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Digital Cinema by Stephen Prince (English) Paperback Book
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Ubicado en: Fairfield, Ohio, Estados Unidos
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Entrega prevista entre el vie. 19 sep. y el jue. 25 sep.
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N.º de artículo de eBay:396095337712
Última actualización el 16 jul 2025 08:23:32 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN-13
- 9780813596266
- Book Title
- Digital Cinema
- ISBN
- 9780813596266
Acerca de este producto
Product Identifiers
Publisher
Rutgers University Press
ISBN-10
0813596262
ISBN-13
9780813596266
eBay Product ID (ePID)
7038723685
Product Key Features
Number of Pages
196 Pages
Publication Name
Digital Cinema
Language
English
Publication Year
2019
Subject
Digital Media / Video & Animation, Digital, Film / Direction & Production, Film / History & Criticism, Techniques / Cinematography & Videography
Type
Textbook
Subject Area
Art, Computers, Performing Arts, Photography
Series
Quick Takes: Movies and Popular Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
0.1 Oz
Item Length
7 in
Item Width
4.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2017-060273
Reviews
Stephen Prince's Digital Cinema is essential reading for anyone interested in the implications of the digital revolution for storytelling in the moving image media. This book--at once sophisticated and accessible--is by far the best introduction to the topic., The book's greatest strength is its ability to distil a significant amount of existing scholarship on digital cinema to jargon free and accessible language. Prince illuminates his points through numerous examples, ranging from film sequences, filmmaking software, techniques and technology, to media in general., This illuminating, lucid, and deeply informative book should be essential reading for anyone who has ever wondered about the present, past, and future of cinema in the digital age.
Dewey Edition
23
Grade From
Eleventh Grade
Illustrated
Yes
Dewey Decimal
777
Table Of Content
Contents Acknowledgements Introduction 1. Cinema as Construction: Then and Now 2. Reasons for Realism 3. Cheating Physics 4. Beyond Cinema 5. Everywhere and Nowhere Further Reading Works Cited Index
Synopsis
Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges fundamental assumptions about film. In the process, he raises provocative questions about the emergence of virtual reality, the future of film preservation, and the status of realism in digital cinema., Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking?s analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence? Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century., Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking's analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence? Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century.
LC Classification Number
TR860
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