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Stalinism and Soviet Cinema by Derek Spring (English) Paperback Book
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Ubicado en: Fairfield, Ohio, Estados Unidos
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Entrega prevista entre el lun. 3 nov. y el sáb. 8 nov. a 94104
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N.º de artículo de eBay:397108146212
Última actualización el 10 oct 2025 11:10:59 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN-13
- 9780415513357
- Book Title
- Stalinism and Soviet Cinema
- ISBN
- 9780415513357
Acerca de este producto
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
0415513359
ISBN-13
9780415513357
eBay Product ID (ePID)
110842419
Product Key Features
Number of Pages
296 Pages
Publication Name
Stalinism and Soviet Cinema
Language
English
Publication Year
2011
Subject
Media Studies, Political, Industries / Entertainment, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts, Social Science, Biography & Autobiography, Business & Economics
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
19.5 Oz
Item Length
6.1 in
Item Width
9.2 in
Additional Product Features
Intended Audience
College Audience
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
302.23430947
Table Of Content
Contributors: Derek Spring, Richard Tylor, Rashit Yangirov, Maya Turovskaya, Peter Kenez, Kaya Khokhlova, Maria Enzensberger, Leonid Kozlov, Ian Christie, Anna Lawton, Svetlana Boym, Julian Graffy
Synopsis
An examination of the effect Stalinism has had on the Soviet cinema. Contributors look at the development of the relationship and how the Soviet cinema is coming to terms with the disintergration of the established structures., Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.
LC Classification Number
PN1993.5.R9S73 2011
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