Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art by Hourihane

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Características del artículo

Estado
En muy buen estado: Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un ...
Pages
488
Publication Date
2009-05-10
Book Title
Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art
ISBN
9780691139562
Categoría

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Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691139563
ISBN-13
9780691139562
eBay Product ID (ePID)
71690835

Product Key Features

Number of Pages
488 Pages
Publication Name
Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art
Language
English
Publication Year
2009
Subject
Biblical Biography / New Testament, History / Medieval, Subjects & Themes / Religious, History
Type
Textbook
Subject Area
Art, Religion
Author
Colum Hourihane
Format
Hardcover

Dimensions

Item Height
1.6 in
Item Weight
73.9 Oz
Item Length
10.3 in
Item Width
8.6 in

Additional Product Features

Intended Audience
College Audience
LCCN
2008-037720
Reviews
Hourihane has given an admirable, thorough and balanced account of the representation of this enigmatic man, and his book is beautifully produced., There is much here to interest the art historian, the medievalist, the church historian, the researcher in the history of anti-Semitism, and the student of the development and transmission of myths and legends., Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art is likely to stimulate discussion . . . for some time to come, so broad is its reach and bounteous its sources. It is a significant accomplishment to begin to bring order to this enormous mass of material; that Hourihane has also produced such a wide-ranging and beautifully illustrated volume is cause for considerable gratitude., Hourihane has given an admirable, thorough and balanced account of the representation of this enigmatic man, and his book is beautifully produced. ---Paul Binski, Journal of Ecclesiastical History, "[T]his book is a multifaceted treatment of the iconography of Pontius Pilate and provides a useful compilation of textual and visual representations of his role in the Passion." --Vivian B. Mann, Speculuma Journal of Medieval Studies, "I have to admit to being delighted by this latest offering from the director of the Index of Christian Art at Princeton. The path along which Colum Hourihane leads us is copiously illustrated . . . and accompanied by scrupulously detailed notes." --Christopher Colven, Art Newspaper, "Hourihane has given an admirable, thorough and balanced account of the representation of this enigmatic man, and his book is beautifully produced." --Paul Binski, Journal of Ecclesiastical History, "[T]his book is a multifaceted treatment of the iconography of Pontius Pilate and provides a useful compilation of textual and visual representations of his role in the Passion."-- Vivian B. Mann, Speculuma Journal of Medieval Studies, I have to admit to being delighted by this latest offering from the director of the Index of Christian Art at Princeton. The path along which Colum Hourihane leads us is copiously illustrated . . . and accompanied by scrupulously detailed notes., There is much here to interest the art historian, the medievalist, the church historian, the researcher in the history of anti-Semitism, and the student of the development and transmission of myths and legends. ---Sarah Lawson, Art Book, I have to admit to being delighted by this latest offering from the director of the Index of Christian Art at Princeton. The path along which Colum Hourihane leads us is copiously illustrated . . . and accompanied by scrupulously detailed notes. -- Christopher Colven, Art Newspaper, [T]his book is a multifaceted treatment of the iconography of Pontius Pilate and provides a useful compilation of textual and visual representations of his role in the Passion., I have to admit to being delighted by this latest offering from the director of the Index of Christian Art at Princeton. The path along which Colum Hourihane leads us is copiously illustrated . . . and accompanied by scrupulously detailed notes. ---Christopher Colven, Art Newspaper, Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art is likely to stimulate discussion . . . for some time to come, so broad is its reach and bounteous its sources. It is a significant accomplishment to begin to bring order to this enormous mass of material; that Hourihane has also produced such a wide-ranging and beautifully illustrated volume is cause for considerable gratitude. -- Sarah Lipton, Medieval Review, "I have to admit to being delighted by this latest offering from the director of the Index of Christian Art at Princeton. The path along which Colum Hourihane leads us is copiously illustrated . . . and accompanied by scrupulously detailed notes."-- Christopher Colven, Art Newspaper, " Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art is likely to stimulate discussion . . . for some time to come, so broad is its reach and bounteous its sources. It is a significant accomplishment to begin to bring order to this enormous mass of material; that Hourihane has also produced such a wide-ranging and beautifully illustrated volume is cause for considerable gratitude."