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Reconceptions in Philosophy and - Paperback, by Goodman Nelson; Elgin - Good
USD13,77
Aproximadamente11,86 EUR
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En buen estado
Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Envío:
Gratis USPS Media MailTM.
Ubicado en: Philadelphia, Pennsylvania, Estados Unidos
Entrega:
Entrega prevista entre el lun. 20 oct. y el sáb. 25 oct. a 94104
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N.º de artículo de eBay:405235323486
Última actualización el 15 oct 2025 11:43:38 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Book Title
- Reconceptions in Philosophy and Other Arts and Sciences (Hackett
- ISBN
- 9780872200531
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Product Identifiers
Publisher
Hackett Publishing Company, Incorporated
ISBN-10
0872200531
ISBN-13
9780872200531
eBay Product ID (ePID)
585806
Product Key Features
Number of Pages
188 Pages
Publication Name
Reconceptions in Philosophy and Other Arts and Sciences
Language
English
Publication Year
1988
Subject
Methodology, Aesthetics
Type
Textbook
Subject Area
Philosophy
Series
Hackett Readings in Philosophy Ser.
Format
Trade Paperback
Dimensions
Item Height
6 in
Item Weight
7.1 Oz
Item Length
9 in
Item Width
0.2 in
Additional Product Features
Intended Audience
College Audience
LCCN
87-031339
Dewey Edition
19
Reviews
The idea that knowledge and truth are not as absolutely crucial as we have thought is absolutely crucial: it is right. --Alexander Nehamas, Princeton University, Covering such diverse topics as architecture, epistemology, art, literature, and music, the book is firmly held together by a unique vision. . . a brilliant work of destruction. All certainty seems to disappear under Goodman and Elgin's rigorous scrutiny. Rightness, adoption, and understanding are substituted for truth, certainty, and knowledge, without yielding to terminal scepticism or irresponsible relativism. The students of Goodman and Elgin know less but understand more. --Carl Rudbeck, Svenska Dagbladt, "Covering such diverse topics as architecture, epistemology, art, literature, and music, the book is firmly held together by a unique vision. . . a brilliant work of destruction. All certainty seems to disappear under Goodman and Elgin's rigorous scrutiny. Rightness, adoption, and understanding are substituted for truth, certainty, and knowledge, without yielding to terminal scepticism or irresponsible relativism. The students of Goodman and Elgin know less but understand more." --Carl Rudbeck, Svenska Dagbladt, The authors argue against certain philosophical distinctions between art and science; between verbal and nonverbal meaning; and between the affective and the cognitive. The book continues Goodman's argument against one traditional mode of philosophizing which privileges the notions of 'truth' and 'knowledge'. Hence, the book is in a broadly pragmatic tradition. It also deals in detail with such topics as meaning in architecture and the concept of 'variation' in art, and contains a superb critique of some important views in contemporary epistemology. This work will be savored even by those who will not accept all aspects of Goodman and Elgin's approach. Essential for all undergraduate philosophy collections. --Stanley Bates, Choice, "The idea that knowledge and truth are not as absolutely crucial as we have thought is absolutely crucial: it is right." --Alexander Nehamas, Princeton University
Illustrated
Yes
Dewey Decimal
101
Synopsis
"The authors argue against certain philosophical distinctions between art and science; between verbal and nonverbal meaning; and between the affective and the cognitive. The book continues Goodman's argument against one traditional mode of philosophizing which privileges the notions of 'truth' and 'knowledge'. Hence, the book is in a broadly pragmatic tradition. It also deals in detail with such topics as meaning in architecture and the concept of 'variation' in art, and contains a superb critique of some important views in contemporary epistemology. This work will be savored even by those who will not accept all aspects of Goodman and Elgin's approach. Essential for all undergraduate philosophy collections." --Stanley Bates, Choice
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