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Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
Book Title
Collected Critical Writings
ISBN
9780199234486

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Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0199234485
ISBN-13
9780199234486
eBay Product ID (ePID)
72381834

Product Key Features

Number of Pages
832 Pages
Publication Name
Collected Critical Writings
Language
English
Publication Year
2009
Subject
Poetry, Christianity / Literature & the Arts, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism, Religion
Author
Geoffrey Hill
Format
Trade Paperback

Dimensions

Item Height
1.5 in
Item Weight
35.3 Oz
Item Length
9.1 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2008-295415
Reviews
"[A] wonderfully varied collection of essays. It is not just that it is a breadth of interests hardly parallelled by any contemporary critic. One has a sense of a powerful intellectual and spritual centre, an inner coherence, a philosophy that grows out of a continuously intelligent engagementwith the culture." --John Casey, The Tablet, '[an] imposing, rewarding book.'David-Antoine Williams, Times Higher Education'[a] monumental volume... takes the reader on a soaring trip through the greats of classical and modern English literature... the moral dignity and scholarly authority Hill brings to his subjects is quite simply breath-taking at times'Gerald Dawe, Irish Times'[A] wonderfully varied collection of essays. It is not just that it is a breadth of interests hardly parallelled by any contemporary critic. One has a sense of a powerful intellectual and spritual centre, an inner coherence, a philosophy that grows out of a continuously intelligent engagement with the culture.'John Casey, The Tablet'Everything in Hill's style - all one values in it - relates to its visionary purpose.'Alastair Fowler'Only a highly intelligent and well-informed person could have produced such a collection.'A.O.J. Cockshut, Church Times'Geoffrey Hill is the central poet-prophet of our augmenting darkness, and inherits the authority of visionaries from Dante and Blake on to D. H. Lawrence.'Harold Bloom, "If you are allowed one work of literary criticism to be marooned with on a desert island, take Geoffrey Hill's Collected Critical Writings , painstakingly edited by Kenneth Haynes." -- Christianity and Literature, their incisiveness, moral passions and originality constitute a formidable lesson. They are a constant counterpoint to the genius of the poet., "Only a highly intelligent and well-informed person could have produced such a collection." --A.O.J. Cockshut, Church Times, "If you are allowed one work of literary criticism to be marooned with on a desert island, take Geoffrey Hill'sCollected Critical Writings, painstakingly edited by Kenneth Haynes." --Christianity and Literature, "If you are allowed one work of literary criticism to be marooned with on a desert island, take Geoffrey Hill's Collected Critical Writings, painstakingly edited by Kenneth Haynes." --Christianity and Literature, "Everything in Hill's style - all one values in it - relates to its visionary purpose." --Alastair Fowler, Review from previous edition: "[an] imposing, rewarding book." --David-Antoine Williams, Times Higher Education, "[a] monumental volume... takes the reader on a soaring trip through the greats of classical and modern English literature... the moral dignity and scholarly authority Hill brings to his subjects is quite simply breath-taking at times" --Gerald Dawe, Irish Times, the strongest pieces, especially from his first volume of essays, The Lords of Limit, yield nothing to Trilling in moral seriousness or to Auden in verbal scrupulousness., "Geoffrey Hill is the central poet-prophet of our augmenting darkness, and inherits the authority of visionaries from Dante and Blake on to D. H. Lawrence." --Harold Bloom
Dewey Edition
22
Dewey Decimal
801.951
Table Of Content
ENNER: Penneris aimed squarely at undergraduates, and t2. The Absolute Reasonableness of Robert Southwell3. 'The World's Proportion': Jonson's Dramatic Poetry in iSejanus/i and iCatiline/i4. 'The True Conduct of Human Judgment': Some Observations on iCymbeline/i5. Jonathan Swift: The Poetry of 'Reaction'6. Redeeming the Time7. 'Perplexed Persistence': The Exemplary Failure of T. H. Green8. What Devil Has Got Into John Ransom?9. Our Word Is Our BondThe Enemy's Country10. Unhappy Circumstances11. The Tartar's Bow and the Bow of Ulysses12. Caveats Enough in their Own Walks13. Dryden's Prize-Song14. 'Envoi (1919)'Style and Faith15. Common Weal, Common Woe16. Of Diligence and Jeopardy17. Keeping to the Middle Way18. A Pharisee to Pharisees19. The Eloquence of Sober Truth20. The Weight of the Word21. Dividing LegaciesInventions of Value22. Translating Value: Marginal Observations on a Central Question23. Language, Suffering, and Silence24. Tacit Pledges25. Gurney's 'Hobby'26. Isaac Rosenberg, 1890-191827. Rhetorics of Value and Intrinsic Value28. Poetry and ValueAlienated Majesty29. Alienated Majesty: Ralph W. Emerson30. Alienated Majesty: Walt Whitman31. Alienated Majesty: Gerard M. Hopkins32. Word Value in F. H. Bradley and T. S. Eliot33. Eros in F. H. Bradley and T. S. Eliot34. A Postscript on Modernist PoeticsEditorial NoteNotes
Synopsis
