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Formations of Masculinity in Post-Communist Hungarian Cinema: Labyrinthian Men b

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN-13
9783319876092
Type
Does not apply
ISBN
9783319876092

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Product Identifiers

Publisher
Springer International Publishing A&G
ISBN-10
3319876090
ISBN-13
9783319876092
eBay Product ID (ePID)
25038727173

Product Key Features

Book Title
Formations of Masculinity in Post-Communist Hungarian Cinema : Labyrinthian Men
Number of Pages
Xxiv, 164 Pages
Language
English
Publication Year
2018
Topic
Film / General, Television / General, Film / History & Criticism
Illustrator
Yes
Genre
Performing Arts
Author
György Kalmár
Format
Trade Paperback

Dimensions

Item Weight
16 Oz
Item Length
8.3 in
Item Width
5.8 in

Additional Product Features

Reviews
"This study of New Hungarian Cinema provides an interesting outline of important films from the new millennium and will be of interest to those interested in film as well as in recent Hungarian social and cultural studies." (Clara Orban, Hungarian Cultural Studies, Vol. 13, 2020)
Dewey Edition
23
Number of Volumes
1 vol.
Dewey Decimal
791.430943909045
Table Of Content
1. Introduction.- 2. The labyrinth principle: Figures of entrapment in Hungarian art-house cinema.- 3. Historical ruptures and ironic masculinities. ( Moscow Square . Ferenc Török, 2001).- 4. Men on the margins of history. ( Hukkle. György Pálfi, 2002).- 5. Just the Wind. Benedek Fliegauf, 2012).- 9. Conclusions.
Synopsis
This book investigates the formations of masculinity in Hungarian cinema after the fall of communism and explores some of the cultural phenomena of the years following the 1989 regime change. The films explored offer a unique perspective encompassing two entirely different worlds: state socialism and neoliberal capitalism. The films suggest that Eastern Europe is somehow different than its western counterpart and that its subjects are marked by what they went through before and after 1989. These films are all remembering, interpreting, picturing, marketing and trying to come to terms with this difference-with the memory and effects of state-socialism. In looking closely at the films' male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new world of global neoliberal capitalism through the eyes of the Eastern European newcomers., This book investigates the formations of masculinity in Hungarian cinema after the fall of communism and explores some of the cultural phenomena of the years following the 1989 regime change. The films explored offer a unique perspective encompassing two entirely different worlds: state socialism and neoliberal capitalism. The films suggest that Eastern Europe is somehow different than its western counterpart and that its subjects are marked by what they went through before and after 1989. These films are all remembering, interpreting, picturing, marketing and trying to come to terms with this difference--with the memory and effects of state-socialism. In looking closely at the films' male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new world of global neoliberal capitalism through the eyes of the Eastern European newcomers.
LC Classification Number
PN1993-1999

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