-- Sarah Lipton, Medieval Review, "This is a major contribution to the growing examinations of anti-Jewish representations in medieval and early modern art and literature. The author's lively and engaging consideration of the sources, both pictorial and literary, is careful and thorough." --Debra Higgs Strickland, University of Glasgow, [T]his book is a multifaceted treatment of the iconography of Pontius Pilate and provides a useful compilation of textual and visual representations of his role in the Passion. -- Vivian B. Mann, Speculuma Journal of Medieval Studies, [T]his book is a multifaceted treatment of the iconography of Pontius Pilate and provides a useful compilation of textual and visual representations of his role in the Passion. ---Vivian B. Mann, Speculuma Journal of Medieval Studies, "This textual and visual barometer of Pontius Pilate reveals a highly complex picture of a mysterious figure. The chronological span of the book is breathtaking." --Dorothy Verkerk, University of North Carolina, Chapel Hill, "There is much here to interest the art historian, the medievalist, the church historian, the researcher in the history of anti-Semitism, and the student of the development and transmission of myths and legends." --Sarah Lawson, Art Book, Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art is likely to stimulate discussion . . . for some time to come, so broad is its reach and bounteous its sources. It is a significant accomplishment to begin to bring order to this enormous mass of material; that Hourihane has also produced such a wide-ranging and beautifully illustrated volume is cause for considerable gratitude. ---Sarah Lipton, Medieval Review, Hourihane has given an admirable, thorough and balanced account of the representation of this enigmatic man, and his book is beautifully produced. -- Paul Binski, Journal of Ecclesiastical History, " Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art is likely to stimulate discussion . . . for some time to come, so broad is its reach and bounteous its sources. It is a significant accomplishment to begin to bring order to this enormous mass of material; that Hourihane has also produced such a wide-ranging and beautifully illustrated volume is cause for considerable gratitude." --Sarah Lipton, Medieval Review, "Hourihane has given an admirable, thorough and balanced account of the representation of this enigmatic man, and his book is beautifully produced."-- Paul Binski, Journal of Ecclesiastical History, "The figure of Pilate has long fascinated the public. The book discusses the historical and traditional textual presentations of Pilate, and includes art from Christian antiquity through to the end of the Middle Ages. The scholarship is sound and extensive." --Robin M. Jensen, Vanderbilt University, There is much here to interest the art historian, the medievalist, the church historian, the researcher in the history of anti-Semitism, and the student of the development and transmission of myths and legends. -- Sarah Lawson, Art Book, "There is much here to interest the art historian, the medievalist, the church historian, the researcher in the history of anti-Semitism, and the student of the development and transmission of myths and legends."-- Sarah Lawson, Art Book
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
704.9/484
Synopsis
Pontius Pilate is one of the Bible's best-known villains--but up until the tenth century, artistic imagery appears to have consistently portrayed him as a benevolent Christian and holy symbol of baptism. For the first time, Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art provides a complete look at the shifting visual and textual representations of Pilate throughout early Christian and medieval art. Colum Hourihane examines neglected and sometimes sympathetic portrayals, and shows how negative characterizations of Pilate, which were developed for political and religious purposes, reveal the anti-Semitism of the medieval period. Hourihane indicates that in some artistic renderings, Pilate may have been a symbol of good, and in many, a figure of jurisprudence. Eastern traditions treated Pilate as a saint with his own feast day, but Western accounts from the tenth century changed him from a Roman to a Jew. Pilate became a vessel for anti-Semitism--his image acquired grotesque facial and physical characteristics, and his role in Christ's Passion grew to mythic proportions. By the fifteenth century, however, representations of Pilate came full circle to depict an aged and empathetic administrator. Combining a wealth of previously unpublished sources with explorations of art historical developments, Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art puts forth for the first time an encyclopedic portrait of a complex legend.
LC Classification Number
N8110.H68 2009

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