Supply Chain Cinema: Producing Global Film Workers by Kay Dickinson Paperback Bo

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN-13
9781839024665
Book Title
Supply Chain Cinema
ISBN
9781839024665
Categoría

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Product Identifiers

Publisher
Bloomsbury Publishing
ISBN-10
1839024666
ISBN-13
9781839024665
eBay Product ID (ePID)
22070928512

Product Key Features

Number of Pages
188 Pages
Publication Name
Supply Chain Cinema : Producing Global Film Workers
Language
English
Publication Year
2025
Subject
Film / General, Film / Direction & Production, Film / History & Criticism
Type
Textbook
Author
Kay Dickinson
Subject Area
Performing Arts
Series
International Screen Industries Ser.
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
10.6 Oz
Item Length
9.1 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
Reviews
" Supply Chain Cinema is a critical reconceptualization of blockbuster film production and a scathing indictment of the ways in which higher education and skills training schemes have become complicit in producing a workforce amendable to demands of global capital. This is essential reading and a cautionary tale that troubles how governments and universities are responding to the creative economy." --Kevin Sanson, Queensland University of Technology, Australia " Supply Chain Cinema is a vital contribution, arguing persuasively that global film production can now best be understood via supply chain logistics, with all the 'just-in-time' dynamics of inequity and extraction that this entails. Taking us on a journey to both the UK and the UAE, Dickinson foregrounds the voices and experiences of current and future film workers as they are swept up, trained up and then compelled to navigate the vagaries of the creative supply chain." --Bridget Conor, University of Auckland, New Zealand
Dewey Edition
23
Dewey Decimal
791.430685
Table Of Content
Introduction 1. Welcome (to) the Supply Chain: Competition, Adaptation and Compliance with Globalized Big Budget Cinema 2. Hollywood Offshores to British Shores: Warner Bros' Leavesden Studios Rides the Rise of the Creative Economy 3. Training Creative Wizardry: How British Filmmaking Education Attracts Supply Chain Cinema 4. Greasing the Wheels of Transnational Media Production: The United Arab Emirates' Post-Oil Vision for Education 5. Production Migrates to the Migrants: Precarious Film Labour in the UAE's Free Zones Conclusion Bibliography Index
Synopsis
Why are big budget films typically made across an array of seemingly dissociated sites? Supply Chain Cinema shows how the production journeys of such films exemplify the principles of the supply chain, whose core imperative is to nimbly and opportunistically manufacturing wherever is most amenable and efficient. Through extensive on-site investigations and in-depth interviews with film professionals, Kay Dickinson delivers nuanced insight into working practices in the UK and the UAE. Among the sites she examines is Warner Bros' permanent base at Leavesden Studios near London. From tax breaks designed to attract foreign projects to infrastructures, logistical support and expertise offered, she considers why Hollywood giants elect to make more of their films in Britain than in the USA. Dickinson goes on to show how the UK's ambitions to enlarge its creative economies has opened up a host of competitive advantages with British higher education increasingly fashioned to conform to the needs of border-hopping enterprise, thus generating a workforce keenly adapted to the demands of blockbuster moviemaking.

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