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Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song

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N.º de artículo de eBay:397125987586
Última actualización el 24 oct 2025 07:34:19 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN-13
9781403961945
Book Title
Theaters of Desire: Authors, Readers, and the Reproduction of Ear
ISBN
9781403961945
Categoría

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Product Identifiers

Publisher
Palgrave Macmillan
ISBN-10
1403961948
ISBN-13
9781403961945
eBay Product ID (ePID)
2267285

Product Key Features

Number of Pages
Xxi, 268 Pages
Language
English
Publication Name
Theaters of Desire : Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300-2000
Publication Year
2004
Subject
Asian / Chinese, Asia / General, General, Modern / General
Features
Revised
Type
Textbook
Author
Patricia Sieber
Subject Area
Literary Criticism, History
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
17.1 Oz
Item Length
8.6 in
Item Width
5.8 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2002-193053
Dewey Edition
21
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
895.1/209
Table Of Content
Acknowledgments Prologue Introduction: Rewriting Early Chinese Zaju Song-Drama for Transnational, National, and Local Contexts Art Song Anthologies, Editorial Attributions and the Cult of Affect: Guan Hanqing (c. 1220-c. 1300) and the Transformation of Attestatory Authorship Zaju Song-Drama Collections, Examination Requirements, and the Exigencies of Desire: Li Kaixian (1502-1568), Zang Maoxun (1550-1620) and the Uses of Reproductive Authorship Xixiang ji Editions, the Book Market and the Discourse on Obscenity: Wang Jide (d. 1623), Jin Shengtan (1608-1661) and the Creation of Uncommon Readers Epilogue Notes Bibliography Glossary
Edition Description
Revised edition
Synopsis
Blending a flair for textual nuance with theoretical engagement, Theaters of Desire not only contributes to our understanding of the most influential form of early Chinese song-drama in local and international cultural contexts, but adds a Chinese perspective to the scholarship on print culture, authorship, and the regulatory discourses of desire. The book argues that, particularly between 1550 and 1680, Chinese elite editors rewrote and printed early plays and songs, so-called Yuan-dynasty zaju and sanqu , to imagine and embody new concepts of authorship, readership and desire, an interpretation that contrasts starkly with the national and racially-oriented reception of song-drama developed by European critics after 1735 and subsequently modified by Japanese and Chinese critics after 1897. By analyzing the critical and material facets of the early song and play tradition across different historical periods and cultural settings, Theaters of Desire presents a compelling case study of literary canon formation., Blending a flair for textual nuance with theoretical engagement, Theaters of Desire not only contributes to our understanding of the most influential form of early Chinese song-drama in local and international cultural contexts, but adds a Chinese perspective to the scholarship on print culture, authorship, and the regulatory discourses of desire. The book argues that, particularly between 1550 and 1680, Chinese elite editors rewrote and printed early plays and songs, so-called Yuan-dynasty zaju and sanqu, to imagine and embody new concepts of authorship, readership and desire, an interpretation that contrasts starkly with the national and racially-oriented reception of song-drama developed by European critics after 1735 and subsequently modified by Japanese and Chinese critics after 1897. By analyzing the critical and material facets of the early song and play tradition across different historical periods and cultural settings, Theaters of Desire presents a compelling case study of literary canon formation.
LC Classification Number
PN843-849

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