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Arts & Crafts Movement Europe & America Design for the Modern World Fab Book

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“very nice condition”
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N.º de artículo de eBay:405756237178

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Estado
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“very nice condition”
Personalize
No
Literary Movement
Modernism
Signed
No
Ex Libris
No
Narrative Type
Nonfiction
Personalized
No
Country/Region of Manufacture
United States
Inscribed
No
Vintage
No
ISBN
9780500238158

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Product Identifiers

Publisher
Thames & Hudson
ISBN-10
0500238154
ISBN-13
9780500238158
eBay Product ID (ePID)
30792345

Product Key Features

Book Title
Arts and Crafts Movement in Europe and America : Design for the Modern World 1880-1920
Number of Pages
328 Pages
Language
English
Publication Year
2004
Topic
Collections, Catalogs, Exhibitions / General, General, European
Illustrator
Yes
Genre
Art, Crafts & Hobbies
Author
Wendy Kaplan
Format
Hardcover

Dimensions

Item Height
1.2 in
Item Weight
64.9 Oz
Item Length
10.6 in
Item Width
9.4 in

Additional Product Features

Intended Audience
Trade
LCCN
2004-101033
Dewey Edition
22
TitleLeading
The
Dewey Decimal
709/.034
Synopsis
The first assessment of the truly international influence of the Arts and Crafts movement, published to accompany a groundbreaking exhibition. At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. As the most industrialized country, Britain was also the first to generate a movement to counter what was seen as the malevolent effects of mass production. Protagonists such as John Ruskin and William Morris championed "joy in labor"the moral and spiritual uplift that would come with the revival of making objects by hand. The improvement of working conditions, integration of art into everyday life, and an "honest" aesthetic resulting from the use of indigenous materials and native traditions were also central to the movement's philosophy. At the end of the nineteenth century, these Arts and Crafts ideals were appropriated and adapted by the young avant-garde throughout Europe and the United States. With 260 objectsfurniture, ceramics, metalwork, textiles, and works on paperfrom Britain, Ireland, the United States, France, Belgium, Germany, Austria, Hungary, Scandinavia, and Finland, this is a visually stunning, definitive survey. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Gustav Stickley, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together. 360 illustrations, 300 in color. With contributions by: Alan Crawford, Rudiger Joppien, Juliet Kinchin Amy F. Ogata. Elisabet Stavenow-Hidemark, Christian Witt-Dorring., The first assessment of the truly international influence of the Arts and Crafts movement, published to accompany a groundbreaking exhibition. At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. As the most industrialized country, Britain was also the first to generate a movement to counter what was seen as the malevolent effects of mass production. Protagonists such as John Ruskin and William Morris championed joy in laborthe moral and spiritual uplift that would come with the revival of making objects by hand. The improvement of working conditions, integration of art into everyday life, and an honest aesthetic resulting from the use of indigenous materials and native traditions were also central to the movement's philosophy. At the end of the nineteenth century, these Arts and Crafts ideals were appropriated and adapted by the young avant-garde throughout Europe and the United States. With 260 objectsfurniture, ceramics, metalwork, textiles, and works on paperfrom Britain, Ireland, the United States, France, Belgium, Germany, Austria, Hungary, Scandinavia, and Finland, this is a visually stunning, definitive survey. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Gustav Stickley, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together. 360 illustrations, 300 in color. With contributions by: Alan Crawford, Rudiger Joppien, Juliet Kinchin Amy F. Ogata. Elisabet Stavenow-Hidemark, Christian Witt-Dorring., At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together before.
LC Classification Number
NK1140

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