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Otti Berger: Weaving for Modernist Architecture by Judith Raum HC 2024
USD44,00
Aproximadamente37,75 EUR
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
- ¡Cómpralo ya!Otti Berger: Weaving for Modernist Architecture by Judith Raum HC 2024
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Recogida:
Recogida local gratis en Woburn, Massachusetts, Estados Unidos.
Envío:
USD4,40 (aprox. 3,77 EUR) USPS Media MailTM.
Ubicado en: Woburn, Massachusetts, Estados Unidos
Entrega:
Entrega prevista entre el mar. 14 oct. y el mar. 21 oct. a 94104
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N.º de artículo de eBay:397115770128
Características del artículo
- Estado
- ISBN
- 9783775755009
Acerca de este producto
Product Identifiers
Publisher
Hatje Cantz Verlag Gmbh & Co KG
ISBN-10
3775755004
ISBN-13
9783775755009
eBay Product ID (ePID)
5064187713
Product Key Features
Book Title
Otti Berger: Weaving for Modernist Architecture
Number of Pages
352 Pages
Language
English
Publication Year
2024
Topic
Individual Artists / Monographs, Decorative Arts
Illustrator
Yes
Genre
Design, Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
58.6 Oz
Item Length
12.5 in
Item Width
8.9 in
Additional Product Features
Intended Audience
Trade
Reviews
There are two kinds of genius this book reveals: The aesthete with a preternatural sense for color harmonies, order, and pattern across all manner of fabrics and uses; and the mind that could arrange warp and weft threads to match a carpet s pattern to how one moved across it., There are two kinds of genius this book reveals: The aesthete with a preternatural sense for color harmonies, order, and pattern across all manner of fabrics and uses; and the mind that could arrange warp and weft threads to match a carpet's pattern to how one moved across it.
Dewey Edition
23
Dewey Decimal
747.9
Synopsis
A sumptuous introduction to the innovative fabrics of a long-overlooked Bauhaus textile artist A radical pioneer of Bauhaus textile design, Otti Berger created fabrics that fundamentally changed the understanding of what textiles could be and do. A core member of the textile faculty at the Bauhaus alongside Anni Albers and Gunta Stölzl, Berger also was an entrepreneur in the frenzied culture of early 1930s Berlin. Working closely with architects of the New Objectivity movement such as Lilly Reich, Ludwig Hilberseimer and Hans Scharoun, she designed upholstery, wall fabrics, curtains and floor coverings that explored novel production methods, and thereby redefined the relationship between aesthetics and function. This book is the first comprehensive study of Berger s textile work. It makes available for the first time her previously unpublished treatise on fabrics and examines her methodologies of textile production. By arranging her fabrics according to their application, author Judith Raum s research offers an entirely new perspective on Berger s oeuvre, emphasizing its craftsmanship and the entrepreneurial side of her work. Otti Berger (1898 1944) was one of the most important textile designers of the 20th century. Born in Zmajevac in the Austro-Hungarian Empire (present-day Croatia), she studied in Zagreb and then taught at the Bauhaus in Dessau. She set up her own business in Berlin to design fabrics for modern interiors throughout Europe. In 1936, she was banned from working due to her Jewish heritage. She was later deported to Auschwitz, where she was murdered in 1944., A sumptuous introduction to the innovative fabrics of a long-overlooked Bauhaus textile artist A radical pioneer of Bauhaus textile design, Otti Berger created fabrics that fundamentally changed the understanding of what textiles could be and do. A core member of the textile faculty at the Bauhaus alongside Anni Albers and Gunta Stölzl, Berger also was an entrepreneur in the frenzied culture of early 1930s Berlin. Working closely with architects of the New Objectivity movement such as Lilly Reich, Ludwig Hilberseimer and Hans Scharoun, she designed upholstery, wall fabrics, curtains and floor coverings that explored novel production methods, and thereby redefined the relationship between aesthetics and function. This book is the first comprehensive study of Berger's textile work. It makes available for the first time her previously unpublished treatise on fabrics and examines her methodologies of textile production. By arranging her fabrics according to their application, author Judith Raum's research offers an entirely new perspective on Berger's oeuvre, emphasizing its craftsmanship and the entrepreneurial side of her work. Otti Berger (1898-1944) was one of the most important textile designers of the 20th century. Born in Zmajevac in the Austro-Hungarian Empire (present-day Croatia), she studied in Zagreb and then taught at the Bauhaus in Dessau. She set up her own business in Berlin to design fabrics for modern interiors throughout Europe. In 1936, she was banned from working due to her Jewish heritage. She was later deported to Auschwitz, where she was murdered in 1944., The Fabric of Modern Architecture Otti Berger created fabrics that fundamentally changed the understanding of what textiles could be and do. A core member of the experimental approach to textiles at the Bauhaus, she also was a female entrepreneur in the frenzied time that was the early 1930s in Berlin. Working closely with architects of the New Objectivity movement such as Lilly Reich, Ludwig Hilberseimer and Hans Scharoun, she designed upholstery and wall tapestries, curtains and floor coverings that responded to novel types of use and production methods, and thereby redefined the relationship between aesthetics and function - with fascinating results. To date Berger's textile work has only been explored in fragments. This book is the first comprehensive study of its complexity and beauty and makes her hitherto unpublished treatise on fabrics and the methodology of textile production accessible. By systematically arranging the fabrics according to their application, Raum's research offers an entirely new perspective on Berger's oeuvre that emphasizes the craftsmanship and entrepreneurial side of her work, and appreciates the largely unrecognized significance of textiles in the history of architecture and design.
LC Classification Number
NK2115.5.F3O8 2024
Text by
Kinchin, Juliet, Droste, Magdalena, Harrod, Tanya, Cleven, Esther
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- 2***0 (129)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaShipping was quick, packaging was excellent, condition was acceptable as described -- binding loose but pages intact. I did message buyer asking about mold and didn't receive a reply -- luckily, there appears to be no mold. Great value for a 100+ yr old book!Mistress of Shenstone by Florence L. Barclay HC 1910 (#335940140985)
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