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The Way We Were: The Photography of Julian Wasser by Julian Wasser Hardcover

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BOOK HAS SOME DISCOLORATION ON THE BACK COVER, FRONT COVER HAS SLIGHT WEAR.
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Ubicado en: Celina, Texas, Estados Unidos
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N.º de artículo de eBay:405935215209
Última actualización el 18 jul 2025 03:50:04 H.EspVer todas las actualizacionesVer todas las actualizaciones

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En buen estado
Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“BOOK HAS SOME DISCOLORATION ON THE BACK COVER, FRONT COVER HAS SLIGHT WEAR.”
Pages
144
Type
Picture Book
Publication Date
2014-04-01
Original Language
English
ISBN
9788862083492

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Product Identifiers

Publisher
Damiani
ISBN-10
8862083491
ISBN-13
9788862083492
eBay Product ID (ePID)
177571039

Product Key Features

Book Title
Way We Were: the Photography of Julian Wasser
Number of Pages
176 Pages
Language
English
Topic
Rich & Famous, Individual Photographers / Monographs, Subjects & Themes / Portraits & Selfies, American / General
Publication Year
2014
Illustrator
Yes
Genre
Art, Photography, Biography & Autobiography
Author
Brad Elterman
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
48.1 Oz
Item Length
12.7 in
Item Width
10 in