The Collected Critical Writings gathers more than forty years of Hill's published criticism, in a revised final form, and also adds much new work. It will serve as the canonical volume of criticism by Hill, the pre-eminent poet-critic whom A. N. Wilson has called "probably the best writer alive, in verse or in prose." In his criticism Hill ranges widely, investigating both poets (including Jonson, Dryden, Hopkins, Whitman, Eliot, and Yeats ) and prose writers (such as Tyndale, Clarendon, Hobbes, Burton, Emerson, and F. H. Bradley). He is also steeped in the historical context - political, poetic, and religious - of the writers he studies. Most importantly, he brings texts and contexts into new and telling relations, neither reducing texts to the circumstances of their utterance nor imagining that they can float free of them. A number of the essays have already established themselves as essential reading on particular subjects, such as his analysis of Vaughan's "The Night", his discussion of Gurney's poetry, and his critical account of The Oxford English Dictionary . Others confront the problems of language and the nature of value directly, as in "Our Word is Our Bond", "Language, Suffering, and Value", and "Poetry and Value". In all his criticism, Hill reveals literature to be an essential arena of civic intelligence., The Collected Critical Writings of Geoffrey Hill gathers more than forty years of Hill's published criticism, in a revised final form, and also adds much new work. It will serve as the canonical volume of criticism by Hill, the pre-eminent poet-critic whom A. N. Wilson has called 'probably the best writer alive, in verse or in prose'. In his criticism Hill ranges widely, investigating both poets (including Jonson, Dryden, Hopkins, Whitman, Eliot, and Yeats) and prose writers (such as Tyndale, Clarendon, Hobbes, Burton, Emerson, and F. H. Bradley). He is also steeped in the historical context - political, poetic, and religious - of the writers he studies. Most importantly, he brings texts and contexts into new and telling relations, neither reducing texts to the circumstances of their utterance nor imagining that they can float free of them. A number of the essays have already established themselves as essential reading on particular subjects, such as his analysis of Vaughan's 'The Night', his discussion of Gurney's poetry, and his critical account of The Oxford English Dictionary. Others confront the problems of language and the nature of value directly, as in 'Our Word is Our Bond', 'Language, Suffering, and Value', and 'Poetry and Value'. In all his criticism, Hill reveals literature to be an essential arena of civic intelligence., This collection of Geoffrey Hill's criticism spans the length of his career as a pre-eminent poet-critic. Three previously published books of criticism are reprinted, sometimes with substantial revisions, and two new works added., The Collected Critical Writings of Geoffrey Hill gathers more than forty years of Hill's published criticism, in a revised final form, and also adds much new work. It will serve as the canonical volume of criticism by Hill, the pre-eminent poet-critic whom A. N. Wilson has called 'probably the best writer alive, in verse or in prose'. In his criticism Hill ranges widely, investigating both poets (including Jonson, Dryden, Hopkins, Whitman, Eliot, and Yeats ) and prose writers (such as Tyndale, Clarendon, Hobbes, Burton, Emerson, and F. H. Bradley). He is also steeped in the historical context - political, poetic, and religious - of the writers he studies. Most importantly, he brings texts and contexts into new and telling relations, neither reducing texts to the circumstances of their utterance nor imagining that they can float free of them. A number of the essays have already established themselves as essential reading on particular subjects, such as his analysis of Vaughan's 'The Night', his discussion of Gurney's poetry, and his critical account of The Oxford English Dictionary. Others confront the problems of language and the nature of value directly, as in 'Our Word is Our Bond', 'Language, Suffering, and Value', and 'Poetry and Value'. In all his criticism, Hill reveals literature to be an essential arena of civic intelligence., The Collected Critical Writings gathers more than forty years of Hill's published criticism, in a revised final form, and also adds much new work. It will serve as the canonical volume of criticism by Hill, the pre-eminent poet-critic whom A. N. Wilson has called "probably the best writer alive, in verse or in prose." In his criticism Hill ranges widely, investigating both poets (including Jonson, Dryden, Hopkins, Whitman, Eliot, and Yeats ) and prose writers (such as Tyndale, Clarendon, Hobbes, Burton, Emerson, and F. H. Bradley). He is also steeped in the historical context - political, poetic, and religious - of the writers he studies. Most importantly, he brings texts and contexts into new and telling relations, neither reducing texts to the circumstances of their utterance nor imagining that they can float free of them. A number of the essays have already established themselves as essential reading on particular subjects, such as his analysis of Vaughan's "The Night," his discussion of Gurney's poetry, and his critical account of The Oxford English Dictionary. Others confront the problems of language and the nature of value directly, as in "Our Word is Our Bond," "Language, Suffering, and Value," and "Poetry and Value." In all his criticism, Hill reveals literature to be an essential arena of civic intelligence.
LC Classification Number
PR6015.I4735

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