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Rushmore by Kristi Irene McKim (English) Paperback Book
USD21,78
Aproximadamente18,64 EUR
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Gratis Economy Shipping.
Ubicado en: Fairfield, Ohio, Estados Unidos
Entrega:
Entrega prevista entre el vie. 5 sep. y el jue. 11 sep. a 94104
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N.º de artículo de eBay:396988055877
Última actualización el 28 ago 2025 04:04:09 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN-13
- 9781839024498
- Book Title
- Rushmore
- ISBN
- 9781839024498
Acerca de este producto
Product Identifiers
Publisher
Bfi Publishing
ISBN-10
1839024496
ISBN-13
9781839024498
eBay Product ID (ePID)
2329417070
Product Key Features
Number of Pages
120 Pages
Language
English
Publication Name
Rushmore
Publication Year
2023
Subject
Film / General, Film / Guides & Reviews, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Series
Bfi Film Classics Ser.
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
6.7 Oz
Item Length
7.4 in
Item Width
5.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.4372
Table Of Content
Preface: Making Rushmore New, Now Introduction 1 Context 2 Rush/More 3 Slowness/Grace 4 A World of Time (Not Things) 5 Teaching and Learning Notes Credits
Synopsis
Earning critical acclaim and commercial success upon its 1998 release, Rushmore- the sophomore film of American auteur Wes Anderson-quickly gained the status of a cult classic. A melancholic coming-of-age story wrapped in comedy drama, Rushmore focuses on the efforts of Max Fischer (Jason Schwartzman)-a brazen and precocious fifteen-year-old-to find his way. Restless, energetic, struggling, and overcompensating for his insecurities, Max pursues a dizzying range of possible futures, leading him into the orbit of local steel magnate Herman Blume (Bill Murray), elementary school teacher Rosemary Cross (Olivia Williams), and a host of cooperative schoolmates who help him to stage lavish film-derivative plays. Kristi McKim's compelling study of the film argues that despite the film's titular call for haste and excess (rush/more), it challenges a drive toward perfectionism and celebrates the quiet connections that defy such passion and speed. After establishing Rushmore 's history and reception, McKim closely reads Rushmore 's energetic musical montages relative to slower moments that introduce tenderness and ambiguity, in a form subtler than Max's desire-built drive or genre-based plays. Her analysis offers an urgent corrective to what might be perceived as an endearing portrait of privilege that perpetuates a status quo power. Drawing out Rushmore's subtleties that soften, temper, ease, expand, and equalize the film's zeal, she reads the film with a generosity learned from the film itself., Earning critical acclaim and commercial success upon its 1998 release, Rushmore - the sophomore film of American auteur Wes Anderson - quickly gained the status of a cult classic. A melancholic coming-of-age story wrapped in a comedy drama, Rushmore focuses on the efforts of Max Fischer (Jason Schwartzman) - a precocious fifteen-year-old - to find his way. Restless and overcompensating for his insecurities, Max pursues a dizzying range of possible futures, leading him into the orbit of local steel magnate Herman Blume (Bill Murray), school teacher Rosemary Cross (Olivia Williams), and a host of cooperative schoolmates who help him to stage lavish film-derivative plays. Kristi Irene McKim's compelling study argues that despite the title's call for haste and excess (rush/more), the film challenges a drive towards perfectionism and celebrates the quiet connections that defy such passion and speed. After establishing the film's development and reception history, McKim closely reads Rushmore's energetic musical montages in relation to slower moments that introduce tenderness and ambiguity. Her analysis offers an urgent corrective to what might be perceived as an endearing portrait of privilege that perpetuates a status quo. Drawing out the subtleties that soften, temper, ease, expand and equalise the film's zeal, she reads Rushmore with a generosity learned from the film itself.
LC Classification Number
PN1997.R8
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