught of a new renegade generation, Vikar becomes an unlikely film editor, possessed of an astonishing artistic vision. Through his encounters with starlets, burglars, revolutionaries, escorts, punk musicians and veteran film-makers, he discovers the secret that lies in every motion picture ever made. Combining an epic scope with popular accessibility in the spirit of its subject, Zeroville is the ultimate novel about the Movies, and the way we don't dream them but rather they dream us., A Los Angeles Times , Washington Post , and Newsweek Best Book of the Year It is an August afternoon in 1969. A hippie "family" led by Charles Manson commits five savage murders in the canyons above L.A. The same day, a young, ex-communicated theology student walks Hollywood Boulevard, having just arrived in town with the images of Elizabeth Taylor and Montgomery Clift tattooed on his shaved head. At once childlike and violent, Vikar is not a cineaste but "cineautistic," sleeping in the Roosevelt Hotel where he is haunted by the ghost of D. W. Griffith. He has stepped into the vortex of a culture in upheaval: drugs that frighten him, a sexuality that consumes him, a music he doesn't understand. He's come to Hollywood to pursue his obsession with film, only to find a Hollywood that's as indifferent to film as it is to Vikar. While the movies have appeared in a number of Steve Erickson's novels, from Days Between Stations to The Sea Came in at Midnight , they dominate Zeroville with the force of revelation. Over the decade of the seventies and into the eighties, as the old studios crumble before the onslaught of a new renegade generation, Vikar becomes an unlikely film editor, possessed of an astonishing artistic vision. Through his encounters with starlets, burglars, revolutionaries, escorts, punk musicians and veteran film-makers, he discovers the secret that lies in every motion picture ever made. Combining an epic scope with popular accessibility in the spirit of its subject, Zeroville is the ultimate novel about the Movies, and the way we don't dream them but rather they dream us., "Erickson is as unique and vital and pure a voice as American fiction has produced."-Jonathan Lethem A film-obsessed ex-seminarian with images of Elizabeth Taylor and Montgomery Clift tattooed on his head arrives on Hollywood Boulevard in 1969. Vikar Jerome enters the vortex of a cultural transformation: rock and roll, sex, drugs, and-most important to him-the decline of the movie studios and the rise of independent directors. Jerome becomes a film editor of astonishing vision. Through encounters with former starlets, burglars, political guerillas, punk musicians, and veteran filmmakers, he discovers the secret that lies in every movie ever made.
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