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Espacio de tono tonal-
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Ubicado en: Chattanooga, Tennessee, Estados Unidos
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Entrega prevista entre el mié. 26 jun. y el vie. 28 jun. a 43230
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N.º de artículo de eBay:166423629278
Última actualización el 02 abr 2024 13:45:03 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En buen estado
- Notas del vendedor
- “some highlights/writing,fast ship”
- ISBN
- 9780195058345
- Subject Area
- Music
- Publication Name
- Tonal Pitch Space
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6 in
- Subject
- General, Instruction & Study / Theory
- Publication Year
- 2001
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.2 in
- Item Weight
- 28.2 Oz
- Item Width
- 9.1 in
- Number of Pages
- 430 Pages
Acerca de este producto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195058348
ISBN-13
9780195058345
eBay Product ID (ePID)
2540736
Product Key Features
Number of Pages
430 Pages
Language
English
Publication Name
Tonal Pitch Space
Publication Year
2001
Subject
General, Instruction & Study / Theory
Type
Textbook
Subject Area
Music
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
28.2 Oz
Item Length
6 in
Item Width
9.1 in
Additional Product Features
Intended Audience
College Audience
LCCN
00-031371
Reviews
"Fred Lerdahl's 'Tonal Pitch Space' is an extraordinary achievement in music theory. It promises to have a major impact on our understanding of how music works and how music is understood. It sketches a theory of enormous potential, with which theorists and cognitive scientists should beconcerned for decades hence."--Jonathan Kramer, Professor of Music, Columbia University, "This book assembles and fully systematizes Lerdahl's work of the past decade and in many ways completes the project begun with 'A Generative Theory of Tonal Music.' In its scope, the detail of its argument, and in its claim to very precisely model musical cognition on a grand scale, this workis virtually without precedent."--Christopher Hasty, Professor of Music, University of Pennsylvania, "This book assembles and fully systematizes Lerdahl's work of the pastdecade and in many ways completes the project begun with 'A Generative Theory ofTonal Music.' In its scope, the detail of its argument, and in its claim to veryprecisely model musical cognition on a grand scale, this work is virtuallywithout precedent."--Christopher Hasty, Professor of Music, University ofPennsylvania, "Tonal Pitch Space is one of the most important books to come along in music theory and music cognition in a while. The degree of detail that Lerdahl builds into his model is extraordinary, and the consistency with which he references not only the research literature of cognitive psychology but also that of the full breadth of the history of music theory will ensure its importance to both groups of scholars for some time to come."--Computer Music Journal"[Tonal Pitch Space] is an awe-inspiring achievement. It is bursting at the seams with interesting ideas and perceptive analytic insights. It breaks new ground in establishing rigorous, algorithmic procedures for sophisticated music theories and in forging strong connections between music theory and music psychology. It engages other work in the field in the most exemplary way (one can only marvel at the wealth of references, not only to music theory past and present but also to psychology and other disciplines)--building on the ideas of others but always offering fresh insights and perspectives."--Musicae Scientiae, "A Generative Theory of Tonal Music by Fred Lerdahl and Ray Jackendoff is one of the most important works in music theory in the last half of the 20th century, and likewise it has taken its place among the foundational texts in music perception and cognition. Thus the publication of Lerdahl'sTonal Pitch Space, a book which extends the GTTM project, is a significant event."--Music Perception, "Tonal Pitch Space is one of the most important books to come along in music theory and music cognition in a while. The degree of detail that Lerdahl builds into his model is extraordinary, and the consistency with which he references not only the research literature of cognitive psychologybut also that of the full breadth of the history of music theory will ensure its importance to both groups of scholars for some time to come."--Computer Music Journal, " Tonal Pitch Space is one of the most important books to come along in music theory and music cognition in a while. The degree of detail that Lerdahl builds into his model is extraordinary, and the consistency with which he references not only the research literature of cognitive psychology but also that of the full breadth of the history of music theory will ensure its importance to both groups of scholars for some time to come."-- Computer Music Journal "[ Tonal Pitch Space ] is an awe-inspiring achievement. It is bursting at the seams with interesting ideas and perceptive analytic insights. It breaks new ground in establishing rigorous, algorithmic procedures for sophisticated music theories and in forging strong connections between music theory and music psychology. It engages other work in the field in the most exemplary way (one can only marvel at the wealth of references, not only to music theory past and present but also to psychology and other disciplines)--building on the ideas of others but always offering fresh insights and perspectives."