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From Nation to Diaspora by Curdella Forbes Cultural Performance of Gender
USD19,99
Aproximadamente17,02 EUR
Estado:
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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USD4,47 (aprox. 3,81 EUR) USPS Media MailTM.
Ubicado en: Brewster, New York, Estados Unidos
Entrega:
Entrega prevista entre el jue. 9 oct. y el jue. 16 oct. a 94104
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N.º de artículo de eBay:397006071105
Características del artículo
- Estado
- Original Language
- English
- ISBN
- 9789766401719
Acerca de este producto
Product Identifiers
Publisher
University of T.H.E. West Indies Press
ISBN-10
9766401713
ISBN-13
9789766401719
eBay Product ID (ePID)
46589510
Product Key Features
Book Title
From Nation to Diaspora : Samuel Selvon, George Lamming and the Cultural Performance of Gender
Number of Pages
316 Pages
Language
English
Topic
Caribbean & Latin American
Publication Year
2005
Genre
Literary Criticism, Literary Collections
Format
Perfect
Dimensions
Item Height
0.7 in
Item Weight
12.3 Oz
Item Length
9.1 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
An outstanding contribution to its field; it restructures existing discourse in the most productive ways.
Synopsis
This book is the first comprehensive treatment of gender in the works of Samuel Selvon and George Lamming, two important West Indian writers who are rarely analysed together. It demystifies nationalist discourses and discourses of creolization showing that these have masked gender inequalities and complexities in West Indian society, and that the maskings are in turn part of a larger masking of neocolonial threads within nationalism. Forbes situates the fictions of Selvon and Lamming within the wider field of West Indian social thought and practice, and she demonstrates that gender is foundational within West Indian revolutionary action - a fact consistently ignored in mainstream discourses, including feminist ones. These two West Indians' treatments of gender belong to a revolutionary poetics of liberation in West Indian culture but are deeply compromised by the nationalist engagements and the nationalist context of the 1950s-1970s. Lamming's treatment of it, anticipates and problematizes the concepts of postmodernity and postmodernism, which have entered West Indian discourse via postcolonial discourse and the work of migration on West Indian theory and criticism. The book concludes by looking towards these discourses that are now playing major roles in West Indian thought. Forbes links West Indian nationalism and the fictions of Selvon and Lamming into a dialogue with the concepts of diasproa, postmodernity and postmodernism, raising the issue of how the latter have impacted on the representation and formation of West Indian gender identities. She then considers the implications of these discourses for West Indian writing, West Indian theory and, above all, West Indian survival and identity in a postmodern, essentially neocolonized world., This book is the first comprehensive treatment of gender in the works of Samuel Selvon and George Lamming, two important West Indian writes who are rarely analyzed together. It demystifies nationalist discourses and discourses of creolization showing that these have masked gender inequalities and complexities in West Indian society, and that the maskings are in turn part of a larger masking of neocolonial threads within nationalism. Forbes situates the fictions of Selvon and Lamming within the wider field of West Indian social thought and practice, and she demonstrates that gender is foundational within West Indian revolutionary action-a fact consistently ignored in mainstream discourses, including feminist ones. These two West Indians' treatments of gender belong to a revolutionary poetics of liberation in West Indian culture but are deeply compromised by the nationalist engagements and the nationalist context of the 1950s-1970s. The unorthodox character of West Indian gender, as seen in Selvon's and Lamming's treatment of it, anticipates and problematizes the concepts of "postmodernity" and "postmodernism," which have entered West Indian discourse via postcolonial discourse and the work of migration on West Indian theory and criticism. The book concludes by looking towards these discourses that are now playing major roles in West Indian thought. Forbes links West Indian nationalism and the fictions of Selvon and Lamming into a dialogue with the concepts of diasproa, postmodernity and postmodernism, raising the issue of how the latter have impacted on the representation and formation of West Indian gender identities. She then considers the implications of these discourses for WestIndian writing, West Indian theory and, above all, West Indian survival and identity in a postmodern, essentially neocolonized world., This book is a discussion of gender in West Indian culture. It undertakes the discussion through a revisionary reading of gender in selected novels written by Samuel Selvon and George Lamming from the 1950s to the 1970s. This was a period in which nationalism in the West Indies (anglophone Caribbean) reached its highest level of consolidation.
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