Tracks
1.1 Yes (Remastered) 1.2 Ifwhiteamericatoldthetruthforonedayit'sworldwouldfallapart (Remastered) 1.3 Of Walking Abortion (Remastered) 1.4 She Is Suffering (Remastered) 1.5 Archives of Pain (Remastered) 1.6 Revol (Remastered) 1.7 4ST 7LB (Remastered) 1.8 Mausoleum (Remastered) 1.9 Faster (Remastered) 1.10 This Is Yesterday (Remastered) 1.11 Die in the Summertime (Remastered) 1.12 The Intense Humming of Evil (Remastered) 1.13 P.C.P. (Remastered) 1.14 Yes (Us Mix [Remastered]) 1.15 Ifwhiteamericatoldthetruthforonedayit'sworldwouldfallapart (Us Mix Remastered]) 1.16 Of Walking Abortion (Us Mix [Remastered]) 1.17 She Is Suffering (Us Mix [Remastered]) 1.18 Archives of Pain (Us Mix [Remastered]) 1.19 Revol (Us Mix [Remastered]) 1.20 4ST 7LB (Us Mix [Remastered]) 1.21 Mausoleum (Us Mix [Remastered]) 1.22 Faster (Us Mix [Remastered]) 1.23 This Is Yesterday (Us Mix [Remastered]) 1.24 Die in the Summertime (Us Mix [Remastered]) 1.25 The Intense Humming of Evil (Us Mix [Remastered]) 1.26 P.C.P. (Us Mix [Remastered]) 1.27 Sculpture of Man 1.28 New Art Riot (In E Minor) (Live from the Clapham Grand) 1.29 Too Cold Here 1.30 You Love Us (Heavenly Version) 1.31 Love's Sweet Exile (Bangkok Live) 1.32 Drug Drug Druggy (Live at Glastonbury) 1.33 Roses in the Hospital (Live at Glastonbury) 1.34 You Love Us (Live at Glastonbury) 1.35 Love Torn Us Under 1.36 The Drowners (Live from the Clapham Grand) 1.37 Stay with Me (Live from the Clapham Grand) 1.38 La Tristesse Durera (Scream to a Sigh) (Vocal Mix) 1.39 La Tristesse Durera (Scream to a Sigh) (Dub Mix) 1.40 Faster (Dub Mix) 1.41 Faster (Vocal Mix) 1.42 Revol (Spoken Middle 8) 1.43 From Despair to Where (Live at the Astoria, December 1994) 1.44 Yes (Live at the Astoria, December 1994) 1.45 Faster (Live at the Astoria, December 1994) 1.46 She Is Suffering (Live at the Astoria, December 1994) 1.47 La Tristesse Durera (Scream to a Sigh) (Live at the Astoria, December 1994) 1.48 Slash 'N' Burn (Live at the Astoria, December 1994) 1.49 Motorcycle Emptiness (Live at the Astoria, December 1994) 1.50 New Art Riot (Live at the Astoria, December 1994) 1.51 Life Becoming a Landslide (Live at the Astoria, December 1994) 1.52 Revol (Live at the Astoria, December 1994) 1.53 4ST 7LB (Live at the Astoria, December 1994) 1.54 This Is Yesterday (Live at the Astoria, December 1994) 1.55 4ST 7LB (Maida Vale [Excerpt]) 1.56 Faster (Maida Vale) 1.57 P.C.P. (Maida Vale) 1.58 This Is Yesterday (Maida Vale) 1.59 The Intense Humming of Evil (Live) 1.60 4ST 7LB (Live) 1.61 Yes (Live) 1.62 Of Walking Abortion (Live) 1.63 Die in the Summertime (Demo) 1.64 Mausoleum (Demo) 1.65 Of Walking Abortion (Radio 1 Evening Session) 1.66 She Is Suffering (Radio 1 Evening Session) 1.67 Yes (Radio 1 Evening Session) 1.68 P.C.P 1.69 From Despair to Where 1.70 Yes 1.71 Faster 1.72 She Is Suffering 1.73 La Tristesse Durera (Scream to a Sigh) 1.74 Slash 'N' Burn 1.75 Motorcycle Emptiness 1.76 New Art Riot 1.77 Life Becoming a Landslide 1.78 Revol 1.79 4ST 7LB 1.80 This Is Yesterday 1.81 4ST 7LB 1.82 Faster 1.83 P.C.P 1.84 This Is Yesterday
Notes
Limited 12' x 12' box containing the original album on 180gm vinyl remastered by James Dean Bradfield plus four CDs and a 40 page book. The CD's contain the remastered full album, the remastered US version, b-sides, mixes, live versions and a previously unreleased version of 'Revol'. There is also a live CD of the band's last performances with guitarist Richey Edwards from the Astoria, December 1994. It is rounded up with a few acoustic tracks from the album from a recent BBC Radio 4 Mastertapes session the band recorded at Maida Vale in September 2014. On it's release in 1994, in many eyes, THE HOLY BIBLE elevated Manic Street Preachers from being a fascinating, yet flawed rock band with more mission statements than melodies, to an immense intellectual colossus with razor sharp, post-punk tunes that stood out from their contemporaries. In a year that saw Britpop dominate the radio and press, THE HOLY BIBLE tackled subjects such as the Holocaust, the Brady Bill, anorexia, political correctness and other non-chart friendly topics. From the Jenny Saville artwork on the sleeve to the opening single 'Faster' with singer James Dean Bradfield appearing on Top of the Pops in a balaclava prompting thousands of complaints, this was clearly an album not to be dismissed as just the Manics' third album - it was their masterpiece.