Additional Product Features

Intended Audience
Trade
TitleLeading
The
Reviews
In the introduction to his new monograph, The Way We Were: The Photography of Julian Wasser (Damiani, $60), he writes, "The glamour of Old Hollywood was still intact, but at the same time, everyone was approachable. There were no reserved VIP areas in clubs, no bodyguards or security men, no hordes of paparazzi." With his Nikon in tow, Wasser was given unprecedented access to actors, musicians, politicians, and writers-everyone from fresh-faced, teenage Jodie Foster to silver-screen heavyweights like Steve McQueen and Jack Nicholson. Looking through these collected images, we see not only a more relaxed Hollywood, but also America during a dramatic cultural and political transition., "The Way We Were"(Damiani Books, $60), the first monograph by the photographer Julian Wasser, captures the heyday of celebrity and counterculture in Los Angeles...The effect of so many behind-the-scenes pictures plays out like a kind of movie in itself., In the introduction to his new monograph, The Way We Were: The Photography of Julian Wasser (Damiani, $60), he writes, "The glamour of Old Hollywood was still intact, but at the same time, everyone was approachable. There were no reserved VIP areas in clubs, no bodyguards or security men, no hordes of paparazzi." With his Nikon in tow, Wasser was given unprecedented access to actors, musicians, politicians, and writers--everyone from fresh-faced, teenage Jodie Foster to silver-screen heavyweights like Steve McQueen and Jack Nicholson. Looking through these collected images, we see not only a more relaxed Hollywood, but also America during a dramatic cultural and political transition., The Sunset Strip, 1964: Julian Wasser, a young photographer on assignment for Life magazine, brings Zubin Mehta, the director of the Los Angeles Philharmonic, to the Whisky à Go-Go, a brand-new nightclub. "I thought he'd get a kick out of it," Wasser said recently, flipping through a box of old prints in his apartment in West L.A. "He hated it: 'Ach, my ears.'?" Wasser, on the other hand, was the proverbial pig in mud. Everywhere he looked there were stars, unguarded and un-self-conscious, enjoying a golden moment in a golden town. Wasser snapped a picture of the actress Jayne Mansfield in a tight spaghetti-strap dress doing the Jerk with a civilian in a blazer. "His father was a billionaire who owned cemeteries in Florida," Wasser confided. The photograph is featured in The Way We Were: The Photography of Julian Wasser (Damiani), a collection of Wasser's Hollywood candids, which just came out. Three years after the picture was taken, Mansfield was killed in a car accident in Louisiana. Wasser still sees the cemetery heir in the lobbies of five-star Paris hotels during Fashion Week., The Sunset Strip, 1964: Julian Wasser, a young photographer on assignment for Life magazine, brings Zubin Mehta, the director of the Los Angeles Philharmonic, to the Whisky Go-Go, a brand-new nightclub. "I thought he'd get a kick out of it," Wasser said recently, flipping through a box of old prints in his apartment in West L.A. "He hated it: 'Ach, my ears.'?" Wasser, on the other hand, was the proverbial pig in mud. Everywhere he looked there were stars, unguarded and un-self-conscious, enjoying a golden moment in a golden town. Wasser snapped a picture of the actress Jayne Mansfield in a tight spaghetti-strap dress doing the Jerk with a civilian in a blazer. "His father was a billionaire who owned cemeteries in Florida," Wasser confided. The photograph is featured in The Way We Were: The Photography of Julian Wasser (Damiani), a collection of Wasser's Hollywood candids, which just came out. Three years after the picture was taken, Mansfield was killed in a car accident in Louisiana. Wasser still sees the cemetery heir in the lobbies of five-star Paris hotels during Fashion Week., "The Way We Were"(Damiani Books, $60), the first monograph by the photographer Julian Wasser, captures the heyday of celebrity and counterculture in Los Angeles... The effect of so many behind-the-scenes pictures plays out like a kind of movie in itself., The Sunset Strip, 1964: Julian Wasser, a young photographer on assignment for Life magazine, brings Zubin Mehta, the director of the Los Angeles Philharmonic, to the Whisky _ Go-Go, a brand-new nightclub. "I thought he'd get a kick out of it," Wasser said recently, flipping through a box of old prints in his apartment in West L.A. "He hated it: 'Ach, my ears.'?" Wasser, on the other hand, was the proverbial pig in mud. Everywhere he looked there were stars, unguarded and un-self-conscious, enjoying a golden moment in a golden town. Wasser snapped a picture of the actress Jayne Mansfield in a tight spaghetti-strap dress doing the Jerk with a civilian in a blazer. "His father was a billionaire who owned cemeteries in Florida," Wasser confided. The photograph is featured in The Way We Were: The Photography of Julian Wasser (Damiani), a collection of Wasser's Hollywood candids, which just came out. Three years after the picture was taken, Mansfield was killed in a car accident in Louisiana. Wasser still sees the cemetery heir in the lobbies of five-star Paris hotels during Fashion Week., Mr. Mickey's look of the month comes from The Way We Were: The Photography of Julian Wasser (Damiani)., THE WAY WE WERE, the first major monograph of Wasser's work, is a perfect time capsule spanning sixties, seventies, and eighties Los Angeles, with iconic shots (Joan Didion leaning against a Stingray) and unearthed gems (Anjelica Huston and Jack Nicholson horsing around at his house on Mulholland Drive).
Dewey Edition
23
Dewey Decimal
779.2092
Synopsis
This long-overdue monograph presents an astonishing panorama of a bygone Los Angeles from photographer Julian Wasser. Some of the images are very well known--Joan Didion leaning against a Corvette Stingray in Hollywood, 1968; Marcel Duchamp playing chess at his seminal 1963 Pasadena exhibition--while many others, such as Barbara Hershey and David Carradine in bed in their Laurel Canyon house, Jack Nicholson and Angelica Huston at Jack's Mulholland Drive home, or the Fonda family lined up on the family sofa, paint a picture of a very private Hollywood of the 1960s and 70s, when privacy was possible and celebrity culture had not yet completely consumed the country. Mingled with these iconic faces are pictures of California counterculture such as the Hog Farm Commune in Sunland; surfers in Malibu Beach; musicians such as the Beatles, the Beach Boys, the Byrds, Frank Zappa, Crosby, Stills & Nash, Joni Mitchell and Elton John, documentation of events such as Robert Kennedy's campaign and the Watts riots; shots of Clint Eastwood on the set of Magnum Force , George and Marci Lucas with Martin Scorcese and Roman Polanski at Polanski's house on Cielo Drive after the murder of Sharon Tate in 1969. Julian Wasser started his career in photography as a copy boy in the Washington, DC bureau of the Associated Press. He was a contract photographer for Time magazine for many years, and his photographs have also appeared in (and on the covers of) Life , Newsweek , People , Vanity Fair , Paris Match , Der Spiegel , Oggi , Hello , Playboy , Elle , Vogue and GQ .
LC Classification Number
TR654

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