The Sublime: From Antiquity to the Present by Timothy M. Costelloe (English) Pap

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN-13
9780521143677
Book Title
The Sublime
ISBN
9780521143677
Categoría

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Product Identifiers

Publisher
Cambridge University Press
ISBN-10
0521143675
ISBN-13
9780521143677
eBay Product ID (ePID)
112996959

Product Key Features

Number of Pages
313 Pages
Publication Name
Sublime : from Antiquity to the Present
Language
English
Publication Year
2012
Subject
History & Surveys / General, Aesthetics
Type
Textbook
Subject Area
Philosophy
Author
Timothy M. Costelloe
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
22.9 Oz
Item Length
10 in
Item Width
7 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2011-047623
Dewey Edition
23
TitleLeading
The
Reviews
"The Sublime: From Antiquity to the Present is a grid of essays on the theory of the sublime and on its realization in nature and art. One informs the other, and I don't know of another book on the subject as systematic and wide-ranging." Ronald Paulson, The Johns Hopkins University, "...The volume is best regarded as a reference work, suitable for research into specific topics.... notable papers included are those of Rodolphe Gasche, Melissa Meritt, Paul Guyer, and Theodore Gracyk.... Recommended..." -- R. Bonzon, Augustana College, CHOICE, "The Sublime: From Antiquity to the Present is a grid of essays on the theory of the sublime and on its realization in nature and art. One informs the other, and I don't know of another book on the subject as systematic and wide-ranging." - Ronald Paulson, The Johns Hopkins University, "The Sublime: From Antiquity to the Present collects together an outstanding group of essays that will set the agenda for future studies of the sublime. It presents a superbly informed philosophical history of the category of the sublime from Longinus to postmodernism in the first part, and in the second a richly detailed thematic overview that demonstrates the continuing fascination of the sublime." - Peter de Bolla, University of Cambridge, "This wide-ranging collection of essays will be a valuable resource to anyone interested in assessing the historical importance of the concept of the sublime and its continuing relevance for contemporary philosophical discussion." Frances Ferguson, University of Chicago, "The Sublime: From Antiquity to the Present collects together an outstanding group of essays that will set the agenda for future studies of the sublime. It presents a superbly informed philosophical history of the category of the sublime from Longinus to postmodernism in the first part, and in the second a richly detailed thematic overview that demonstrates the continuing fascination of the sublime." Peter de Bolla, University of Cambridge, "This wide-ranging collection of essays will be a valuable resource to anyone interested in assessing the historical importance of the concept of the sublime and its continuing relevance for contemporary philosophical discussion." - Frances Ferguson, University of Chicago
Illustrated
Yes
Dewey Decimal
111/.85
Table Of Content
'The sublime'. A short introduction to a long history Timothy M. Costelloe; Part I. Philosophical History of the Sublime: 1. Longinus and the ancient sublime Malcolm Heath; 2. ... And the beautiful? Revisiting Edmund Burke's 'double aesthetics' Rodolphe Gasché; 3. The moral source of the Kantian sublime Melissa Meritt; 4. Imagination and internal sense: the sublime in Shaftesbury, Reid, Addison, and Reynolds Timothy M. Costelloe; 5. The associative sublime: Kames, Gerrard, Alison, and Stewart Rachel Zuckert; 6. The 'prehistory' of the sublime in early modern France: an interdisciplinary perspective Éva Madeleine Martin; 7. The post-Kantian German sublime Paul Guyer; 8. The postmodern sublime: presentation and its limits David B. Johnson; Part II. Disciplinary and Other Perspectives: 9. The 'subtler sublime': in modern Dutch aesthetics John R. J. Eyck; 10. The first American sublime Chandos Michael Brown; 11. The environmental sublime Emily Brady; 12. Religion and the sublime Andrew Chignell and Matthew C. Halteman; 13. The British romantic sublime Adam Potkay; 14. The sublime and the fine arts Theodore Gracyk; 15. Architecture and the sublime Richard Etlin.
Synopsis
This volume offers readers a unique and comprehensive overview of theoretical perspectives on 'the sublime', the singular aesthetic response elicited by phenomena that move viewers by transcending and overwhelming them. The book consists of an editor's introduction and fifteen chapters written from a variety of disciplinary perspectives. Part One examines philosophical approaches advanced historically to account for the phenomenon, beginning with Longinus, moving through eighteenth- and nineteenth-century writers in Britain, France and Germany and concluding with developments in contemporary continental philosophy. Part Two explores the sublime with respect to particular disciplines and areas of study, including Dutch literature, early modern America, the environment, religion, British Romanticism, the fine arts and architecture. Each chapter is both accessible for non-specialists and offers an original contribution to its respective field of inquiry., This volume offers readers a unique and comprehensive overview of theoretical perspectives on "the sublime," the singular aesthetic response elicited by phenomena that move viewers by transcending and overwhelming them. The book consists of an editor's introduction and fifteen chapters written from a variety of disciplinary perspectives. Part One examines philosophical approaches advanced historically to account for the phenomenon, beginning with Longinus, moving through eighteenth and nineteenth century writers in Britain, France, and Germany, and concluding with developments in contemporary continental philosophy. Part Two explores the sublime with respect to particular disciplines and areas of study, including Dutch literature, early modern America, the environment, religion, British Romanticism, the fine arts, and architecture. Each chapter is both accessible for nonspecialists and offers an original contribution to its respective field of inquiry., This volume offers readers a unique and comprehensive overview of theoretical perspectives on 'the sublime', the singular aesthetic response elicited by objects or phenomena that move viewers by transcending and overwhelming them. The book consists of an editor's introduction and fifteen chapters written from a variety of disciplinary perspectives.
LC Classification Number
BH301.S7S833 2012

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