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My Shining Archipelago by Ms. Ansel, Talvikki: New
USD35,87
Aproximadamente30,81 EUR
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Ubicado en: Sparks, Nevada, Estados Unidos
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Entrega prevista entre el mié. 13 ago. y el mar. 19 ago. a 94104
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N.º de artículo de eBay:402896428948
Última actualización el 05 jul 2025 11:17:09 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Publication Date
- 1997-03-27
- Pages
- 70
- ISBN
- 9780300070323
Acerca de este producto
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300070322
ISBN-13
9780300070323
eBay Product ID (ePID)
994754
Product Key Features
Book Title
My Shining Archipelago
Number of Pages
70 Pages
Language
English
Publication Year
1997
Topic
General, American / General
Illustrator
Yes
Genre
Poetry
Book Series
Yale Series of Younger Poets Ser.
Format
Trade Paperback
Dimensions
Item Height
0 in
Item Weight
3.8 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
96-045321
Dewey Edition
21
Dewey Decimal
811/.54
Synopsis
Talvikki Ansel's My Shining Archipelago is the winner of the 1996 Yale Series of Younger Poets competition. Her book gives us a front-row seat in a true Amazon theater where, says James Dickey in his foreword, ""Ansel finds her way of bringing into language the hellish magnificence, the perverse pluralism-more, always more, in the Amazon basin."" This cycle of ""freewheeling sonnets"" (Part II of the book) is cradled between sections of ambitious lyrics that recall Dutch still lifes in their intense scrutiny of pears, eels, gutted birds, to get at their essence. The book closes with a second sonnet cycle that inverts the subject of the first: instead of European civilization (the opera house Teatro Amazonas) coming to the jungle, an untutored human who is just learning to name things-Shakespeare's Caliban-is dropped in the middle of Elizabethan London., The winner of the 1996 Yale Series of Younger Poets competition is Talvikki Ansel for My Shining Archipelago. "Ansel s poetry is refreshingly original," says the distinguished poet and contest judge James Dickey. "She renders the heat, the closeness, the mystery, and the terrible fear of the undisclosed, the lurking, the waiting to happen. This is true imagination, true craft." Flemish Beauty Yesterday, all winter, I had not thought of pears, considered: pear . The tear-shaped, papery core, precise seeds. This one channeled through with worm tunnels. Bruises, a rotten half-- sometimes there's nothing left to drop into the pot. That phrase I could have said: "you still have us..." The knife slides easily beneath the skins, top to base, spiraling them away. The insubstantial us. It could as well be the pear talking to the river, turning to the grass ("you still have us"). Besides, it's just me a pear in my hand (the slop bucket full of peels)--and sometimes, yes, that seems enough: a pear-- this larger one, yellow-green, turning to red: "Duchess" maybe, "Devoe," or what I want to call it: "Flemish Beauty." When I can't sleep, I'll hold my hand as if I held a pear, my fingers mimicking the curve. The same curve as the newel post I've used for years, swinging myself up to the landing, always throwing my weight back. And always nails loosening, mid-bound., The winner of the 1996 Yale Series of Younger Poets competition is Talvikki Ansel for My Shining Archipelago. "Ansel's poetry is refreshingly original," says the distinguished poet and contest judge James Dickey. "She renders the heat, the closeness, the mystery, and the terrible fear of the undisclosed, the lurking, the waiting to happen. This is true imagination, true craft." Flemish Beauty Yesterday, all winter, I had not thought of pears, considered: pear . The tear-shaped, papery core, precise seeds. This one channeled through with worm tunnels. Bruises, a rotten half-- sometimes there's nothing left to drop into the pot. That phrase I could have said: "you still have us..." The knife slides easily beneath the skins, top to base, spiraling them away. The insubstantial us. It could as well be the pear talking to the river, turning to the grass ("you still have us"). Besides, it's just me a pear in my hand (the slop bucket full of peels)--and sometimes, yes, that seems enough: a pear-- this larger one, yellow-green, turning to red: "Duchess" maybe, "Devoe," or what I want to call it: "Flemish Beauty." When I can't sleep, I'll hold my hand as if I held a pear, my fingers mimicking the curve. The same curve as the newel post I've used for years, swinging myself up to the landing, always throwing my weight back. And always nails loosening, mid-bound.
LC Classification Number
PS3551.N69M9 1997
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