-- Musicae Scientiae, "Tonal Pitch Spaceis one of the most important books to come along in music theory and music cognition in a while. The degree of detail that Lerdahl builds into his model is extraordinary, and the consistency with which he references not only the research literature of cognitive psychology but also that of the full breadth of the history of music theory will ensure its importance to both groups of scholars for some time to come."--Computer Music Journal "[Tonal Pitch Space] is an awe-inspiring achievement. It is bursting at the seams with interesting ideas and perceptive analytic insights. It breaks new ground in establishing rigorous, algorithmic procedures for sophisticated music theories and in forging strong connections between music theory and music psychology. It engages other work in the field in the most exemplary way (one can only marvel at the wealth of references, not only to music theory past and present but also to psychology and other disciplines)--building on the ideas of others but always offering fresh insights and perspectives."--Musicae Scientiae, "Tonal Pitch Space is one of the most important books to come along inmusic theory and music cognition in a while. The degree of detail that Lerdahlbuilds into his model is extraordinary, and the consistency with which hereferences not only the research literature of cognitive psychology but alsothat of the full breadth of the history of music theory will ensure itsimportance to both groups of scholars for some time to come."--Computer MusicJournal, "Tonal Pitch Space is one of the most important books to come along in music theory and music cognition in a while. The degree of detail that Lerdahl builds into his model is extraordinary, and the consistency with which he references not only the research literature of cognitive psychology but also that of the full breadth of the history of music theory will ensure its importance to both groups of scholars for some time to come."--Computer Music Journal "[Tonal Pitch Space] is an awe-inspiring achievement. It is bursting at the seams with interesting ideas and perceptive analytic insights. It breaks new ground in establishing rigorous, algorithmic procedures for sophisticated music theories and in forging strong connections between music theory and music psychology. It engages other work in the field in the most exemplary way (one can only marvel at the wealth of references, not only to music theory past and present but also to psychology and other disciplines)--building on the ideas of others but always offering fresh insights and perspectives."--Musicae Scientiae, "A Generative Theory of Tonal Music by Fred Lerdahl and Ray Jackendoff isone of the most important works in music theory in the last half of the 20thcentury, and likewise it has taken its place among the foundational texts inmusic perception and cognition. Thus the publication of Lerdahl's Tonal PitchSpace, a book which extends the GTTM project, is a significant event."--MusicPerception, "Fred Lerdahl's 'Tonal Pitch Space' is an extraordinary achievement inmusic theory. It promises to have a major impact on our understanding of howmusic works and how music is understood. It sketches a theory of enormouspotential, with which theorists and cognitive scientists should be concerned fordecades hence."--Jonathan Kramer, Professor of Music, Columbia University, "[Tonal Pitch Space] is an awe-inspiring achievement. It is bursting atthe seams with interesting ideas and perceptive analytic insights. It breaks newground in establishing rigorous, algorithmic procedures for sophisticated musictheories and in forging strong connections between music theory and musicpsychology. It engages other work in the field in the most exemplary way (onecan only marvel at the wealth of references, not only to music theory past andpresent but also to psychology and other disciplines)--building on the ideas ofothers but always offering fresh insights and perspectives."--MusicaeScientiae, "[Tonal Pitch Space] is an awe-inspiring achievement. It is bursting at the seams with interesting ideas and perceptive analytic insights. It breaks new ground in establishing rigorous, algorithmic procedures for sophisticated music theories and in forging strong connections between musictheory and music psychology. It engages other work in the field in the most exemplary way (one can only marvel at the wealth of references, not only to music theory past and present but also to psychology and other disciplines)--building on the ideas of others but always offering fresh insights andperspectives."--Musicae Scientiae
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
781.23
Synopsis
Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic.The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both amusic-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists., Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providinga partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitivepsychologists., Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists., Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music , this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists.
LC Classification Number
MT6.L36T66 2001
Copyright Date
2001
ebay_catalog_id
4
Descripción del artículo del vendedor
El vendedor asume toda la responsabilidad de este anuncio.
N.º de artículo de eBay:166423629278
Última actualización el 02 abr 2024 13:45:03 H.EspVer todas las actualizacionesVer todas las actualizaciones
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Ubicación del artículo:
Chattanooga, Tennessee, Estados Unidos
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