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White: Insights into Japanese Design Philosophy by Kenya Hara (English) Hardcove

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Última actualización el 25 jul 2025 16:27:44 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN-13
9783037781838
Type
Does not apply
ISBN
9783037781838

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Product Identifiers

Publisher
Lars Muller Publishers
ISBN-10
3037781831
ISBN-13
9783037781838
eBay Product ID (ePID)
77439857

Product Key Features

Book Title
White
Number of Pages
64 Pages
Language
English
Publication Year
2009
Topic
Design, Drafting, Drawing & Presentation, Aesthetics, Graphic Arts / General
Illustrator
Yes
Genre
Design, Philosophy, Architecture
Author
Kenya Hara
Format
Hardcover

Dimensions

Item Height
0.6 in
Item Weight
8.8 Oz
Item Length
7.5 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
111.850952
Synopsis
White is not a book about colors. It is rather Kenya Haras attempt to explore the essence of -White-, which he sees as being closely related to the origin of Japanese aesthetics - symbolizing simplicity and subtlety. The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void., "White" is not a book about colors. It is rather Kenya Haras attempt to explore the essence of "White," which he sees as being closely related to the origin of Japanese aesthetics - symbolizing simplicity and subtlety. The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void. Kenya Hara also sees his work as a designer as a form of communication. Good communication has the distinction of being able to listen to each other, rather than to press one's opinion onto the opponent. Kenya Hara compares this form of communication with an "empty container." In visual communication, there are equally signals whose signification is limited, as well as signals or symbols such as the cross or the red circle on the Japanese flag, which - like an "empty container" - permit every signification and do not limit imagination. Not alone the fact that the Japanese character for white forms a radical of the character for emptiness has prompted him the closely associate the color white with emptiness., White is not a book about colors. It is rather Kenya Haras attempt to explore the essence of "White", which he sees as being closely related to the origin of Japanese aesthetics - symbolizing simplicity and subtlety. The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void. Kenya Hara also sees his work as a designer as a form of communication. Good communication has the distinction of being able to listen to each other, rather than to press one's opinion onto the opponent. Kenya Hara compares this form of communication with an "empty container". In visual communication, there are equally signals whose signification is limited, as well as signals or symbols such as the cross or the red circle on the Japanese flag, which - like an "empty container" - permit every signification and do not limit imagination. Not alone the fact that the Japanese character for white forms a radical of the character for emptiness has prompted him the closely associate the color white with emptiness., An exploration of the essence of "White," from the art director of Muji White is not a book about colors. It is rather Kenya Haras attempt to explore the essence of "White", which he sees as being closely related to the origin of Japanese aesthetics - symbolizing simplicity and subtlety. The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void. Kenya Hara also sees his work as a designer as a form of communication. Good communication has the distinction of being able to listen to each other, rather than to press one's opinion onto the opponent. Kenya Hara compares this form of communication with an "empty container". In visual communication, there are equally signals whose signification is limited, as well as signals or symbols such as the cross or the red circle on the Japanese flag, which - like an "empty container" - permit every signification and do not limit imagination. Not alone the fact that the Japanese character for white forms a radical of the character for emptiness has prompted him the closely associate the color white with emptiness.
LC Classification Number
BH221.J3H3 2010

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