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Experimental Film and Queer Materiality by Juan A Suárez: New

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
Book Title
Experimental Film and Queer Materiality
Publication Date
2024-05-28
Pages
328
ISBN
9780197773802

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Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
019777380X
ISBN-13
9780197773802
eBay Product ID (ePID)
15065008942

Product Key Features

Number of Pages
312 Pages
Language
English
Publication Name
Experimental Film and Queer Materiality
Publication Year
2024
Subject
Lgbt Studies / Gay Studies, Film / History & Criticism, Lgbt Studies / Lesbian Studies
Type
Textbook
Subject Area
Performing Arts, Social Science
Author
Juan A. Suarez
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
16 Oz
Item Length
9.5 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2023-054946
Reviews
""In his landmark publication ^lBike Boys, Drag Queens, and Superstars, Juan Suárez pried open avant-garde cinema to a long overdue reckoning with its queerness. In his revelatory new book, this most dynamic scholar compels us to reconsider it again, not only as a movement in which queer bodies and sex abound, but as one that queers our experience of the material world, down to the very grain of celluloid film. Only the brilliant Suárez could compel shit and glitter to yield such profound insights."" -- Ara Osterweil, author of Flesh Cinema: The Corporeal Turn in Avant-Garde Film""Juan Suárez's new book on queer materiality in experimental film is fiercely original, thrillingly insightful and simply a great joy to read. Through a series of stunning readings and revelatory theoretical elaborations, Suárez makes a brilliant case for the myriad ways that sexuality is enmeshed in the object world of everyday life. He shows us how glitter, amphetamines, Ben-Day dots, brightly colored plastic and other materials of post-war consumer capital were essential elements of the sexual worlds presented by filmmakers like Kenneth Anger, Jack Smith, Marie Menken, the Kuchar Brothers, and Andy Warhol. In so doing, Suárez makes a major contribution to queer theory and film studies."" -- Jonathan Flatley, author of Like Andy Warhol
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.43611
Table Of Content
1. Introduction. Sexuality on the Outside: Experimental Cinema and Queer Materiality 2. Ruins, Magical Objects, Litter, and Synthetics: The Queer Materials of Postwar Avant-Garde Film 3. Amphetamine and Queer Materiality in Andy Warhol's Factory Films 4. Crashing Bodies, Excrement, and Plastics: The Kuchar Brothers in the Sixties 5. Glitter and Queer Embodiment in Seventies Film and Performance 6. Film Grain, Discontinuous Representation, and the Queer Corporealities of Underground Cinema 7. The Afterlives of Film Grain: Precarious Bodies, Poor Images 8. Synthetic, Exotic, Magnetic: The Noise of Queer Experimental Film
Synopsis
Often described as an art of abstraction and subjective introspection, experimental film is also invested in exploring daily objects and materials and in channeling, in the process, a peculiar perception of the modern everyday that this book calls queer materiality. Queer materiality designates the queer latency of modern material culture, which often inspired queer artists and filmmakers to envision wayward bodies and behaviors, and refers to the way in which sexual and social dissidence was embedded in the objects, technologies, substances, and spaces that make up the hardware of experience. This book studies a rich archive of queer material engagements in work by well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, and Jack Smith as well as under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl, and Teo Hernández. Combining history, formal analysis, and theoretical reflection, author Juan A. Suárez shows how plastics, glitter, mechanical ensembles, urban ruins, garbage, amphetamine, film grain, and noise have been mobilized in the articulation of queerness for the screen. Experimental Film and Queer Materiality is an inquiry into the liveliness of matter and into the interface between sexuality and the material world., Often described as an art of abstraction and subjective introspection, experimental film also channeled the queer latency of modern material culture and embedded sexual and social dissidence in the objects, technologies, substances, and spaces that make up the hardware of experience. Combining history, formal analysis, and theoretical reflection, Experimental Film and Queer Materiality shows how plastics, glitter, mechanical ensembles, urban ruins, garbage, amphetamine, film grain, and noise have been mobilized in the articulation of queerness for the screen., Experimental Film and Queer Materiality studies a rich archive of queer material engagements in work by well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, and Jack Smith as well as under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl, and Teo Hernández.
LC Classification Number
PN1995.9.E96S823

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