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Worlds of Art by Paula Gillett HC/DJ 1990
USD6,00
Aproximadamente5,11 EUR
Estado:
Como nuevo
Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Recogida:
Recogida local gratis en Woburn, Massachusetts, Estados Unidos.
Envío:
USD4,40 (aprox. 3,75 EUR) USPS Media MailTM.
Ubicado en: Woburn, Massachusetts, Estados Unidos
Entrega:
Entrega prevista entre el jue. 9 oct. y el jue. 16 oct. a 94104
Devoluciones:
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N.º de artículo de eBay:395250651230
Características del artículo
- Estado
- ISBN
- 9780813514598
Acerca de este producto
Product Identifiers
Publisher
Rutgers University Press
ISBN-10
0813514592
ISBN-13
9780813514598
eBay Product ID (ePID)
1127664
Product Key Features
Number of Pages
275 Pages
Language
English
Publication Name
Worlds of Art
Subject
European, History / General
Publication Year
1990
Type
Textbook
Subject Area
Art
Format
Hardcover
Dimensions
Item Weight
28 Oz
Additional Product Features
Intended Audience
College Audience
LCCN
89-030373
Dewey Edition
19
Illustrated
Yes
Dewey Decimal
759.2
Synopsis
From Library Journal Gillett here explores the values inherent in Victorian painting, showing how they have been downplayed in contrast to those found in the literature and science of that period. She thereby restores to their proper place once-prominent artists like Luke Fildes, Hubert Herkomer, and G.F. Watts. While the achievements of key men are covered, the two best chapters treat Victorian women painters; the role of women as artists is well discussed in both a broad cultural context and in terms of specific careers. These chapters contain valuable insights into the problems facing the serious British woman painter. The final chapter, which looks at the nature of the late Victorian art world and its public, concludes that painters and their audience began distancing themselves from each other due to changing social conditions. This book updates Quentin Bell's Victorian Artists (1967) for use in academic and research art library collections.
LC Classification Number
ND467.5.V52G55 1990
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