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Negative Life: The Cinema of Extinction by Steven Swarbrick Paperback Book
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N.º de artículo de eBay:396804377017
Última actualización el 16 jul 2025 08:11:37 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN-13
- 9780810147195
- Book Title
- Negative Life
- ISBN
- 9780810147195
Acerca de este producto
Product Identifiers
Publisher
Northwestern University Press
ISBN-10
081014719X
ISBN-13
9780810147195
eBay Product ID (ePID)
12064408232
Product Key Features
Number of Pages
224 Pages
Language
English
Publication Name
Negative Life : the Cinema of Extinction
Publication Year
2024
Subject
Semiotics & Theory, Film / History & Criticism
Type
Textbook
Subject Area
Literary Criticism, Performing Arts
Series
Superimpositions Ser.
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
11.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2024-006371
Reviews
"Enormously inventive, polemical, and lucidly written." --Jacques Khalip, author of Disastrous Form from Kant to Hujar, " Negative Life is both an essential critique of ecological affirmation in an age of extinction and an exciting foray into some of the edgiest cinema of our time. Written with a lucidity and energy that makes the dire world of extinction and its denial engagingly readable, this is a must-read for anyone working in the environmental humanities." --Claire Colebrook, author of Who Would You Kill to Save the World?, "Enormously inventive, polemical, and lucidly written." --Jacques Khalip, author of Last Things: D isastrous Form from Kant to Hujar, "In their generative call to theorise, and make room for, the afterlives of entanglement, Swarbrick and Tremblay . . . provide a conception of the human subject as much more subdued and fractured, and whose incoherence and contradictions cannot necessarily be easily resolved through more-than-human entanglement . . . This work is never simply an intellectual exercise in theoretical development, but a timely invitation to come to terms with life's intensifying contradictions in times of climate emergencies." -- cultural geographies " Negative Life is a major work of critical analysis whose challenge to the pastoralizing tendency of certain ecocritical theorists should have the paradoxical effect of enlivening the field." --Lee Edelman, author of Bad Education: Why Queer Theory Teaches Us Nothing, " Negative Life is both an essential critique of ecological affirmation in an age of extinction and an exciting foray into some of the edgiest cinema of our time. Written with a lucidity and energy that makes the dire world of extinction and its denial engagingly readable, this is a must-read for anyone working in the environmental humanities." -Claire Colebrook, author of Who Would You Kill to Save the World?, " Negative Life is a major work of critical analysis whose challenge to the pastoralizing tendency of certain ecocritical theorists should have the paradoxical effect of enlivening the field." --Lee Edelman, author of Bad Education: Why Queer Theory Teaches Us Nothing
Table Of Content
Preface Introduction Ecocriticism against The Wall Chapter 1 First Cow at the End of the World Interlude The Horror of Entanglement I: Annihilation , In the Earth Chapter 2 Familiar Afterlives in Minari and Bhopal Express Interlude The Horror of Entanglement II: Antichrist , Lamb , X Chapter 3 The Queer Impossibility of First Reformed Acknowledgments Notes References Illustration Credits Index
Synopsis
Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around the concept of negative life, a sundering of human and nonhuman relations. Engaging a philosophical and cinematic corpus that rejects the pastoralism of "entanglement" or "enmeshment," Steven Swarbrick and Jean-Thomas Tremblay counter ecocritical pieties and cut a new path for theory. They examine films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Mathai, Paul Schrader, and others that exemplify the existential contradictions currently intensifying amid the sixth mass extinction. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the cases reveal the unlivable dimension of life and art, where form, desire, and non-belonging tarry with the future-oriented promise of ecostudies-where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end., How films help us understand the inevitable death of Earth and humanity Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around the concept of negative life, a sundering of human and nonhuman relations. Engaging a philosophical and cinematic corpus that rejects the pastoralism of "entanglement" or "enmeshment," Steven Swarbrick and Jean-Thomas Tremblay counter ecocritical pieties and cut a new path for theory. They examine films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Mathai, Paul Schrader, and others that exemplify the existential contradictions currently intensifying amid the sixth mass extinction. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the cases reveal the unlivable dimension of life and art, where form, desire, and nonbelonging tarry with the future-oriented promise of ecostudies--where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end.
LC Classification Number
PN1995.S925 2024
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