Transcendental Style in Film: Ozu, Bresson, Dreyer by Paul Schrader (English) Pa

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN-13
9780520296817
Type
Does not apply
ISBN
9780520296817

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Product Identifiers

Publisher
University of California Press
ISBN-10
0520296818
ISBN-13
9780520296817
eBay Product ID (ePID)
239697039

Product Key Features

Book Title
Transcendental Style in Film : Ozu, Bresson, Dreyer
Number of Pages
232 Pages
Language
English
Topic
Film / General, Film / Genres / General, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production
Publication Year
2018
Illustrator
Yes
Genre
Performing Arts
Author
Paul Schrader
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
12.8 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

LCCN
2017-058336
Reviews
Schrader's investigation of mid-century art cinema masters as extensions of spiritual art is worthy of our careful consideration, especially given the legacy of Yasujir_ Ozu, Robert Bresson, and Carl Th. Dreyer. . . . Transcendental Style is a masterful work of structure, methodology, and art history., This deep dive into three all-time great moviemakers is the perfect example of why eating your cultural vegetables can be endlessly rewarding, potentially even life-changing.
Table Of Content
Acknowledgments Rethinking Transcendental Style Introduction to the Original Edition Ozu Bresson Dreyer Conclusion Notes Selected Bibliography Index
Synopsis
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors--Yasujiro Ozu, Robert Bresson, and Carl Dreyer--and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader's theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), B la Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film., With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors--Yasujiro Ozu, Robert Bresson, and Carl Dreyer--and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader's theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
LC Classification Number
PN1995.S417 2018

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