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Latinos in American Society and Culture Ser.: My Music Is My Flag : Puerto Rican

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Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
Book Title
Culture
Topic
Music, Music of Latin America, Ethnic Music, Latin American History
ISBN
9780520208902

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Product Identifiers

Publisher
University of California Press
ISBN-10
0520208900
ISBN-13
9780520208902
eBay Product ID (ePID)
709022

Product Key Features

Number of Pages
304 Pages
Publication Name
My Music Is My Flag : Puerto Rican Musicians and Their New York Communities, 1917-1940
Language
English
Subject
Ethnic Studies / Hispanic American Studies, Ethnomusicology, Composers & Musicians, United States / General, Sociology / Urban
Publication Year
1997
Type
Textbook
Subject Area
Music, Social Science, Biography & Autobiography, History
Author
Ruth Glasser
Series
Latinos in American Society and Culture Ser.
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
94-009015
Dewey Edition
20
Series Volume Number
3
Illustrated
Yes
Dewey Decimal
780/.8968729507471
Table Of Content
List of Illustrations Preface Introduction: Buscando Ambiente 1. "In Our House, Music Was Eaten for Breakfast" 2. From "Indianola" to "No CoLa" The Strange Career of the Afro-Puerto Rican Musician 3. Pipe Wrenches and Valve Trombones Puerto Rican Worker-Musicians 4· "Vente Tu" Puerto Rican Musicians and the Recording Industry 5. "El Home Relief" Canario and the New York Plena Conclusion: Son de Borinquerz, Son del Barrio Notes Bibliography Discography
Synopsis
Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape. Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also played with African-American and white jazz bands, Filipino or Italian-American orchestras, and with other Latinos. Glasser provides an understanding of the way musical subcultures could exist side by side or even as a part of the mainstream, and she demonstrates the complexities of cultural nationalism and cultural authenticity within the very practical realm of commercial music. Illuminating a neglected epoch of Puerto Rican life in America, Glasser shows how ethnic groups settling in the United States had choices that extended beyond either maintenance of their homeland traditions or assimilation into the dominant culture. Her knowledge of musical styles and performance enriches her analysis, and a discography offers a helpful addition to the text.
LC Classification Number
ML3481

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