Plato's Philosophers : The Coherence of the Dialogues Catherine H. Zuckert Paper

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN
9780226007748
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Product Identifiers

Publisher
University of Chicago Press
ISBN-10
022600774X
ISBN-13
9780226007748
eBay Product ID (ePID)
9038260425

Product Key Features

Number of Pages
896 Pages
Language
English
Publication Name
Plato's Philosophers : the Coherence of the Dialogues
Subject
History & Theory, History & Surveys / Ancient & Classical, Political
Publication Year
2012
Type
Textbook
Subject Area
Political Science, Philosophy
Author
Catherine H. Zuckert
Format
Trade Paperback

Dimensions

Item Height
0.2 in
Item Weight
43.8 Oz
Item Length
0.9 in
Item Width
0.6 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
22
Dewey Decimal
184
Table Of Content
ACKNOWLEDGEMENTS INTRODUCTION PLATONIC DRAMATOLOGY Part I The Political and Philosophical Problems ONE Using Pre-Socratic Philosophy to Support Political Reform The Athenian Stranger TWO Plato's Parmenides Parmenides' Critique of Socrates and Plato's Critique of Parmenides THREE Becoming Socrates FOUR Socrates Interrogates His Contemporaries about the Noble and Good Part II Two Paradigms of Philosophy FIVE Socrates' Positive Teaching SIX Timaeus - Critias Completing or Challenging Socratic Political Philosophy? SEVEN Socratic Practice Conclusion to Part II Part III The Trial and Death of Socrates EIGHT The Limits of Human Intelligence NINE The Eleatic Challenge TEN The Trial and Death of Socrates CONCLUSION Why Plato Made Socrates His Hero BIBLIOGRAPHY INDEX
Synopsis
Faced with the difficult task of discerning Plato's true ideas from the contradictory voices he used to express them, scholars have never fully made sense of the many incompatibilities within and between the dialogues. In the magisterial Plato's Philosophers , Catherine Zuckert explains for the first time how these prose dramas cohere to reveal a comprehensive Platonic understanding of philosophy. To expose this coherence, Zuckert examines the dialogues not in their supposed order of composition but according to the dramatic order in which Plato indicates they took place. This unconventional arrangement lays bare a narrative of the rise, development, and limitations of Socratic philosophy. In the drama's earliest dialogues, for example, non-Socratic philosophers introduce the political and philosophical problems to which Socrates tries to respond. A second dramatic group shows how Socrates develops his distinctive philosophical style. And, finally, the later dialogues feature interlocutors who reveal his philosophy's limitations. Despite these limitations, Zuckert concludes, Plato made Socrates the dialogues' central figure because Socrates raises the fundamental human question: what is the best way to live? Plato's dramatization of Socratic imperfections suggests, moreover, that he recognized the apparently unbridgeable gap between our understandings of human life and the nonhuman world. At a time when this gap continues to raise questions--about the division between sciences and the humanities and the potentially dehumanizing effects of scientific progress--Zuckert's brilliant interpretation of the entire Platonic corpus offers genuinely new insights into worlds past and present., Faced with the difficult task of discerning Plato's true ideas from the contradictory voices he used to express them, scholars have never fully made sense of the many incompatibilities within and between the dialogues. In the magisterial Plato's Philosophers , Catherine Zuckert explains for the first time how these prose dramas cohere to reveal a comprehensive Platonic understanding of philosophy. To expose this coherence, Zuckert examines the dialogues not in their supposed order of composition but according to the dramatic order in which Plato indicates they took place. This unconventional arrangement lays bare a narrative of the rise, development, and limitations of Socratic philosophy. In the drama's earliest dialogues, for example, non-Socratic philosophers introduce the political and philosophical problems to which Socrates tries to respond. A second dramatic group shows how Socrates develops his distinctive philosophical style. And, finally, the later dialogues feature interlocutors who reveal his philosophy's limitations. Despite these limitations, Zuckert concludes, Plato made Socrates the dialogues' central figure because Socrates raises the fundamental human question: what is the best way to live? Plato's dramatization of Socratic imperfections suggests, moreover, that he recognized the apparently unbridgeable gap between our understandings of human life and the nonhuman world. At a time when this gap continues to raise questions-about the division between sciences and the humanities and the potentially dehumanizing effects of scientific progress-Zuckert's brilliant interpretation of the entire Platonic corpus offers genuinely new insights into worlds past and present.
LC Classification Number
B395.Z77 2012

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