Imagen 1 de 5
Foto genérica
Imagen 1 de 5
Foto genérica
Sight of Death : An Experiment in Art Writing by T. J. Clark (2006, Hardcover)
sapphire_m (22)
100% de votos positivos
Precio:
USD36,40
Aproximadamente31,23 EUR
+ USD24,13 de envío
Devoluciones:
30 días para devoluciones. El comprador paga el envío de la devolución..
Estado:
"Sight of Death: An Experiment in Art Writing" by T.J. Clark is a 2006 hardcover book published by Yale University Press. The book delves into the topic of individual artists, landscapes, and seascapes, providing insight into the general themes and subjects explored by the author. With a focus on art, the book features illustrations and spans 192 pages, making it a valuable addition to any art enthusiast's collection. Clarke's unique perspective and writing style make this book a compelling read for those interested in exploring the world of art through a different lens." Good Condition
- ¡Cómpralo ya!Sight of Death : An Experiment in Art Writing by T. J. Clark (2006, Hardcover)
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Acerca de este artículo
Product Identifiers
PublisherYale University Press
ISBN-100300117264
ISBN-139780300117264
eBay Product ID (ePID)50583016
Product Key Features
Book TitleSight of Death : an Experiment in Art Writing
Number of Pages192 Pages
LanguageEnglish
Publication Year2006
TopicIndividual Artists / General, Subjects & Themes / Landscapes & Seascapes, General
IllustratorYes
GenreArt
AuthorT.J. CLARK
FormatHardcover
Dimensions
Item Height1 in
Item Weight29.7 Oz
Item Length8.5 in
Item Width6.3 in
Additional Product Features
Intended AudienceTrade
LCCN2005-033011
TitleLeadingThe
Dewey Edition22
Dewey Decimal759.4
SynopsisWhy do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions--and many more--in ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, "Landscape with a Man Killed by a Snake" (National Gallery, London) and the Getty's own "Landscape with a Calm". Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark's meditations--sometimes directly personal, sometimes speaking to the wider politics of our present image-world--track the experience of viewing art through all its real-life twists and turns., Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questionsand many morein ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, "Landscape with a Man Killed by a Snake" (National Gallery, London) and the Getty's own "Landscape with a Calm." Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark s meditationssometimes directly personal, sometimes speaking to the wider politics of our present image-worldtrack the experience of viewing art through all its real-life twists and turns. ", Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions--and many more--in ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm . Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark's meditations--sometimes directly personal, sometimes speaking to the wider politics of our present image-world--track the experience of viewing art through all its real-life twists and turns.
LC Classification NumberND553.P8C57 2006
