The Birth of the Idea of Photography 2019 Francois Brunet Ryerson Image Centre

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“Minimal wear and bumping on cover. Pages are clean with no tears or folds”
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Ubicado en: Union, Maine, Estados Unidos
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Estado
En buen estado
Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“Minimal wear and bumping on cover. Pages are clean with no tears or folds”
Country of Origin
Canada
Era
2010s
ISBN
9780262043267-
Intended Audience
Adults
Narrative Type
Nonfiction

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Product Identifiers

Publisher
MIT Press
ISBN-10
0262043262
ISBN-13
9780262043267
eBay Product ID (ePID)
27050022910

Product Key Features

Book Title
Birth of the Idea of Photography
Number of Pages
304 Pages
Language
English
Topic
Criticism & Theory, General, History
Publication Year
2019
Illustrator
Yes
Genre
Art, Photography
Author
Francois Brunet
Book Series
Ric Books (Ryerson Image Centre Books) Ser.
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
40.5 Oz
Item Length
9.4 in
Item Width
7.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2019-933793
TitleLeading
The
Dewey Edition
23
Dewey Decimal
770.1
Synopsis
A milestone work that examines the democratic idea of photography and its expansion in common culture, particularly in the United States; generously illustrated. This influential text by French historian and theorist Fran ois Brunet considers the invention and history of photography as the birth of an idea, rather than a new type of image. This "idea photography" combines a logical theme--that of an art without artistry--and the democratic political promise of an art for all. Officially endorsed by the 1839 French law on the daguerreotype, this idea reverberated throughout the nineteenth century in Europe and America. Brunet shows how emerging image technologies and practices in France and Britain were linked to this logical/political construction of photography, from the earliest researches of Nic phore Ni pce, Louis-Jacques-Mand Daguerre, and Henry Fox Talbot up to the turn of the twentieth century. The parallel development of the Kodak camera and Alfred Stieglitz's "straight" vision in the United States then fulfilled, while also depreciating, the utopian promise of photography for all. This history reached a provisional climax with the reflections on images by Ralph Waldo Emerson, Hippolyte Adolphe Taine, Sigmund Freud, Henri-Louis Bergson, and Charles Sanders Peirce, reflections that both demonstrated the novelty of photography and forecast many later debates on its technology and aesthetics. The Birth of the Idea of Photography has been enriched with more than fifty photographs, reproduced in color, from North American and European collections. This edition also features a new preface by the author., A milestone work that examines the democratic idea of photography and its expansion in common culture, particularly in the United States; generously illustrated. This influential text by French historian and theorist Fran ois Brunet considers the invention and history of photography as the birth of an idea, rather than a new type of image. This "idea photography" combines a logical theme-that of an art without artistry-and the democratic political promise of an art for all. Officially endorsed by the 1839 French law on the daguerreotype, this idea reverberated throughout the nineteenth century in Europe and America. Brunet shows how emerging image technologies and practices in France and Britain were linked to this logical/political construction of photography, from the earliest researches of Nicephore Niepce, Louis-Jacques-Mande Daguerre, and Henry Fox Talbot up to the turn of the twentieth century. The parallel development of the Kodak camera and Alfred Stieglitz's "straight" vision in the United States then fulfilled, while also depreciating, the utopian promise of photography for all. This history reached a provisional climax with the reflections on images by Ralph Waldo Emerson, Hippolyte Adolphe Taine, Sigmund Freud, Henri-Louis Bergson, and Charles Sanders Peirce, reflections that both demonstrated the novelty of photography and forecast many later debates on its technology and aesthetics. The Birth of the Idea of Photography has been enriched with more than fifty photographs, reproduced in color, from North American and European collections. This edition also features a new preface by the author.
LC Classification Number
TR183.B7813 2019

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