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Victorian Photography, Painting and Poetry: The Enigma of Visibi

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Características del artículo

Estado
En muy buen estado: Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un ...
Title
Victorian Photography, Painting and Poetry: The Enigma of Visibi
ISBN
9780521054683

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Product Identifiers

Publisher
Cambridge University Press
ISBN-10
0521054680
ISBN-13
9780521054683
eBay Product ID (ePID)
64186717

Product Key Features

Number of Pages
264 Pages
Language
English
Publication Name
Victorian Photography, Painting and Poetry : The Enigma of Visibility in Ruskin, Morris and the Pre-Raphaelites
Subject
Cognitive Psychology & Cognition, European, European / English, Irish, Scottish, Welsh
Publication Year
2008
Type
Textbook
Subject Area
Literary Criticism, Art, Psychology
Author
Lindsay Smith
Series
Cambridge Studies in Nineteenth-Century Literature and Culture Ser.
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
15.3 Oz
Item Length
9.1 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
20
Series Volume Number
Series Number 6
Illustrated
Yes
Dewey Decimal
700/.942/09034
Table Of Content
List of illustrations; Acknowledgements; Introduction; 1. Ruskin, Morris and the (un)assertive eyes; 2. 'Gaps on the mind's shelves': Ruskin's theory of the grotesque; 3. 'The seed of the flower': photography and Pre-Raphaelitism; 4. 'Where he cannot see, he will not venture far': the critical reception of The Defence of Guenevere; 5. The optical agency of 'Rapunzel'; 6. The politics of sight: The Defence of Guenevere and the optical determinants of medieval topography; 7. Coda: through yellow lenses; Notes; Bibliography; Index.
Synopsis
This book explores the intersections between Victorian literature, painting and photography. Taking as a starting point mid-nineteenth-century developments in the understanding of visual perception, Lindsay Smith examines the representation of a pervasive desire for a literal understanding of the process of seeing and perceiving. This is played out in the aesthetic theory of John Ruskin, the early poetry of William Morris, paintings of the Pre-Raphaelites, and in the photographic technique of combination printing. She demonstrates how the novel presence of the camera in nineteenth-century culture not only transforms acts of looking, but also affects major social, aesthetic and philosophical categories. By exploring the intricacies of photographic discourse she shows how Ruskin and Morris produce a critique of the earlier Cartesian perspectival model of vision., This book discusses the intersections between Victorian literature, painting and photography. It examines in detail the art theory of Ruskin, the early poetry of William Morris, paintings of the Pre-Raphaelites, and nineteenth-century photography from the perspective of contemporary developments in the understanding of visual perception.
LC Classification Number
NX543.S64 2008

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