Satire in Latin America : Online Video Humor As Hybrid Alternative Media, Har...

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
Book Title
Digital Satire in Latin America : Online Video Humor As Hybrid Al
ISBN
9781683404637
Categoría

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Product Identifiers

Publisher
University Press of Florida
ISBN-10
1683404637
ISBN-13
9781683404637
eBay Product ID (ePID)
3067065877

Product Key Features

Number of Pages
206 Pages
Publication Name
Digital Satire in Latin America : Online Video Humor As Hybrid Alternative Media
Language
English
Publication Year
2024
Subject
Media Studies, Latin America / General, Graphic Arts / General
Features
New Edition
Type
Textbook
Author
Paul Alonso
Subject Area
Design, Social Science, History
Series
Reframing Media, Technology, and Culture in Latin/O America Ser.
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
14.1 Oz
Item Length
9.1 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2024-017635
Edition Description
New Edition
Table Of Content
CONTENTS List of Figures vii Acknowledgments ix 1. Introduction: Audiovisual Satire in the Americas in the Time of the Internet 1 2. Pioneers of Latin American Digital Humor as Cultural Globalization: El Pulso de la República (Mexico), Malena Pichot (Argentina), Enchufe.tv (Ecuador) 29 3. How Female YouTubers Reshaped Journalism and Gender Discourse in Postconflict Colombia: La Pulla and Las Igualadas 63 4. Apocalyptic Satire in Argentina's Macri/Kirchner Polarized Society: Guille Aquino's El Sketch 92 5. Satiric Literacy and Marginal Sociopolitical Critique in Post-Fujimori Peru: Gente Como Uno and El Cacash 116 6. Latinx Millennial Digital Humor and Intersectional Identities in the United States: Joanna Hausmann 149 7. Conclusions: Digital Satire as Subversive Cultural Glocalization 177 Index 187
Synopsis
How creators of online video critique politics and society and amplify public discourse in Latin American countries Thisbook analyzes how digital-native audiovisual satire has becomeincreasingly influential in national public debates within LatinAmerica. Paul Alonso illuminates the role of online video in fillinggaps in sociopolitical critique left by television, traditionaljournalism, and commercial entertainment while exposing some of theprevalent tensions of the region. Alonso draws oninterviews and analyzes media content to consider some of the mostrepresentative and influential satirical shows born on the internet andproduced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinxcommunities in the United States. He discusses YouTubers Chumel Torres,Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas . These creators useprofessional and non-mainstream practices and resources to dismantlefake news, highlight social tensions, and offer in-depth content thatgoes beyond confrontational attacks. In contexts ofhighly ideological polarization, Alonso argues, digital satire is aunique type of hybrid alternative media that can articulate nonpartisaninterpretations of reality while also questioning, deconstructing, andsubverting the authoritative role of media. Satiric voices can offer aninformed, reflexive, argumentative, or historically rooted perspectivethat amplifies public discourse and shapes changing notions ofjournalism and political communication in democratic societies. Avolume in the series Reframing Media, Technology, and Culture inLatin/o America, edited by Héctor Fernández L'Hoeste and Juan CarlosRodríguez Publication of this work made possible by aSustaining the Humanities through the American Rescue Plan grant fromthe National Endowment for the Humanities., This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America. Paul Alonso examines the role of online video creators in critiquing politics and society and amplifying public discourse, filling gaps left by traditional media and journalism.
LC Classification Number
LCC NC1450 .A46 2024

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